We continue to follow Hope on her journey through what it means to be a black woman whilst navigating what it meant to be a black man. Giselle takes us through what it was like to build relationships to black men who often saw her as a deficit rather than a contributor and lovers who sought to explore themselves through her own journey revealing in the self deprecative nature of her transness as it led her to lack the will to be corrective in relationships. With this work Giselle seeks to answer the age old question asked to black queer people at some point in their lives. " what made you this way". This introspective look at the womanhood she felt she had to earn in order to be valid and the manhood she never resonated with to begin with throws the reader into territories often left off the conservative tables of black folks everywhere. The theories and affirmations in the work leave an immeasurable amount of growing questions for folks to ask themselves while both uplifting and holding black men accountable for their actions and the intent behind them.

Growing up in the projects homes of Miami Florida was hard enough, but when you toss in the being gay, flamboyant, and fearless to the mix you're bound to find trouble. This read takes you through the early days of activist Hope Giselle as she recounts what it was like to be the odd ball out in family that didn't get, a community that doesn't accept it and partners that were confused by her journey to "Becoming Hope".Hope gives us a vivid picture of her first times and captivates us with didactic speech along the way. Inspired by trans women of color like Janet Mock, Angelica Ross, and Marsha P Johnson Giselle delivers a nugget of gold about her story in a way that only she can tell it.

According to countless mainstream news organs, Elijah Muhammad, by far, was the most powerful black man in America. Known more for the students he produced, like Malcolm X, Louis Farrakhan and Muhammad Ali, this controversial man exposed the black man as well as the world to a teaching, till now, was only used behind closed doors of high degree Masons and Shriners. An easy and smart read. The book approaches the question of what and who is God. It compares the concept held by religions to nature and mathematics. It also explores the origin of the original man, mankind, devil, heaven and hell. Its title, Message To The Blackman, is directed to the American Blacks specifically, but addresses blacks universally as well.

INSTANT NEW YORK TIMES BESTSELLER An urgent primer on race and racism, from the host of the viral hit video series “Uncomfortable Conversations with a Black Man” “You cannot fix a problem you do not know you have.” So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. “There is a fix,” Acho says. “But in order to access it, we’re going to have to have some uncomfortable conversations.” In Uncomfortable Conversations With a Black Man, Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask—yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and “reverse racism.” In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the reader’s curiosity—but along the way, he will galvanize all of us to join the antiracist fight.

Where Did Our Love Go?, an anthology of essays written by many major public figures and celebrities, will explore the substantive issues related to marital problem in the African-American community. From the "my baby's mama" syndrome to the more serious implications of what a generation of single-parent households will mean to future generations, this comprehensive collection will provide an in-depth discourse on the trends and issues that have caused the problematic behaviors within African-American relationships to persist with little sign of relief. The book will consist of a total of 40 essays divided equally into 4 lifestyle categories (single, married, divorced, and widowed), to present a wide cross section of perspectives on this subject. Marriage plays an essential role in maintaining the vitality and character of a community, so it is deeply unsettling for many African Americans to find that the value of this institution has lost its allure. While marriage among African Americans has always fallen below the average of other population segments, the gap today has grown so pronounced that the subject has sparked an intense national dialogue. A 2006 Washington Post article, “Is Marriage for White People,” created waves of controversy on the issue. In 2010, Nightline dedicated an entire broadcast to this growing crisis. The marriage gap in Black America has become such an open secret that it’s now the source of endless bad jokes and prime time reality shows. The statistics even back this up, as according to the U.S. Census, 43.3% of black men and 41.9% of black women in America have never been married, and the rate of decline is nearly twice the national average. Marriage is a rite of passage that is fundamental to every culture, which underscores the tremendous need for an active dialogue to take place that will lay a foundation for discovery. With essays from 50 Cent, Viola Davis, Jabari Asim, Darnell Williams, Faith Evans, Mara Brock Akil, and more, Where Did Our Love Go? will ignite the fight for that conversation to begin.

How do we make sense of what it means to be Black in a world with room for both Michelle Obama and Precious? Tour , an iconic commentator and journalist, defines and demystifies modern Blackness with wit, authority, and irreverent humor. In the age of Obama, racial attitudes have become more complicated and nuanced than ever before. Americans are searching for new ways of understanding Blackness, partly inspired by a President who is unlike any Black man ever seen on our national stage. This book aims to destroy the notion that there is a correct or even definable way of being Black. It’s a discussion mixing the personal and the intellectual. It gives us intimate and painful stories of how race and racial expectations have shaped Tour ’s life as well as a look at how the concept of Post-Blackness functions in politics, psychology, the Black visual arts world, Chappelle’s Show, and more. For research Tour has turned to some of the most important luminaries of our time for frank and thought-provoking opinions, including Rev. Jesse Jackson, Henry Louis Gates Jr., Cornel West, Michael Eric Dyson, Melissa Harris-Lacewell, Malcolm Gladwell, Harold Ford, Jr., Kara Walker, Kehinde Wiley, Chuck D, and many others. Their comments and disagreements with one another may come as a surprise to many readers. Of special interest is a personal racial memoir by the author in which he depicts defining moments in his life when he confronts the question of race head-on. In another chapter—sure to be controversial—he explains why he no longer uses the word “nigga.” Who’s Afraid of Post-Blackness? is a complex conversation on modern America that aims to change how we perceive race in ways that are as nuanced and spirited as the nation itself.

Representative American black men discuss race, racism, and values.

Darryl's unsuccessful attempt at being in a monogamous relationship is faced with a painful "reality check" when he finally discovers that the world does not revolve around him. Challenging readers to think about the consequences of being less than honest in relationships, the author delivers a powerful message through the use of humor, real life situations, and intelligent dialogue.

A first-of-its-kind exploration of black men and depression from an award-winning journalist. The first book to reveal the depths of black men’s buried mental and emotional pain, Standing in the Shadows weaves the author’s story of his twenty-five-year struggle with depression with a cultural analysis of how the illness is perceived in the black community—and why nobody wants to talk about it. In mainstream society depression and mental illness are still somewhat taboo subjects; in the black community they are topics that are almost completely shrouded in secrecy. As a result, millions of black men are suffering in silence or getting treatment only in the most extreme circumstances—in emergency rooms, homeless shelters, and prisons. The neglect of emotional disorders among men in the black community is nothing less than racial suicide. John Head’s explosive work, Standing in the Shadows, addresses what can be done to help those who need it most.In this groundbreaking book, veteran journalist and award-winning author John Head argues that the problem can be traced back to slavery, when it was believed that blacks were unable to feel inner pain because they had no psyche. This myth has damaged generations of African American men and their families and has created a society that blames black men for being violent and aggressive without considering that depression might be a root cause. The author also explores the roles of the black church, the black family, and the changing nature of black women in American culture as a way to understand how the black community may have unwittingly helped push the emotional disorders of African American men further underground. As daring and powerful as Nathan McCall’s Makes Me Wanna Holler, Standing in the Shadows challenges both the African American community and the psychiatric community to end the silent suffering of black men by taking responsibility for a problem that’s been ignored for far too long. Additionally, Standing in the Shadows gives women an understanding of depression that enables them to help black men mend their relationships, their families, and themselves.