This lucid and wide-ranging survey is the first study in English to identify a distinctive urban phase in the history of the early modern crowd. Through close analysis of the behaviour of protesters and authorities in more than fifteen seventeenth-century French cities, William Beik explores a full spectrum of urban revolt from spontaneous individual actions to factional conflicts, culminating in the dramatic Ormee movement in Bordeaux. The 'culture of retribution' was a form of popular politics with roots in the religious wars and implications for future democratic movements. Vengeful crowds stoned and pillaged not only intrusive tax collectors but even their own magistrates, whom they viewed as civic traitors. By examining in depth this interaction of crowds and authorities, Professor Beik has provided a central contribution to the study of urban power structures and popular culture.

The dual themes of this volume are the characteristics of patronage relationships and their political uses in early modern France. The first essays provide an overview of the scholarly literature and suggest that the obligatory reciprocity of the patron-client exchange was a defining characteristic. The third and fourth essays compare patronage relationships with kinship and friendship, while the following two focus on the patronage role of noblewomen. Professor Kettering then looks at the role of brokerage in state formation in early modern France, comparing this with other early modern societies. In the final section she explores the role of patronage in the religious wars of the late 16th century and in the civil war of the Fronde a half century later, and the ways in which it was affected by the changing lifestyles of the great nobles during the late 17th century.

This thematically organised text provides a compelling introduction and guide to the key problems and issues of this highly controversial century. Offering a genuinely comparative history, Thomas Munck adeptly balances Eastern and Southern Europe, Scandinavia, and the Ottoman Empire against the better-known history of France, the British Isles and Spain. Seventeenth-Century Europe - gives full prominence to the political context of the period, arguing that the Thirty Years War is vital to understanding the social and political developments of the early modern period - provides detailed coverage of the debates surrounding the 'general crisis', absolutism and the growth of the state, and the implications these had for townspeople, the peasantry and the poor - examines changes in economic orientation within Europe, as well as continuity and change in mental and cultural traditions at different social levels. Now fully revised, this second edition of a well-established and approachable synthesis features important new material on the Ottomans, Christian-Moslem contacts and on the role of women. The text has also been thoroughly updated to take account of recent research. This is a fully-revised edition of a well-established synthesis of the period from the Thirty Years War to the consolidation of absolute monarchy and the landowning society of the ancien régime. Thematically organised, the book covers all of Europe, from Britain and Scandinavia to Spain and Eastern Europe. Important new material has been added on the Ottomans, on Christian-Moslem contacts and on the role of women, and the text has been thoroughly updated to take account of recent research.

A magisterial history of French society between the end of the middle ages and the Revolution by one of the world's leading authorities on early modern France. Using colorful examples and incorporating the latest scholarship, William Beik conveys the distinctiveness of early modern society and identifies the cultural practices that defined the lives of people at all levels of society. Painting a vivid picture of the realities of everyday life, he reveals how society functioned and how the different classes interacted. In addition to chapters on nobles, peasants, city people, and the court, the book sheds new light on the Catholic church, the army, popular protest, the culture of violence, gendered relations, and sociability. This is a major new work that restores the ancien régime as a key epoch in its own right and not simply as the prelude to the coming Revolution.

No competition that is Europe-wide - other existing books are country/city specific Wide chronological coverage (1500-1789) Covers France, England, Spain, Italy and Central Europe Early modern Europe history is a popular topic at undergraduate level Friedrichs writes clearly and lucidly - he is a big expert on German cities in particular

Drawing upon recent research and past studies, David J. Sturdy presents a concise, up-to-date analysis of the private and public careers of two of the most influential ministers in seventeenth-century France. Richelieu and Mazarin: - Adopts a broadly chronological approach, interspersed with passages at relevant points which compare and contrast the key achievements of the two Cardinals - Examines such central themes as the internal government of France, the ministers' conduct of foreign policy, and the nature of elite and popular resistance to their policies - Explores the political ideas and strategies of Richelieu and Mazarin, the relations between the ministers and the Crown, and the patronage they exercised The book concludes with a comparative assessment of the significance of the two figures for the history of France.

Crowd Actions in Britain and France from the Middle Ages to the Modern World explores the lively and often violent world of the crowd, examining some of the key flashpoints in the history of popular action. From the Peasants' Revolt of 1381 to the Paris riots in 2005 and 2006, this volume reveals what happens when people gather together in protest.

This book—the sixth volume in The Great Cultural Eras of the Western World series—provides information on more than 400 individuals who created and played a role in the era's intellectual and cultural activity. The book's focus is on cultural figures—those whose inventions and discoveries contributed to the scientific revolution, those whose line of reasoning contributed to secularism, groundbreaking artists like Rembrandt, lesser known painters, and contributors to art and music. As the momentum of the Renaissance peaked in 1600, the Western World was poised to move from the Early Modern to the Modern Era. The Thirty Years War ended in 1648 and religion was no longer a cause for military conflict. Europe grew more secularized. Organized scientific research led to groundbreaking discoveries, such as the earth's magnetic field, Kepler's first two laws of motion, and the slide rule. In the arts, Baroque painting, music, and literature evolved. A new Europe was emerging. This book is a useful basic reference for students and laymen, with entries specifically designed for ready reference.

Louis IV represents the apogee of French royal power and the Ancien Regime. Having restored the nation's finances and rebuilt the army, he embarked on a series of wars of conquest which made France universally feared and respected as the central power of continental Europe. In the age of Moliere, Corneille, Racine et al, French culture blossomed at the court of Versailles. The counterpoint to these achievements was the emasculation of the political and legal institutions that might have limited the exercise of the royal will. In this new history, Geoffrey Treasure explores a unique combination of a personal philosophy, moulded by absolutist thinking and propaganda, and by Marzarin's deliberate training. He examines the influences and traits which permitted the growth of this particular exercise of power and its descent into an absolutism that ultimately set France on the road to 1789.

Bawdy satirical plays—many starring law clerks and seminarians—savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated—and even commissioned—such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances. Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated. In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias's influential notion of the "civilizing process," which assigns to the royal court at Versailles the decisive role in the shift toward absolutism.