Chronicles the life of American author Kate Chopin and discusses how her novel "The Awakening" was viewed by society when it was first published, why she is considered a feminist, how her personal life influenced her writing, and other related topics.

This is the true, unvarnished life story of the girl who grew up to write The Awakening, a masterpiece published 100 years ago. With its portrayal of a woman whose sexual desires take her outside marriage, it rocked American literature's cozy conception of womanhood. In Unveiling Kate Chopin Emily Toth, the foremost authority on Chopin's life and works, creates a sharply revealing portrait of a modern woman in a Victorian world. Born in St. Louis in 1850, Kate O'Flaherty was raised by wealthy, feisty widows and educated by brilliant nuns. She endured a mysterious "outrage" committed against her by Union soldiers in her teens and suffered what moderns now call a "loss of voice." But she survived to become a lively, dangerously clever social observer. She had the talent and then the life experiences to become a writer. Her Louisiana-born husband, Oscar Chopin, had grown up in France and did not restrict her. In New Orleans (where she gossiped with the painter Edgar Degas) and then in rural Louisiana (where the neighbors hated her), Kate produced six children in nine years. Yet she retained her individuality and her wicked sense of humor. After her husband's sudden death, Kate's affair with another woman's husband was a village scandal--but following the lessons of the French women who raised her, she knew when to leave. After the death of her mother, Kate reinvented herself as the author of engaging short stories set in Louisiana. Many had unusual social messages. "In Sabine" opposed domestic violence. "At the 'Cadian Ball" supported sexual expression for women. "Odalie Misses Mass" suggested that interracial friendships between African American and white women were possible. She condemned the idle rich and celebrated single mothers. To promote her own career, she created the first salon in St. Louis and became the first woman in the city to become a professional fiction writer. Although she claimed to be un-serious about her craft, newly discovered manuscripts, which Toth mines for the insights they offer, reveal her as a dedicated artist who wanted to reach her readers' hearts. Toth portrays Chopin as a bright, ambitious woman who ruffled staid souls, and when she published The Awakening, her foes pounced. Many reviews of the novel were uncomprehending; many were vicious and her next book was canceled. Her family suffered; her health declined; and Chopin died in 1904, silenced ahead of her time. Now, a century later, Toth sees Chopin as a woman of unique wit and astonishing talent and as the daring author who wrote the most radical, notorious American novel of the late nineteenth century. Emily Toth, a professor of English and Women's Studies at Louisiana State University, is the author or editor of ten books, including Kate Chopin's Private Papers, "A Vocation and a Voice": Stories by Kate Chopin, and Ms. Mentor's Impeccable Advice for Women in Academia.

Chronicles the life of American author Kate Chopin and discusses how her novel "The Awakening" was viewed by society when it was first published, why she is considered a feminist, how her personal life influenced her writing, and other related topics.

Kate Chopin was a nationally acclaimed short story artist of the local color school when she in 1899 shocked the American reading public with The Awakening, a novel which much resembles Madame Bovary. Though the critics praised the artistic excellence of the book, it was generally condemned for its objective treatment of the sensuous, independent heroine. Deeply hurt by the censure, Mrs. Chopin wrote little more, and she was soon forgotten. For decades the few critics who remembered her concentrated on the regional aspects of her work. In the Literary History of the United States, where Kate Chopin is highly praised as a local colorist, The Awakening is not even mentioned. In recent years, however, a few critics have given new attention to the novel, emphasizing its courageous realism. In the present book, Mr. Seyersted carries out an extensive re-examination of both the life and work of the author, basing it on her total oeuvre. Much new Kate Chopin material, such as previously unknown stories, letters, and a diary, has recently come to light. We can now see that she was a much more ambitious and purposeful writer than we have hitherto known. From the beginning, her special theme was female self-assertion. As each new success increased her self-confidence, she grew more and more daring in her descriptions of emancipated woman who wants to dictate her own life. Mr. Seyersted traces the author’s growth as an artist and as a penetrating interpreter of the female condition, and shows how her career culminated in The Awakening and the unknown story ‘The Storm.’ With these works, which were decades ahead of their time, Kate Chopin takes her place among the important American realist writers of the 1890’s.

"Grace refused to be confined by the fifties' notion of a woman's place. In her struggle to find herself, she lifted the lid off sex and violence, power and powerlessness, truth and hypocrisy, and became known as the Pandora in Blue Jeans.".

In late 19th-century New Orleans, social constraints are strict, especially for a married woman. Edna Pontellier leads a secure life with her husband and two children, but her restlessness grows within the confined societal norms, and the expectations placed upon her – from her husband and the world around her – create increasing pressure. During a trip to Grand Isle, an island off the coast of Louisiana, her life is turned upside down by an intense love affair, and passion forces her to question the foundations of her – and every woman’s – existence. Kate Chopin's novel The Awakening caused a scandal with its outspokenness when it was published in 1899. The novel’s openly sexual themes and disregard for marital and societal conventions led to it not being reprinted for fifty years. It wasn't until the 1950s that Chopin’s work was rediscovered, and The Awakening received significant acclaim. Today, it is not only seen as an early feminist milestone but also as a classic. KATE CHOPIN [1851–1904] was born in St Louis. She had six children during her marriage, and it wasn't until after her husband's death in 1882 that she emerged as a writer. She published short stories in magazines such as Vogue and The Atlantic, gaining appreciation and recognition for her depictions of the American South. However, she was also criticized for her disregard for social traditions and racial barriers.

Mrs. Louise Mallard, afflicted with a heart condition, reflects on the death of her husband from the safety of her locked room. Originally published in Vogue magazine, “The Story of an Hour” was retitled as “The Dream of an Hour,” when it was published amid much controversy under its new title a year later in St. Louis Life. “The Story of an Hour” was adapted to film in The Joy That Kills by director Tina Rathbone, which was part of a PBS anthology called American Playhouse. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

In question-and-answer form, Ms. Mentor advises academic women about issues they daren't discuss openly, such as: How does one really clamber onto the tenure track when the job market is so nasty, brutish, and small? Is there such a thing as the perfectly marketable dissertation topic? How does a meek young woman become a tiger of an authority figure in the classroom-and get stupendous teaching evaluations? How does one cope with sexual harassment, grandiosity, and bizarre behavior from entrenched colleagues? Ms. Mentor's readers will find answers to the secret queries they were afraid to ask anyone else. They'll discover what it really takes to get tenure; what to wear to academic occasions; when to snicker, when to hide, what to eat, and when to sue. They'll find out how to get firmly planted in the rich red earth of tenure. They'll learn why lunch is the most important meal of the day.

Overtones of Opera explores the discourse of opera -- both the art form and the social institution -- in selected works of Whitman, Poe, Alcott, Chopin, Cather, James, and Wharton. For some, opera provided a powerful artistic medium for expressing a private aesthetic experience; in opera, they discovered the embodied voice of the artist. Others found not only the spectacle of opera but also its spaces, the opera houses and boxes, perfectly suited for displaying the class-based and commodity driven aspirations of America's new aristocracy. This noteworthy study will inform and enlighten literary scholars, musicologists, and lovers of both opera and literature.

After fifteen years of teaching anthropology at a large university, Rebekah Nathan had become baffled by her own students. Their strange behavior—eating meals at their desks, not completing reading assignments, remaining silent through class discussions—made her feel as if she were dealing with a completely foreign culture. So Nathan decided to do what anthropologists do when confused by a different culture: Go live with them. She enrolled as a freshman, moved into the dorm, ate in the dining hall, and took a full load of courses. And she came to understand that being a student is a pretty difficult job, too. Her discoveries about contemporary undergraduate culture are surprising and her observations are invaluable, making My Freshman Year essential reading for students, parents, faculty, and anyone interested in educational policy.