Urban God Talk: Constructing a Hip Hop Spirituality, edited by Andre Johnson, is a collection of essays that examine the religious and spiritual in hip hop. The contributors argue that the prevailing narrative that hip hop offers nothing in the way of religion and spirituality is false. From its beginning, hip hop has had a profound spirituality and advocates religious views—and while not orthodox or systemic, nevertheless, many in traditional orthodox religions would find the theological and spiritual underpinnings in hip hop comforting, empowering, and liberating. In addition, this volume demonstrates how scholars in different disciplines approach the study of hip hop, religion, and spirituality. Whether it is a close reading of a hip hop text, ethnography, a critical studies approach or even a mixed method approach, this study is a pedagogical tool for students and scholars in various disciplines to use and appropriate for their own research and understanding. Urban God Talk will inspire not only scholars to further their research, but will also encourage publishers to print more in this field. The contributors to this in-depth study show how this subject is an underrepresented area within hip hop studies, and that the field is broad enough for numerous monographs, edited works, and journal publications in the future.

Does God speak?The answer seems clear. Books abound on the topic of hearing God's voice. And many believers testify to God's conversational guidance in their life: "God told me to help you." "I knew it was God speaking to me."Our culture reinforces the idea that speaking--constant speaking--is good and natural and essential. In those rare moments during a day when talking ceases or when we're alone, we quickly find some way to fill the void, whether turning on the television or radio, or calling someone on the phone. With others, and especially with God, we get the message: speaking is good, silence is bad.But still, Ruth Tucker is not afraid to ask the question, "Does God speak?" And her answer might surprise you. She urges caution in speaking about hearing God, pointing out that our privatized spirituality often sets those who hear God on a pedestal and leaves those who don't feeling spiritually inferior. Further, she shows how the expectation of conversation may too easily humanize God in our minds, causing us to approach God with the same attitude we have when we call a friend on the phone. And if God does speak, how can we be sure our own desires are not affecting our interpretation of God's voice?InGod TalkTucker offers us a new paradigm for viewing silence and prayer. Rather than feeling inferior when we don't hear God speak, she helps us lean more deeply on his silent, Spirit-inspired Word. By examining the Trinity, Tucker gives us a new glimpse of how God the Father spoke his words in the past, how Christ the Incarnate Word lived among us, and how the Holy Spirit speaks to us now through Scripture. Here is a probing, thought-provoking read on how our present, active, powerful God relates to us and how we, in turn, should relate to God.

A comprehensive introduction to the particular challenges and opportunities of congregational ministry in urban settings.Urban ministry has long been a part of seminary curricula, but a basic and definitive understanding of what students should know as they prepare for congregational ministry in the city has remained elusive. Too often it is assumed that the theological resources developed for ministry in other settings are adequate for urban ministry, but these resources fail to account for the unique challenges and opportunities of the urban setting. Ronald Peters clarifies the nature of urban ministry as a theological discipline by showing how its core values of love, justice, community, and reconciliation (among others) engage the issues of economics, education, family life, public health, ethnic relations, and religious life in the urban environment. Arguing that the city has always served as an arena of God's activity, Peters articulates a theological rationale for urban ministry that is both hopeful and yet realistic, affirming that God loves the city and its people and encouraging practitioners to do the same.

The Bloomsbury Handbook of Hip Hop Pedagogy is the first reference work to cover the theory, history, research methodologies, and practice of Hip Hop pedagogy. Including 20 chapters from activist-oriented and community engaged scholars, the handbook provides perspectives and studies from across the world, including Brazil, the Caribbean, Scandinavia, and the USA. Organized into four topical sections focusing on the history and cultural roots of Hip Hop; theories and research methods in Hip Hop pedagogy; and Hip Hop pedagogy in practice, the handbook offers theoretical, analytical, and pedagogical insights emerging across sociology, literacy, school counselling and youth organizing. The chapters reflect the impact of critical Hip Hop pedagogies and Hip Hop-based research for educators and scholars interested in radical, transformative approaches to education. Ultimately, the many voices included in the handbook show that Hip Hop pedagogy is a humanizing and emancipatory approach which is redefining the purposes and practices of education.

This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.

Joy Unspeakable focuses on the aspects of the Black church that point beyond particular congregational gatherings toward a mystical and communal spirituality not within the exclusive domain of any denomination. This mystical aspect of the black church is deeply implicated in the well-being of African American people but is not the focus of their intentional reflection. Moreover, its traditions are deeply ensconced within the historical memory of the wider society and can be found in Coltrane's riffs, Malcolm's exhortations, the social activism of the Black Lives Matter Movement and the presidency of Barack Hussein Obama. The research in this book-through oral histories, church records, and written accounts--details not only ways in which contemplative experience is built into African American collective worship but also the legacy of African monasticism, a history of spiritual exemplars, and unique meditative worship practices. A groundbreaking work in its original edition, Joy Unspeakable now appears in a new, revised edition to address the effects of this contemplative tradition on activism and politics and to speak to a new generation of readers and scholars.

Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholars have analyzed Christianity and Hip Hop without focusing on the self-identified community. This book brings these various conversations together and show, through these three themes, the complexities of the intersection of Christians and Hip Hop. Hip Hop is more than rap music, it is an African diasporic phenomenon. These three themes elucidate the many characteristics of the intersection between Christians and Hip Hop and our reasoning for going beyond "Christian Hip Hop." This collection is a multi-faceted view of how religious belief plays a role in Hip Hoppas' lives and community. It will, therefore, be of great interest to scholars of Religion and Hip Hop, Hip Hop, African Diasporas, Religion and the Arts, Religion and Race and Black Theology as well as Religious Studies more generally.

Messianism Against Christology: Resistance Movements, Folk Arts and Empire is a work committed to re-thinking the Christian tradition from the point of view of messianic movements of eco-sustainability and social justice rather than magnified individuals. Framed by considerations of political struggle and insurgent folk art in contemporary Detroit and ancient Ethiopia, the work concentrates its attention on the biblical tradition, teasing out memories of pastoral nomad resistance not entirely erased by the repressions of agricultural empires, that are revitalized in the prophetic movements of Elijah, the Baptist and Jesus. It also underscores the relevance of these “little tradition” practices for eco-politics and indigenous solidarity efforts today.

Segments of society are drawing upon their faith and spirituality to develop strategies to mend social relationships and fragmented communities. The Contemporary Perspectives on Spirituality in Education book series will feature volumes geared towards understanding and exploring the role of spirituality in addressing challenge, conflict, and marginalization within education in the U.S. and internationally.

Supporting the theory that there is no singular 'Bible', and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical texts, the contributors of this volume explore how multiple 'Bibles' coexist simultaneously in popular cultures. By interrogating popular television, music, and film, biblical retellings are identified which variously perpetuate, challenge or subvert biblical narratives and motifs. The topics discussed are gathered around three themes: depictions of sex and gender, troubling representations, and subversions of biblical authority. This volume offers new studies on retellings of biblical texts which seek to interrogate, perpetuate and challenge dominant cultural ideas of who can interpret biblical texts, what forms this might take, and the influence of biblical interpretations in our societies.