Essay from the year 2016 in the subject English - Literature, Works, language: English, abstract: This paper deals with the language used by one of the most famous modern writers EUGENE IONESCO (1909-1994), in his plays, The Chairs and The Bald Soprano. Ionesco is the writer whose sense of literature is incorporated with the experiences he gained from his life and the observations that he made in society and people around him. The usage of language in his works we can say, to some extent, is quite similar to other modern writers who motivated their thoughts and writing skills to write in an absurd manner and portray the extreme level of absurdity of humans and worlds in their works. But as every writer is having their own way of flourishing their works, through plot, character, dialogues and scenes and so on, Ionesco too had his way of presenting the levels of absurdity in the society. His technique was 'Language'. He is often called a Man of Anti-Theatre, because of his presentation of language as an impossible means of communication. The paper will present these points briefly and will focus on the two above mentioned texts in detail.

Often called the father of the Theater of the Absurd, Eugène Ionesco wrote groundbreaking plays that are simultaneously hilarious, tragic, and profound. Now his classic one acts The Bald Soprano and The Lesson are available in an exciting new translation by Pulitzer Prize-finalist Tina Howe, noted heir of Ionesco's absurdist vision, acclaimed by Frank Rich as "one of the smartest playwrights we have." In The Bald Soprano Ionesco throws together a cast of characters including the quintessential British middle-class family the Smiths, their guests the Martins, their maid Mary, and a fire chief determined to extinguish all fires -- including their hearths. It's an archetypical absurdist tale and Ionesco displays his profound take on the problems inherent in modern communication. The Lesson illustrates Ionesco's comic genius, where insanity and farce collide as a professor becomes increasingly frustrated with his hapless student, and the student with his mad teacher.

In a house on an island a very old couple pass their time with private games and half-remembered stories. With brilliant eccentricity, Ionesco's 'tragic farce' combines a comic portrait of human folly with a magical experiment in theatrical possibilities.

Rose and Bert rent a room that might almost be a paleolithic cave; the outside is terrifying and unknown. Rose never goes out, Bert only goes to drive his van with furious aggression. A young couple call, and then a blind black man. Bert comes home, massive with triumph at smashing every car that challenged his van. Finding the stranger he kicks him to death and Rose goes blind.

(Applause Books). Compiled by Mel Gussow, this collection of sideshow American and international theatre includes: Deeply American Roots (Sam Shepard) * The Man Who Made Theatre Ridiculous (Charles Ludlam) * From the City Streets, a Poet of the Stage (Miguel Pinero) * The Clark Kent of Modern Theatre (Robert Wilson) * Speaks the Language of Illusion (Martha Clarke) * The Lonely World of Displaced Persons (Lanford Wilson) * A Virtuoso Who Specializes in Everything (Michael Gambon) * Actress, Clown, and Social Critic (Whoopi Goldberg) * Comedy, Tragedy and Mystical Fantasy (Peter Brook) * Celebrating the Fallen World (Richard Foreman).

A Study Guide for Eugene Ionesco's "The Bald Soprano," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

An exploration of the relationships between religion, performance, and life. Part I is set in 1575 in an English village whose traditional annual passion-play is about to be outlawed by Queen Elizabeth's anti-Catholic rulings; Part II is set in Oberammergau, 1934, as the town and the play are becoming Nazified; Part III takes place in an American small town from 1969 through the Reagan era and the present.

A father improvises a story for his daughter about names, which she appears to take seriously, teaches her some idiosyncratic meanings for words, takes her on a fantastic airplane ride without ever leaving bed, and has her look where he is not.