How did Lev Calder move from an unwillingly escaped Tithe to a clapper? In this revealing short story, Neal Shusterman opens a window on Lev’s adventures between the time he left CyFi and showed up at the Graveyard. Pulling elements from Neal Shusterman’s critically acclaimed Unwind and giving hints about what is to come in the riveting sequel, UnWholly, this short story is not to be missed.

Classical musician Althea Stewart restarts her life by moving to Washington and opening a private music school with her best friend and cellist, Grace. However, when a concertmaster is murdered at their first holiday party, Althea and Grace have to find the killer in order to save their school's reputation.

The spellbinding memoir of a violin virtuoso who loses the instrument that had defined her both on stage and off -- and who discovers, beyond the violin, the music of her own voice Her first violin was tiny, harsh, factory-made; her first piece was “Twinkle Twinkle, Little Star.” But from the very beginning, Min Kym knew that music was the element in which she could swim and dive and soar. At seven years old, she was a prodigy, the youngest ever student at the famed Purcell School. At eleven, she won her first international prize; at eighteen, violinist great Ruggiero Ricci called her “the most talented violinist I’ve ever taught.” And at twenty-one, she found “the one,” the violin she would play as a soloist: a rare 1696 Stradivarius. Her career took off. She recorded the Brahms concerto and a world tour was planned. Then, in a London café, her violin was stolen. She felt as though she had lost her soulmate, and with it her sense of who she was. Overnight she became unable to play or function, stunned into silence. In this lucid and transfixing memoir, Kym reckons with the space left by her violin’s absence. She sees with new eyes her past as a child prodigy, with its isolation and crushing expectations; her combustible relationships with teachers and with a domineering boyfriend; and her navigation of two very different worlds, her traditional Korean family and her music. And in the stark yet clarifying light of her loss, she rediscovers her voice and herself.

Lexa Pate, seventeen-year-old thief extraordinaire, has burned a bridge or two in her life. You don’t make a career out of stealing other people’s property without making enemies. When a risky job goes from bad to worse, Lexa and her adopted family find themselves on Precipice Corporation’s hit list because they’ve accidentally stolen the wrong thing—plans for a new model of genetically-engineered super humans. Now every bounty hunter, cop on the take, and snitch in the city is after them. Lexa’s world crumbles around her as she fights to keep her family safe even as someone strolls out of her forgotten past. Quinn claims to know who Lexa really is, but can she trust a stranger she met while robbing his boss? More importantly, does she really want to know what Quinn has to tell her? Based on the fairy tale Pinocchio, UNSTRUNG takes you into a near future world where the lines between fake and real are blurred, all that’s pristine isn’t always innocent, and being a criminal isn’t always wrong.

Teens who get pregnant and raise their babies are often in the news. But what about those children who are growing up with parents scarcely half a generation older than themselves? In this wise and funny first novel by Carole Lazar, Lucy is a sensible, perhaps even rigid, thirteen year old who is convinced that Grandma, God, and the Catholic Church are on her side. She tries hard to make her twenty-eight-year-old mother see the error of her ways. It's not that her mother is wild - in their household even a fancy coffee causes a scene - but she has had to put off her own teenage years and she's chaffing at the restraints on her life. Lucy is faced with the loss of her family, her home, her school, and even her best friend. As she struggles to preserve what she can from her past life, she finds that while Grandma, God, and her church are still there for her, there are problems she has to solve for herself.

Nothing's going to distract Clara from her big life plan as a viola player. Not her semi-famous dad. Not her new stepmom. Not her annoying sisters. And definitely not Tim, the swoopy-haired Scrabble geek.... You might think it's fun to grow up around Hollywood with semi-famous parents. You'd be wrong, and Clara Cassidy would be the first to tell you so. She's fourteen, figuring out life with three siblings and a new stepmom, and navigating her freshman year at a stupid high school where she doesn't even want to be. She was supposed to be at arts school by now. It's fine, though, totally fine: she's going to practice her viola extra hard and get into LACHSA next year. She's definitely 100 percent focused and not even slightly going to get distracted by Tim, the sophomore Scrabble champion with the swoopy hair and the chin dimple. Nope. Not her.

"Thanks to Connor, Lev, and Risa, and their high-profile revolt at Happy Jack Harvest Camp, people can no longer turn a blind eye to unwinding. Ridding society of troublesome teens and, in the same stroke, providing much-needed tissues for transplant might be convenient, but its morality has finally been brought into question. However, unwinding has become big business, and there are powerful political and corporate interests that want to see it not only continue, but expand, allowing the unwinding of prisoners and the impoverished. Cam is a teen who does not exist. He is made entirely out of the parts of other unwinds. Cam, a 21st century Frankenstein, struggles with a search for identity and meaning, as well as the concept of his own soul, if indeed a rewound being can have one. When a sadistic bounty hunter who takes "trophies" from the unwinds he captures starts to pursue Connor, Risa and Lev, Cam finds his fate inextricably bound with theirs"--

A connected series of vignettes creating not just a story but a state of being. Beginning in love and culminating in the changes of the body in pregnancy, this utterly moving work is poetry, philosophy, and, with inessentials stripped away, the emotional heart of the art of fiction. Consisting of sixty-two brief, 2- or 3-page visions, the book presents us with a narrator imperceptibly changing from the male lover into the female beloved. Along the way we find ourselves awash in philosophy, poetry, emotion and perception. Kona deals in the most down-to-earth images--rice, red pepper, the tip of a pencil--and at the same time in the most general states of being--paradox, amnesia, separation, love. The fluidity of his mind, the freedom with which he crosses boundaries, is always in the service of an ideal view of mankind, one that sees the emotional and true-hearted creatures we could be, and simply becomes that ideal in the course of writing. In writing a book about love, Kona shows a mirror to the love in all of us. About the Author Prakash Kona lives in Hyderabad, India. He is the author of one previous novel, Streets that Smell of Dying Roses; a work of theory, Literary Criticism: A Study in Pluralism, available from Wisdom House Publications; and two books of poetry published by Writer's Workshop, Calcutta. He completed his doctoral studies with a comparative study of Chomsky, Derrida and Wittgenstein at the University of Mississippi, Oxford, MS. He has recently returned to Hyderabad after a stint as assistant professor of English Literature and Humanities at Eastern Mediterranean University in the Turkish Republic of Northern Cyprus. Prakash believes in, among other things, the power of alternate discourses and the ideal of a classless society.

The paperback edition of iconoclastic guitar player Marc Ribot’s darkly funny and subversive collection of writing, featuring brand-new essays not included in the hardcover. “A slim yet powerful book in which Marc Ribot blends bits of memoir with strange little fictions, many of which are based on his own life and career.” —Wall Street Journal Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in the expanded paperback edition of Ribot’s first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays—including some new material not included in the hardcover—short stories, and the occasional unfilmable film “mistreatment” that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage. In the first section of the book, "Lies and Distortion," Ribot turns his attention to his instrument--"my relation to the guitar is one of struggle; I'm constantly forcing it to be something else"--and reflects on his influences (and friends) like Robert Quine (the Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists' rights. Elsewhere, we glimpse fragments of Ribot's life as a traveling musician--he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, "Sorry, We're Experiencing Technical Difficulties," Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot's position as one of the most dynamic and creative voices of our time.