Discover the fire that burns in the Lord's heart for you! "In Jill's book you will see the Song of Solomon come alive in color, context, and majesty. Loaded with thought provoking truths that require a reassessment of our spiritual priorities, this book will cause your heart to be on fire for Yeshua like never before!" Pastor Steven Brooks "When you understand how to have greater intimacy with Jesus from a One New Man, Hebrew, historic, and even botanical perspective, your intimacy with Messiah will become normal - normal as defined by the Bible." Sid Roth, Host, It's Supernatural! "Our dear sister Jill has broken the seals of the riches of God's heart in this book." Sadhu Sundar Selvaraj, Jesus Ministries This in-depth study on the Song of Solomon prepares our hearts for the return of Jesus. Jill writes from both a scholarly and devotional perspective, drawing on her Hebrew heritage and on her own intimate journey and struggles with the Lord. Loaded with prophetic insight into the Bridegroom's heart, you will be awakened to the reality of the intense love that Christ has for His bride. Jill provides a banquet of contextual understanding of the storyline, as well as biblical history, the Hebrew language, and the plants and spices of biblical worship. The central theme is the Bridegroom's invitation to encounter and to intimacy. The Lord's heart burns with a jealous flame to have all of you. Plunge into new depths of your Bridegroom's extravagant love! Jill Shannon is a Messianic Jewish Bible teacher, author, and singer/songwriter. Growing up in a Jewish home, Jill accepted the Lord in 1973. Jill speaks and writes about God's glory, intimacy, Israel and the Feasts. She resides in Israel with her husband and daughter. Jill has a married son, another daughter and two grandsons.

The Book of First Kings 4:32 says that Solomon wrote 1005 songs. A song is poetry like the Psalms that were sung to bring forth a message from God. God deemed this song important enough to keep it in His manual, the Bible. The Books of First and Second Samuel are the historical books of David, but His love and emotions for God were written in his Psalms. Likewise, the Book of Revelation is a historical book of the bride of Christ, but the Song of Solomon is the love and emotions of Christ and His bride. This book is being published at the same time as Revelation to be companion books with the same overview. God desired a people who would be adopted into His kingdom. Christ would redeem every person who would acknowledge the plan of God to become children of the Most High God. The Bible was inspired by God (2 Tim 3:16). The Book of Song of Solomon shows the love of the Lord Jesus to His bride, the Church, who is called Shulamite. Shulamite in Hebrew is the feminine noun for Solomon. Solomon in Hebrew is shalom meaning peace unto wholeness. This wholeness comes from a relationship with the Lord which is offered to everyone, male or female, Jewish or Gentile (non-Jewish). Do not think of Solomon in this book as the king, for he too is a believer in the Lord, so therefore He too can be the Shulamite. This is not a picture of Solomons love for a woman, but instead the story of how Solomon came to love the Lord and grow spiritually throughout His life. Both Books (Revelation and Song of Solomon) are actually a symbolic picture of the Ancient Jewish Wedding. The bride is the Church, and therefore, seen as female, yet we know that God is identified as being present in both male and female. Therefore, Solomon is writing as a believer growing in his walk with the Lord. Song of Solomon, like all books in the Old Testament, point to Jesus. It cant be about Solomon and his love for a woman; IT HAS TO BE ABOUT JESUS. Therefore, it shows how a believer grows in their relationship with Jesus. The Jewish wedding takes us from the first time we see Jesus in the spirit and are engaged (salvation) to the time we see Jesus face to face in marriage (our resurrection) to the time we return with Christ to rule and reign as His wife (Millennium) to the time we live in the new heaven and earth (eternity). The intention of this book is to experience in the spirit the life of the believer growing in our knowledge and relationship with Jesus Christ.

I, You, and the Word “God” introduces the approach of lyrical ethics, inspired by Emmanuel Levinas’s ethical-phenomenological philosophy. Through the optics of lyrical ethics, the reader discovers how the ancient erotic poems of the Song of Songs bear ethical and theological significance for contemporary readers. Levinas’s intertwined concepts—oneself qua sensibility, otherness perceived through responsibility, and transcendence embodied in one’s love for the other—reveal themselves as lyrical colors woven into the fabric of Song 4:1–7, 5:2–8, and 8:6. More importantly, Levinas’s understanding that poetic language breaks the tautology of logocentric discourse and gestures to the outside of consciousness provides the theoretical ground for the listener to solicit meaningfulness from the Song. Through this lyrical reading of the selected poetic units, the book demonstrates that the traditional interpretive methods of representative description, narrative paraphrase, and thematic distillation fail to encounter the otherness of poetry. In contrast, lyrical ethics pays attention to that which transcends consciousness: the awakening of the reader’s subjectivity, the saying underlying the said, the sound of the sense, and the invisibility of the visible. The Song so caressed reveals in human love the purposelessly purposive encounter with God.

Approaching the Hebrew Bible as a work of literary art, Yair Mazor examines its many genres, including historical narratives, poetic narratives, poetry, psalms, and songs. Line drawings from a late nineteenth-century Bible illustrate many of the most famous scenes in scripture, suggesting another aesthetic layer of the text. By breaking the Bible into constituent parts, Mazor traces the range of its writing styles, reconfiguring the work as a literary collage and an artistic masterpiece. He shows how the aesthetics of the texts that comprise the Bible serve its over-arching message, and he develops a literary portrait of its authors by decoding their cryptic aesthetic devices.

We live in a world where sexuality is ruined by sin, its beauty obscured by our brokenness. We need a divine vision for the way love was meant to be, with a gospel that offers forgiveness for sin and grace to live in the way that God has made us to be. In the Song of Songs, we encounter a love story that is part of the greatest love story ever told. Philip Ryken walks through this biblical love poem verse by verse, reflecting on what the Bible says about God's design for love, intimacy, and sexuality and offering insights into not only human relationships but also our relationship to God himself—learning more about the One who has loved us with an everlasting love.

Fear is one of the great enemies of our souls. It plunders our peace and hijacks our destiny assignments. If we are willing volunteers in the Lord’s army, we cannot be crippled by fear – it will disqualify us. This unique book contains a vast resource of Scriptural support: in-depth study on the Fear of the Lord, gripping personal testimonies, and the spiritual tools needed to move forward in confidence, knowing the Lord will go ahead of us and fight for us.Drawing on a lifetime of disabling fears, Jill opens her heart and gives us the equipping principles and practical strategies for walking forward into our Kingdom destinies. Courage is not the absence of fear – courage is understanding who the Lord is, and how He defends those who walk in His purposes.

Exploring the poetry, themes, and wisdom of this song from a Christocentric perspective, O'Donnell elucidates on the greatest subject of all time--love.

Song of Songs can seem daunting; how are we to interpret this poetry about intimate love? Watchman Nee, however, believed it allegorical portrayed the love relationship between the individual believer and the Lord, and he explores the principles needed to develop the spiritual life so that we might have overwhelming joy in Him.

In Jesus the Bridegroom, Brant Pitre once again taps into the wells of Jewish Scripture and tradition, and unlocks the secrets of what is arguably the most well-known symbol of the Christian faith: the cross of Christ. In this thrilling exploration, Pitre shows how the suffering and death of Jesus was far more than a tragic Roman execution. Instead, the Passion of Christ was the fulfillment of ancient Jewish prophecies of a wedding, when the God of the universe would wed himself to humankind in an everlasting nuptial covenant. To be sure, most Christians are familiar with the apostle Paul's teaching that Christ is the 'Bridegroom' and the Church is the 'Bride'. But what does this really mean? And what would ever possess Paul to compare the death of Christ to the love of a husband for his wife? If you would have been at the Crucifixion, with Jesus hanging there dying, is that how you would have described it? How could a first-century Jew like Paul, who knew how brutal Roman crucifixions were, have ever compared the execution of Jesus to a wedding? And why does he refer to this as the "great mystery" (Ephesians 5:32)? As Pitre shows, the key to unlocking this mystery can be found by going back to Jewish Scripture and tradition and seeing the entire history of salvation, from Mount Sinai to Mount Calvary, as a divine love story between Creator and creature, between God and Israel, between Christ and his bride--a story that comes to its climax on the wood of a Roman cross. In the pages of Jesus the Bridegroom, dozens of familiar passages in the Bible--the Exodus, the Song of Songs, the Wedding at Cana, the Woman at the Well, the Last Supper, the Crucifixion, and even the Second Coming at the End of Time--are suddenly transformed before our eyes. Indeed, when seen in the light of Jewish Scripture and tradition, the life of Christ is nothing less than the greatest love story ever told.

James Kugel’s essential introduction and companion to the Bible combines modern scholarship with the wisdom of ancient interpreters for the entire Hebrew Bible. As soon as it appeared, How to Read the Bible was recognized as a masterwork, “awesome, thrilling” (The New York Times), “wonderfully interesting, extremely well presented” (The Washington Post), and “a tour de force...a stunning narrative” (Publishers Weekly). Now, this classic remains the clearest, most inviting and readable guide to the Hebrew Bible around—and a profound meditation on the effect that modern biblical scholarship has had on traditional belief. Moving chapter by chapter, Harvard professor James Kugel covers the Bible’s most significant stories—the Creation of the world, Adam and Eve, Cain and Abel, Noah and the flood, Abraham and Sarah, Jacob and his wives, Moses and the exodus, David’s mighty kingdom, plus the writings of Isaiah, Jeremiah, and the other prophets, and on to the Babylonian conquest and the eventual return to Zion. Throughout, Kugel contrasts the way modern scholars understand these events with the way Christians and Jews have traditionally understood them. The latter is not, Kugel shows, a naïve reading; rather, it is the product of a school of sophisticated interpreters who flourished toward the end of the biblical period. These highly ideological readers sought to put their own spin on texts that had been around for centuries, utterly transforming them in the process. Their interpretations became what the Bible meant for centuries and centuries—until modern scholarship came along. The question that this book ultimately asks is: What now? As one reviewer wrote, Kugel’s answer provides “a contemporary model of how to read Sacred Scripture amidst the oppositional pulls of modern scholarship and tradition.”