This original and insightful book explores how horses can be considered as social actors within shared interspecies networks. It examines what we know about how horses understand us and how we perceive them, as well as the implications of actively recognising other animals as actors within shared social lives. This book explores how interspecies relationships work, using a variety of examples to demonstrate how horses and people build social lives. Considering horses as social actors presents new possibilities for improving the quality of animal lives, the human condition and human-horse relations.

This original and insightful book explores how horses can be considered as social actors within shared interspecies networks. It examines what we know about how horses understand us and how we perceive them, as well as the implications of actively recognising other animals as actors within shared social lives. This book explores how interspecies relationships work, using a variety of examples to demonstrate how horses and people build social lives. Considering horses as social actors presents new possibilities for improving the quality of animal lives, the human condition and human-horse relations.

This book explores how equestrians are highly invested in the idea of profound connection between horse and human and focuses on the ethical problem of knowing horses. In describing how ‘true’ connection with horses matters, Rosalie Jones McVey investigates what sort of thing comes to count as a ‘good relationship’ and how riders work to get there. Drawing on fieldwork in the British horse world, she illuminates the ways in which equestrian culture instils the idea that horse people should know their horses better. Using horsemanship as one exemplary instance where ‘truth’ holds ethical traction, the book demonstrates the importance of epistemology in late modern ethical life. It also raises the question of whether, and how, the concept of truth should matter to multispecies ethnographers in their ethnographic representations of animals.

"Agency without Actors? New Approaches to collective Action is rethinking a key issue in social theory and research: the question of agency. The history of sociological thought is deeply intertwined with the discourse of human agency as an effect of social relations. In most recent discussions the role of non-humans gains a substantial impact. Consequently the book asks: Are nonhumans active, do they have agency? And if so: how and in what different ways? The volume offers a critical state-of-the-art debate of internationally and nationally leading scholars within Sociology, Social Anthropology and STS on agency (Latour, Law, Michael, Rammert etc.). It fosters the productive exchange of empirical settings and theoretical views by outlining a wide range of novel accounts that link human and non-human agency. It tries to understand social-technical, political and environmental networks as different forms of agency that produce discrete and identifiable entities like humans, animals, technical artifacts. It also asks how different types of (often conflicting) agency and agents actors are distinguished in practice, how they are maintained and how they interfere with each other"--

The Meaning of Horses: Biosocial Encounters examines some of the engagements or entanglements that link the lived experiences of human and non-human animals. The contributors discuss horse-human relationships in multiple contexts, times and places, highlighting variations in the meaning of horses as well as universals of ‘horsiness’. They consider how horses are unlike other animals, and cover topics such as commodification, identity, communication and performance. This collection emphasises the agency of the horse and a need to move beyond anthropocentric studies, with a theoretical approach that features naturecultures, co-being and biosocial encounters as interactive forms of becoming. Rooted in anthropology and multispecies ethnography, this book introduces new questions and areas for consideration in the field of animals and society.

This book is open access under a CC BY 4.0 license. This book breaks new ground by situating animals and their diseases at the very heart of modern medicine. In demonstrating their historical significance as subjects and shapers of medicine, it offers important insights into past animal lives, and reveals that what we think of as ‘human’ medicine was in fact deeply zoological. Each chapter analyses an important episode in which animals changed and were changed by medicine. Ranging across the animal inhabitants of Britain’s zoos, sick sheep on Scottish farms, unproductive livestock in developing countries, and the tapeworms of California and Beirut, they illuminate the multi-species dimensions of modern medicine and its rich historical connections with biology, zoology, agriculture and veterinary medicine. The modern movement for One Health – whose history is also analyzed – is therefore revealed as just the latest attempt to improve health by working across species and disciplines. This book will appeal to historians of animals, science and medicine, to those involved in the promotion and practice of One Health today.

Examines how horses shaped society, politics, and imperial control during the first century of conquest and colonization in Spanish America.

In this study of the relationship between men and their horses in seventeenth- and eighteenth-century England, Monica Mattfeld explores the experience of horsemanship and how it defined one’s gendered and political positions within society. Men of the period used horses to transform themselves, via the image of the centaur, into something other—something powerful, awe-inspiring, and mythical. Focusing on the manuals, memoirs, satires, images, and ephemera produced by some of the period’s most influential equestrians, Mattfeld examines how the concepts and practices of horse husbandry evolved in relation to social, cultural, and political life. She looks closely at the role of horses in the world of Thomas Hobbes and William Cavendish; the changes in human social behavior and horse handling ushered in by elite riding houses such as Angelo’s Academy and Mr. Carter’s; and the public perception of equestrian endeavors, from performances at places such as Astley’s Amphitheatre to the satire of Henry William Bunbury. Throughout, Mattfeld shows how horses aided the performance of idealized masculinity among communities of riders, in turn influencing how men were perceived in regard to status, reputation, and gender. Drawing on human-animal studies, gender studies, and historical studies, Becoming Centaur offers a new account of masculinity that reaches beyond anthropocentrism to consider the role of animals in shaping man.

This edited volume demonstrates the broader socio-cultural context for individual human-horse relations and equestrian practices by documenting the international value of equines; socially, culturally, as subjects of academic study and as drivers of public policy. It broadens our understanding of the importance of horses to humans by providing case studies from an unprecedented diversity of cultures. The volume is grounded in the contention that the changing status of equines reveals - and moves us to reflect on - important material and symbolic societal transformations ushered in by (post)modernity which affect local and global contexts alike. Through a detailed consideration of the social relations and cultural dimensions of equestrian practices across several continents, this volume provides readers with an understanding of the ways in which interactions with horses provide global connectivity with localized identities, and vice versa. It further discusses new frontiers in the research on and practice of equestrianism, framed against global megatrends and local micro-trends.

Here are twelve moving short stories about Taiwan and its people by one of the island's most popular writers, Cheng Ch'ing-wen. Focusing primarily on village life and the effects of modernization on Taiwan in the postwar years, Cheng is one of the most respected of the island's "nativist" writers, yet this is his first book to be translated into English. This anthology represents the best of his fictional efforts across a forty-year span and encompasses his major themes: the tensions between men and women, parents and children, city and village, tradition and modernity. Taken individually, each story presents a moving portrait of paralysis, frustration, or self-realization. Together, they weave a complex tapestry of life in a rapidly changing country. Cheng Ch'ing-wen's stories tell of men grappling with their fears and frustrations, from "The River Suite," in which a ferryman-championed throughout his small town for twice saving a drowning person-lacks the courage to confess his love to a young woman before she dies, to "Spring Rain," in which a man struggles to come to terms with his seemingly rootless life as both an orphaned child and an infertile husband. Here too are illustrations of the changing place of women in Taiwan, as they take on more powerful roles and awaken to a sense of their own sexuality: a woman forcibly separated from her husband by her jealous mother-in-law walks for hours through the night to see him on his birthday, only to turn back and go straight home before her absence is noticed; a disappointed young female scholar with a deformed hand comes to realize--after many painful rejections--that loneliness is not reason enough to become intimate with a man. And generations clash in "Thunder God's Gonna Getcha," as a mother's cruelty is repaid years later by a son's coldness. Death reverberates throughout these stories as characters recall deceased spouses, lovers, relatives, and friends in vivid detail. The focus, however, is not on the dead but on the living. In the title story, an old man carves exquisite lame horses as both a penance for having terrorized a town as a police officer during the Japanese occupation of Taiwan in World War II and a memorial to his deceased wife, who was nobler and more courageous than he. This book is a kind of gallery of three-legged horses: portraits of people maimed and transformed-for better or worse-by the suffering that life brings.