The founder of world-systems analysis explores what we can expect in the twenty-first century. The twentieth century has witnessed both the triumphs and failures of the dreams that have informed the modern world. In Utopistics, Immanuel Wallerstein argues that the global order that nourished those dreams is on the brink of disintegration. Pointing to the globalization of commerce, the changing nature of work and the family, the failures of traditional liberal ideology, and the danger of profound environmental crises, the founder of world-systems analysis argues that the nation-state system no longer works. The next twenty-five to fifty years will see the final breakdown of that system, and a time of great conflicts and disorder. It will also be a period in which individual and collective action will have a greater impact on the future than has been possible for 500 years. Utopistics distills Wallerstein's hugely influential work on the modern world-system in an accessible way. This fascinating and provocative look into our collective political destiny poses urgent questions for anyone concerned with social change in the next millennium.

A John Hope Franklin Center Book.

"Reading Grace Lee Boggs helps you glimpse a United States that is better and more beautiful than you thought it was. As she analyzes some of the inspiring theories and practices that have emerged from the struggles for equality and freedom in Detroit and beyond, she also shows us that in this country, a future revolution is not only necessary but possible." —Michael Hardt, co-author of Commonwealth "This groundbreaking book not only represents the best of Grace Lee Boggs, but the best of any radical, visionary thinking in the United States. She reminds us why revolution is not only possible and necessary, but in some places already in the making. The conditions we face under neoliberalism and war do, indeed, mark the end of an era in which the old ideological positions of protest are not really relevant or effective—and this book offers a new way forward."—Robin D.G. Kelley, author of Freedom Dreams: The Black Radical Imagination “Grace Boggs has long been a major voice of hope and action for transformation of the United States and the world. Here is her testimony of hope and program for action. It must be taken seriously.” —Immanuel Wallerstein, author of Utopistics: or, Historical Choices of the Twenty-first Century "One of the most accomplished radicals of our time, the Detroit-based visionary Grace Lee Boggs has become one of our most influential and inspiring public intellectuals. The Next American Revolution is her powerful reflection on a lifetime of urban revolutionary work, an ode to the courage and brilliance of her late partner James Boggs, and a plain-spoken call for us to address the troubled times we face with a sense of history, a strong set of values, and an unwavering faith in our own creative, restorative powers." —Jeff Chang, author of Can't Stop Won't Stop

The internationally renowned theorist contends that the sun is setting on the American empire in this “lucid, informed, and insightful” account (The New York Times). The United States currently finds itself [a] superpower that lacks true power, a world leader nobody follows and few respect, and a nation drifting dangerously amidst a global chaos it cannot control. The United States in decline? Its admirers and detractors alike claim the opposite: America is now in a position of unprecedented global supremacy. But in fact, Immanuel Wallerstein argues, a more nuanced evaluation of recent history reveals that America has been fading as a global power since the end of the Vietnam War, and its response to the terrorist attacks of 9/11 looks certain to hasten that decline. In this provocative collection, the visionary originator of world-systems analysis and the most innovative social scientist of his generation turns a practiced analytical eye to the turbulent beginnings of the twenty-first century. Touching on globalization, Islam, racism, democracy, intellectuals, and the state of the left wing, Wallerstein upends conventional wisdom to produce a clear-eyed—and troubling—assessment of the crumbling international order. “[Wallerstein’s thought] provides a new framework for the subject of European history . . . it is compelling, a new explanation, a new classification, indeed a revolutionary one, of received knowledge and current thought.” —Fernand Braudel

In After Liberalism, the distinguished historian and political scientist Immanuel Wallerstein examines the process of disintegration of our modern world-system and speculates on the changes that may occur during the next few decades. He explores the historical choices before us and suggests paths for reconstructing our world-system on a more rational and socially equitable basis.

This work draws upon the full range of Wallerstein's social scientific scholarship, from his research on contemporary African politics, to his study of the modern world-system and essays on the new structures of knowledge emerging from the crisis of the capitalist world-economy. His singular focus on the way in which change in one part of the globe affects the whole is all the more relevant as the world grows increasingly inter-dependant.

Selected by Newsweek as one of “14 nonfiction books you’ll want to read this fall” Fifty years after it first appeared, one of Noam Chomsky’s greatest essays will be published for the first time as a timely stand-alone book, with a new preface by the author As a nineteen-year-old undergraduate in 1947, Noam Chomsky was deeply affected by articles about the responsibility of intellectuals written by Dwight Macdonald, an editor of Partisan Review and then of Politics. Twenty years later, as the Vietnam War was escalating, Chomsky turned to the question himself, noting that "intellectuals are in a position to expose the lies of governments" and to analyze their "often hidden intentions." Originally published in the New York Review of Books, Chomsky's essay eviscerated the "hypocritical moralism of the past" (such as when Woodrow Wilson set out to teach Latin Americans "the art of good government") and exposed the shameful policies in Vietnam and the role of intellectuals in justifying it. Also included in this volume is the brilliant "The Responsibility of Intellectuals Redux," written on the tenth anniversary of 9/11, which makes the case for using privilege to challenge the state. As relevant now as it was in 1967, The Responsibility of Intellectuals reminds us that "privilege yields opportunity and opportunity confers responsibilities." All of us have choices, even in desperate times.

Barbed wire is the quintessentially modern creation. Its hidden history is here uncovered for the first time, illustrated with rare archive photographs. Few technologies did more to usher in the hallmarks of the modern era: the harnessing of nature, brutal mass warfare, political conquest and repression, and genocide. Developed in the USA as a handy way of keeping cattle _in_ and native Americans _out_, it realized its destiny in the trench warfare of 1914-18 and in the camp archipelagos of the world, from the Boer War to Auschwitz, from Gulag to Guantanamo.

A beautifully packaged and profound exploration of human desire and queer sexuality in Latin America by the acclaimed Argentinian photographer Claudia Jares In Dark Tears, award-winning Argentinian photographer and performance artist Claudia Jares takes her lens to the reality of queer experience in Argentina, Venezuela, and across Latin America, exploring questions of sexuality, religion, and identity with the raw eroticism that is the hallmark of her style. Here she tells the stories of a number of people struggling to come to terms with their identity in a region that, despite much progress in LGBTQ rights in recent years, still moves to a strongly conservative Christian heartbeat that condemns same-sex relations and reveres the institution of the heteronormative family. Drawing on the queer traditions of burlesque and drag, Dark Tears is a journey into an interior erotic landscape as it profiles a number of different couples—gay, lesbian, gender nonconforming—to delve into the hidden corners and diverse configurations of human desire as it conflicts with more staid, traditional values. A balance of celebrating acceptance and recalling the clandestine, furtive history of queer sexuality, these explicit black-and-white and color images are a challenge to the viewer as voyeur, but also an invitation to enter with empathy into the intimate world of Jares's subjects. Dark Tears was designed by Emerson, Wajdowicz Studios (EWS).

This text shows the most critical state's voting process in the 2004 presidential election. It includes trucking receipts that show voting machines were pulled back from minority districts, ballots that contain evidence of tampering, and mathematical analysis demonstrating the statistical impossibility of voting totals.