Charts the author's turbulent first year with the Royal Mail, and her transformation from outsider to 'Posh Postie', adopted Cornishwoman and much-loved member of her new community.

"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.

'An evocative portrait of a forgotten period of Britain's farming history... is an ode both to the soil, and those who have worked it alongside her' Daily Telegraph Joan Bomford wanted to be a farmer so much she always wore a tie like her dad. She ran away from school whenever she could to help him. As an 8 year-old she was the first person in the family to drive a tractor. No job was ever too tough for her. Now aged 83, she's still as active, still driving tractors, still feeding the farm's beef cattle and horses, and still giving riding lessons. This is her account of a lifelong love-affair with the land and the people who work on it. With the warmth and wit of a born story teller, she tells us what it's been like to live through an era of enormous change, her love of animals kindled by her father's shire horses who did all the heavy work until machinery took over. Up With The Lark is not only the portrait of a forgotten era, but also the story of one woman's overwhelming desire to do the thing she cared about more than anything else - being Farmer Joan.

A GHOST OF A CHANCE A voice, an icy, whispering voice, came out of the darkness from all around her; from everywhere, yet nowhere. It could have been born of her imagination, yet Rune knew the voice was the Ghost's, and that to run was to die. Instantly, but in terror that would make dying seem to last an eternity. "Why have you come here, stupid child " it murmured, as fear urged her to run away. "Why were you waiting here For me Foolish child, do you not know what I am What I could do to you " Rune had to swallow twice before she could speak, and even then her voice cracked and squeaked with fear. "I've come to fiddle for you-sir " she said, gasping for breath between each word, trying to keep her teeth from chattering. The Ghost laughed, a sound with no humor in it, the kind of laugh that called up empty wastelands and icy peaks. "Well, then, girl. Fiddle, then. And pray to that Sacrificed God of yours that you fiddle well, very well. If you please me, if you continue to entertain me until dawn, I shall let you live, a favor I have never granted any other. But I warn you-the moment my attention lags, little girl-you'll die like all the others and you will join all the others in my own private little Hell." At the publisher's request, this title is sold without DRM (Digital Rights Management).

"How to describe the ecstatic song of larks? How the writers and poets have tried..." Skylarks are the heralds of our countryside. Their music is the quintessential sound of spring. The spirit of English pastoralism, they inspire poets, composers and farmers alike. In the trenches of World War I they were a reminder of the chattering meadows of home. Perhaps you were up with the lark, or as happy as one. History has seen us poeticise and musicise the bird, but also capture and eat them. We watch as they climb the sky, delight in their joyful singing, and yet we harm them too. The Soaring life of the Lark explores the music and poetry; the breath-taking heights and struggle to survive of one of Britain's most iconic songbirds. PRAISE FOR JOHN LEWIS-STEMPEL 'Britain's finest living nature writer' - The Times 'Lewis-Stempel is a fourth-generation farmer gifted with an extraordinary ability to write prose that soars and sings' - Daily Mail

'A charming and brilliantly entertaining novel... shot through with the light-hearted Nesbit touch' Penelope Lively, from the introduction "When did two girls of our age have such a chance as we've got - to have a lark entirely on our own? No chaperone, no rules, no..." "No present income or future prospects," said Lucilla. It's 1919 and Jane and her cousin Lucilla leave school to find that their guardian has gambled away their money, leaving them with only a small cottage in the English countryside. In an attempt to earn their living, the orphaned cousins embark on a series of misadventures - cutting flowers from their front garden and selling them to passers-by, inviting paying guests who disappear without paying - all the while endeavouring to stave off the attentions of male admirers, in a bid to secure their independence. 'To come upon any Nesbit today, hitherto unread... is like receiving a letter from a friend whom you have believed dead' New York Times 'A wry, charming delight of a book' The Pool

Originally from Newport, Gwent, for the last eighteen years Richard King has lived in the hill farming country of Radnosrshire, Powys. He is the author of Original Rockers, which was shortlisted for the Gordon Burn Prize, and How Soon Is Now?, both published by Faber.

In spite of family opposition, eighteen-year-old Kit Haverard goes to London determined to pursue her singing career.

Willa Cather was the 1922 winner of the Pulitzer Prize. Her breakthrough in literature were the three novels featured here in this edition, the so-called “Great Plains Trilogy”. All three novels stage in Nebraska and the surrounding Great Plains territory and deal with the life there, family challenges and romance. Included are: O Pioneers! The Song of the Lark My Antonia

In late 1940's England, twelve-year-old Kit, growing up as the youngest and "untalented" child of a musical Quaker family, finally discovers where she fits in.