The diversity and complexity of African vernacular architecture remain widely unknown both to the general public and to architects. Yet Upper Volta (Burkino Faso) encompasses an astonishing variety of design principles and building techniques that belie the widespread image of the primitive hut so readily associated with rural Africa. This provides a convincing interpretation of the relationship between spatial organisation and daily activity in Gurunsi life.

'Meredith has given a spectacularly clear view of the African political jungle' – Spectator 'This book is hard to beat... Elegantly written as well as unerringly accurate' – Financial Times The fortunes of Africa have changed dramatically since the independence era began in 1957. As Europe’s colonial powers withdrew, dozens of new states were born. Africa was a continent rich in mineral resources and its economic potential was immense. Yet, it soon struggled with corruption, violence and warfare, with few states managing to escape the downward spiral. So what went wrong? In this riveting and authoritative account, Martin Meredith examines the myriad problems that Africa has faced, focusing upon key personalities, events and themes of the independence era. He brings his compelling analysis into the modern day, exploring Africa’s enduring struggles for democracy and the rising influence of China. It is essential reading for anyone seeking to understand the continent’s plight and its hopes for a brighter future.

An introduction to the geography, people, history, government, resources, culture, and major cities of Upper Volta.

"Rich people, poor people, religious people, artists, musicians, everyone could become a hero at [Sanle's] Volta studio." --Florent Mazzoleni, The New York Times The studio photographs of Sory Sanlé and his participation in the vibrant music scene in Bobo-Dioulasso give us a picture of a cosmopolitan city shaping its independent identity in the 1960s through to the '80s, the heyday of West African independence movements. Vintage photographs, seven-inch record sleeves and studio accessories are all reproduced in the most extensive portrayal to date of photography and music as key popular art forms with local, national and international resonance. With the colorful full title of Volta Photo: Starring Sory Sanlé and the Good People of Bobo-Dioulasso in the Small but Musically Mighty African Country of Burkina Faso, this book also includes essays on photography and sound in Africa as well as a CD with hit songs by Volta Jazz, Echo del Africa Nacional and other star bands. Born in Burkina Faso in 1943, Sory Sanlé runs a portrait studio in Bobo-Dioulasso. He opened his business in 1960, the year that Upper Volta (now Burkina Faso) declared independence from France. For many years, Sanlé also organized music parties around the city; he served as the official photographer for Volta Jazz, a key popular music orchestra in the 1960s and '70s.

Burkina Faso, known as Upper Volta until its independence from France in 1960, and locally called the “land of the upright people,” is a medium-sized land-locked country with no less than six neighbors, some of which periodically get into trouble… which makes it reasonably strategic in some ways. While it has not done as poorly as some other African states, its economic has certainly not prospered and many Burkinabe go abroad to earn a living. As for politics, it is another case of stability without democracy, even if there are periodic elections. Still, this is better than not even having stability. This third edition of Historical Dictionary of Burkina Faso covers its history through a chronology, an introductory essay, maps, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about Burkina Faso.

West African Challenge to Empire examines the anticolonial war in the Volta and Bani region in 1915–16. It was the largest challenge that the French ever faced in their West African colonial empire, and one of the largest armed oppositions to colonialism anywhere in Africa. How such a movement could be organized in the face of European technological superiority despite the fact that this region is generally described as having consisted of rival villages and descent groups is a puzzle. In this jointly written book the two authors provide a detailed political and military history of this event based on archival research and ethnographic fieldwork. Using cultural and sociological analysis, it probes the origins of the movement, its internal organization, its strategy, and the reasons for its initial success and why it spread. In 2001 the authors of West African Challenge to Empire were awarded the Amaury Talbot Prize for African Anthropology by the Royal Anthropological Institute.

Paul Riesman's Freedom in Fulani Social Life is based upon his two years of residence among the Jelgobe, a group of semi-nomadic Fulani of the Sahel in Upper Volta, western Africa. Since its original publication, this classic study has profoundly influenced the field of anthropology through its re-examination of the enthnographer's personal input on his research. "Freedom in Fulani Social Life richly documents how the ethnographer's own personal and cultural background is implicated in the research process. . . . For this reason, [Riesman's] book will be of paramount interest to all ethnographers."—Philip L. Kilbride, Reviews in Anthropology "A remarkably well-written and insightful account of Fulani life. . . . In addition to using the conventional approaches of participating in and observing the daily activities of the Jelgobe . . . Riesman enriches his account by examining his personal feelings about particular incidents."—Library Journal "An interesting and provocative study."—Choice At the time of his death in 1988, Paul Riesman was an anthropologist who taught at Carleton College.