Literary Nonfiction. Poetry History & Criticism. W. S. Merwin is a defining writer for our age, a poet who, over the course of sixty years and more than forty books, has created a body of work of enormous range, ambition, and complexity. He has served as the United States Poet Laureate and is the recipient of almost every major American award for poetry, including the 2005 National Book Award and two Pulitzer Prizes, first in 1971 and again in 2009. In this volume, for the first time, fifteen poets and critics gather to discuss the last quarter century of his work, beginning with The Rain in the Trees, a collection of poems that marks a turning point in Merwin's career. At times personal and at times scholarly, these essays place the poet's recent work in the context of a lifetime of writing, and help us to understand how this seminal literary figure fits into the ongoing conversation of American poetry. Includes a preface by editors Jonathan Weinert and Kevin Prufer, a transcript of an interview with W. S. Merwin, and essays by David Caplan, Steven Cramer, Debra Kang Dean, Forrest Gander, Mark Halliday, Jerry Harp, H. L. Hix, Mark Irwin, Sarah Kennedy, Eric Pankey, Lisa Russ Spaar, Michael Theune, Jeanie Thompson and Matthew Zapruder.

Ley lines mark alignments of sacred sites such as ridgetops and ancient megaliths and create pathways between them. This book too marks alignments and creates pathways, but its sacred sites are not monuments, they’re artworks and poems. Its various forms of exchange between writers and artists offer unique access to contemporary art, poetry, and the creative process. In this unique anthology, working poets respond to questions about their recent books, painters and other artists offer statements about their work, and writers respond to artworks. These offerings and exchanges are juxtaposed so as to speak to one another in a capacious, resonant dialogue. The result is a broad-minded and inclusive poetics, a vision of creative work as a constituent of personal and civic life. Anyone who nurtures the creative impulse will enjoy Ley Lines and return to it again and again. Writing students, art students, and any reader engaged in artistic practice will find in Ley Lines not a how-to manual or step-by-step instruction but an inexhaustible vein of instructive reflection on imaginative work and the creative life.

A Slow Green Sleep takes the long view: from the prehistoric through the human historic and on to the posthistoric. Voices speak out of fresh and ancient graves, from the recent and distant pasts, and from some possible and probable futures. Will the human experiment fail, or change? Can we stop loving "the wrongest things," finding beauty instead in self-effacement and the certainty that the earth will live on without us? Can we come to consider other people, and our nonhuman others, as equal in importance to ourselves? The poems in A Slow Green Sleep use various formal strategies to make resting places where one can embrace how the world is with us today, and how it will be hereafter.

Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.

An anthology of poems by American poets from Taylor and Bradstreet to Plath, Ginsberg, and Ashbery, reflecting the traditions and achievements of three centuries.

Cultural Revolution Culture, often denigrated as nothing but propaganda, was liked not only in its heyday but continues to be enjoyed today. A Continuous Revolution sets out to explain its legacy. By considering Cultural Revolution propaganda art—music, stage works, prints and posters, comics, and literature—from the point of view of its longue durée, Barbara Mittler suggests it was able to build on a tradition of earlier art works, and this allowed for its sedimentation in cultural memory and its proliferation in contemporary China. Taking the aesthetic experience of the Cultural Revolution (1966–1976) as her base, Mittler juxtaposes close readings and analyses of cultural products from the period with impressions given in a series of personal interviews conducted in the early 2000s with Chinese from diverse class and generational backgrounds. By including much testimony from these original voices, Mittler illustrates the extremely multifaceted and contradictory nature of the Cultural Revolution, both in terms of artistic production and of its cultural experience.

"If you haven't had the good fortune to be coached by a strong leader or product coach, this book can help fill that gap and set you on the path to success." - Marty Cagan How do you know that you are making a product or service that your customers want? How do you ensure that you are improving it over time? How do you guarantee that your team is creating value for your customers in a way that creates value for your business? In this book, you'll learn a structured and sustainable approach to continuous discovery that will help you answer each of these questions, giving you the confidence to act while also preparing you to be wrong. You'll learn to balance action with doubt so that you can get started without being blindsided by what you don't get right. If you want to discover products that customers love-that also deliver business results-this book is for you.

Poetry. Women's Studies. Moving through losses both private and public, the poems in TOTEM: AMERICA, Debra Kang Dean's third full-length collection, sing of a "thee" who is sometimes a beloved, sometimes a country, and sometimes both.