Unsold Television Pilots is a detailed compilation of all the unsold television series concepts that, from 1955 through 1988, reached the development stage at the networks--but didn't sell. Pilots are listed by year and title and include production credits, plot synopsis and when applicable, air dates. The Introduction explains what a pilot is, and how the television marketplace works now and has worked in the past. An exhaustive index (actors, writers, directors, producers and pilots) and separate lists of pilots that are based on movies, pilots that are continuations of cancelled series, and pilots that are spin-offs of characters from other series are also included.

This reference work, the most complete guide to aired and unaired television pilot films ever published (or made available in any way), contains 5,190 alphabetically arranged programs, each with storyline information, performer and character cast listings, producers, air dates (where applicable), genre, and network or cable association. Also included are the unaired versions of pilots that became a series (like 90 Bristol Court, Hazel, The Middle and Perfect Strangers) and the updates of aired series that were never telecast (e.g., The Robinsons: Lost in Space, the 1997 version of Hawaii Five-0, the 2011 Wonder Woman and the 2001 Electra Woman and Dyna Girl).

“A remarkable encyclopedia.” —TV Guide “A must-browse for media freaks.” —USA Today “Irresistible and enthralling.” —Hartford Courant “Full of fool’s gold and genuine TV treasures.” —The New York Post The three hundred best and worst TV series ideas— known in the industry as “pilots”— that never made it to primetime. From the adventures of a Samurai D.A. to the antics of an invisible alien baby, Lee Goldberg details the greatest shows you never saw.

Covering the years 1945-2018, this alphabetical listing provides details about 2,923 unaired television series pilots, including those that never went into production, and those that became series but with a different cast, such as The Green Hornet, The Middle and Superman. Rarities include proposed shows starring Bela Lugosi, Doris Day, Humphrey Bogart, Barbara Stanwyck, Orson Welles, Claudette Colbert and Mae West, along with such casting curiosities as Mona Freeman, not Gale Storm, as Margie in My Little Margie, and John Larkin as Perry Mason long before Raymond Burr played the role.

"A television pilot is a sample episode of a proposed weekly series. An unsold pilot is much, much more. It's fresh faces and old favorites lining up for a one-night stand with the viewing public. It's producers, writers, directors, and network executives scrambling to keep up with the changing trends in American taste. It's the betting stub you're left with after your horse has lost the race...The networks are in the entertainment business and lucky for us consumers, even the business-behind-the-business is entertainment. Pilots may be lunacy, but as long as they make them, as long as they sneak into primetime, we can all pretend we can run a network" --

For everyone who has ever laughed at the television industry's knack for dreaming up wacky ideas, here is the ultimate TV reference guide. It's all here--from Groucho Marx playing billionaire J. Paul Greedy to Norman Lear's "McGurk", in which actors dressed in dog suits barked one-liners at each other. Includes over 300 annotated listings and a complete index of actors, writiers, directors, producers, and pilots.

“The best bathroom reading ever!” —San Francisco Chronicle “The shows that got away—luckily.” —Hollywood Reporter “Packed with amusing failures.” —Chicago Sun-Times “Irresistible and enthralling.” —Hartford Courant “Full of fool’s gold and genuine TV treasures.” —The New York Post Finally in paperback! This two-volume set will tell you everything you could possibly want to know about the thousands of TV series ideas rejected by the networks since 1955—who made them, who starred in them, what they were about, and why they ultimately failed.

THE BEST TV SHOWS THAT NEVER WERE"The Best Bathroom Reading EVER," - San Francisco Chronicle"A must-browse for media freaks." -USA Today"Irresistible and enthralling." -Hartford Courant"Full of fool's gold and genuine TV treasures." -The New York Post This lively and entertaining book looks at the three hundred best and worst TV series ideas-known in the industry as "pilots"-that never made it to primetime from 1955-1990. From the adventures of a Samurai D.A. to the antics of an invisible alien baby, Lee Goldberg reveals the most astonishing, funny, and bizarre shows that never were. "You'll slap your head in disbelief-try not to hurt yourself-at the idea of John Denver as a singing FBI agent. You'll wonder whether Joe Penny as a samurai district attorney would have been funnier-unintentionally-that John Belushi's 'Saturday Night Live.' For tube-historians, this is a must see." - People MagazineThis book was previously published as "Unsold TV Pilots: The Greatest Shows You Never Saw" and "Unsold TV Pilots: The Almost Complete Guide To Everything You Never Saw on TV"

In 1955, Gene Deitch embarked on a daily comic strip for United Features Syndicate that he hoped would become his life's work. One of the most unusual strips of the decade, Terr'ble Thompson was about a very odd little boy who had his "Werld Hedd Quarters" in a tree house and was regarded far and wide as "the bravest, fiercest, most-best hero of all-time." Terr'ble Thompson collects the entirety of Deitch's short-lived inspiration for Tom Terrific, and a new generation will discover what could have been one of the great comic strips of all-time had it continued. The strip is drawn in a simple, modernist style that served as an antidote to the ubiquitous Disney look that had spread into all facets of popular culture. Terr'ble Thompson was a visual and verbal feast of fun that blended time and space, with Terr'ble going on adventures with great historic figures like Columbus, George Washington, and Davy Crockett. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #424242}

From cops who are paragons of virtue, to cops who are as bad as the bad guys...from surly loners, to upbeat partners...from detectives who pursue painstaking investigation, to loose cannons who just want to kick down the door, the heroes and anti-heroes of TV police dramas are part of who we are. They enter our living rooms and tell us tall tales about the social contract that exists between the citizen and the police. Love them or loathe them--according to the ratings, we love them--they serve a function. They've entertained, informed and sometimes infuriated audiences for more than 60 years. This book examines Dragnet, Highway Patrol, Naked City, The Untouchables, The F.B.I., Columbo, Hawaii Five-O, Kojak, Starsky & Hutch, Hill Street Blues, Cagney & Lacey, Miami Vice, Law & Order, Homicide: Life on the Street, NYPD Blue, CSI, The Shield, The Wire, and Justified. It's time to take another look at the "perps," the "vics" and the boys and girls in blue, and ask how their representation intersects with questions of class, gender, sexuality, and "race." What is their socio-cultural agenda? What is their relation to genre and televisuality? And why is it that when a TV cop gives a witness his card and says, "call me," that witness always ends up on a slab?