Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.

From a MacArthur "Genius," a bold new perspective on the history of Asia, highlighting the long quest to tame its waters Asia's history has been shaped by her waters. In Unruly Waters, historian Sunil Amrith reimagines Asia's history through the stories of its rains, rivers, coasts, and seas -- and of the weather-watchers and engineers, mapmakers and farmers who have sought to control them. Looking out from India, he shows how dreams and fears of water shaped visions of political independence and economic development, provoked efforts to reshape nature through dams and pumps, and unleashed powerful tensions within and between nations. Today, Asian nations are racing to construct hundreds of dams in the Himalayas, with dire environmental impacts; hundreds of millions crowd into coastal cities threatened by cyclones and storm surges. In an age of climate change, Unruly Waters is essential reading for anyone seeking to understand Asia's past and its future.

Explores the voices of current and former Catholic nuns as they share their lived experiences with Catholicism, both in accordance and in conflict with the institutional Church. Unruly Catholic Nuns explores the voices of current and former Catholic nuns and, by doing so, contributes to the global conversation about the role of women in the Catholic Church today. Through autobiography, fiction, poetry, and prose, Sisters and former nuns write about their lived experiences with Catholicism, both in accordance and in conflict with the institutional Church. Through their stories we learn how these women act out their missions of social justice, challenge cultural and governmental policies, and attempt to reconcile their unruliness with their religious orders and the strictures of the church hierarchy. At a time when questions of gender, religion, race, and sexuality are provoking intense debate within Catholicism and other Christian traditions, and when religion is frequently invoked in political rhetoric, these stories provide a vital corrective to our contemporary understanding of the role of women and nuns in the Roman Catholic Church. “I love this book! I swear I do, for though my Sister-teachers taught me not to swear, they also winked me permission to dare. In Unruly Catholic Nuns, these Sisters are unveiled: we get to hear voices long repressed by a religious hierarchy which relegated them to meek handmaidenship and silent subservience. Many stayed and fought to reform this patriarchy from within; others renounced their vows in order to pursue a more liberating spiritual path. God bless this sassy book for (finally) giving voice to an engaging chorus of lively, spirited storytellers.” — Julia Alvarez, author of In the Time of the Butterflies and, most recently, Where Do They Go? “‘They want the trappings, you want the marrow.’ This line from Ann Breslin’s essay in Unruly Catholic Nunshighlights the struggle running throughout these accounts by women fighting to uphold the values of their faith. They are radical, wild, and loving in the face of an unresponsive institution. Through this rich collection of personal reflections, these brave women show themselves to be the beating heart of the Catholic Church.” — Sonja Livingston, author of Ghostbread “Unruly Catholic Nuns would be an important book in any time but at this time it’s absolutely vital. We need models of daring women compelled to speak and live their truths. Unruly Catholic Nuns is a hand at my back saying, ‘Yes, you can do the work you’re called to do; against all odds, I have.’ This is a book for those who follow the faith and those who don’t because within these pages we can all find courage, determination and wisdom. At a time when women’s strength and leadership is going to be imperative, here are stories to gain strength from, to help us move forward in both small ways and big.” — Patrice Vecchione, author of Step into Nature: Nurturing Imagination and Spirit in Everyday Life

Provocative essays explore how ideas about human nature inform or shape human understanding of nature and the environment.

Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello: Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more.

The last pharmacopeia -- Converting tribute -- The nature of drugs -- Virtuosity and orthodoxy -- The marketplace and the shop -- Eating exotica.

In Strange Natures, Nicole Seymour investigates the ways in which contemporary queer fictions offer insight on environmental issues through their performance of a specifically queer understanding of nature, the nonhuman, and environmental degradation. By drawing upon queer theory and ecocriticism, Seymour examines how contemporary queer fictions extend their critique of "natural" categories of gender and sexuality to the nonhuman natural world, thus constructing a queer environmentalism. Seymour's thoughtful analyses of works such as Leslie Feinberg's Stone Butch Blues, Todd Haynes's Safe, and Ang Lee's Brokeback Mountain illustrate how homophobia, classism, racism, sexism, and xenophobia inform dominant views of the environment and help to justify its exploitation. Calling for a queer environmental ethics, she delineates the discourses that have worked to prevent such an ethics and argues for a concept of queerness that is attuned to environmentalism's urgent futurity, and an environmentalism that is attuned to queer sensibilities.

This brief but ambitious book explores our relationship with nature through the imagery we use when we talk about Mother Nature. Employing the critical tools of religious studies, psychology, and gender studies, Catherine M. Roach examines the various manifestations of nature as "mother" and what that idea implies for the way we approach the natural world. Part One, "Nature as Good Mother," discusses the notion that nature is, or is like, a beneficent and nurturing mother who provides and maintains life. In studying the "green" slogan "Love Your Mother," Roach questions the effects-for women and for the environment-of imputing female gender to nature. She asks us to look at the associations "motherhood" and "mothering" carry within a culture still shaped by patriarchy. She notes the danger of such an apparently pro-environmental slogan if "mother" evokes the bountiful, self-sacrificing provider who herself requires no care.Part Two, "Nature as Bad Mother," looks at the contrary notion of nature as a violent, threatening, and wrathful mother. This image arises most often when humans and technology are depicted as masters of unruly nature. Here Roach draws on theological reflection to analyze this ambivalence toward nature manifested in a fantasy that casts humans as gods. She explores the contributions of eco-theology and eco-psychology to a "heart of darkness" perspective. Finally, Part Three, "Nature as Hurt Mother," looks at possibilities and pitfalls of environmental healing inherent in the image of nature as a mother we have wounded and now seek to heal.ALSO OF INTEREST ECOFEMINISMWomen, Culture, NatureEdited by Karen J. Warren0-253-33031-9 HB £37.950-253-21057-7 PB £18.95

Situated opposite the mouth of the Orinoco River, western Trinidad has long been considered an entrepôt to mainland South America. Trinidad’s geographic position—seen as strategic by various imperial governments—led to many heterogeneous peoples from across the region and globe settling or being relocated there. The calm waters around the Gulf of Paria on the western fringes of Trinidad induced settlers to construct a harbour, Port of Spain, around which the modern capital has been formed. From its colonial roots into the postcolonial era, western Trinidad therefore has played an especial part in the shaping of the island’s literature. Viewed from one perspective, western Trinidad might be deemed as narrating the heart of the modern state’s national literature. Alternatively, the political threats posed around San Fernando in Trinidad’s southwest in the 1930s and from within the capital in the 1970s present a different picture of western Trinidad—one in which the fractures of Trinidad and Tobago’s projected nationalism are prevalent. While sugar remains a dominant narrative in Caribbean literary studies, this book offers a unique literary perspective on matters too often perceived as the sole preserve of sociological, anthropological or geographical studies. The legacy of the oil industry and the development of the suburban commuter belt of East-West Corridor, therefore, form considerable discursive nodes, alongside other key Trinidadian sites, such as Woodford Square, colonial houses and the urban yards of Port of Spain. This study places works by well-known authors such as V. S. Naipaul and Samuel Selvon, alongside writing by Michel Maxwell Philip, Marcella Fanny Wilkins, E. L. Joseph, Earl Lovelace, Ismith Khan, Monique Roffey, Arthur Calder-Marshall and the largely neglected novelist, Yseult Bridges, who is almost entirely forgotten today. Using fiction, calypso, history, memoir, legal accounts, poetry, essays and journalism, this study opens with an analysis of Trinidad’s nineteenth century literature and offers twentieth century and more contemporary readings of the island in successive chapters. Chapters are roughly arranged in chronological order around particular sites and topoi, while literature from a variety of authors of British, Caribbean, Irish and Jewish descent is represented.

In this richly detailed and imaginatively researched study, Victoria Bynum investigates "unruly" women in central North Carolina before and during the Civil War. Analyzing the complex and interrelated impact of gender, race, class, and region on the lives of black and white women, she shows how their diverse experiences and behavior reflected and influenced the changing social order and political economy of the state and region. Her work expands our knowledge of black and white women by studying them outside the plantation setting. Bynum searched local and state court records, public documents, and manuscript collections to locate and document the lives of these otherwise ordinary, obscure women. Some appeared in court as abused, sometimes abusive, wives, as victims and sometimes perpetrators of violent assaults, or as participants in ilicit, interracial relationships. During the Civil War, women freqently were cited for theft, trespassing, or rioting, usually in an effort to gain goods made scarce by war. Some women were charged with harboring evaders or deserters of the Confederacy, an act that reflected their conviction that the Confederacy was destroying them. These politically powerless unruly women threatened to disrupt the underlying social structure of the Old South, which depended on the services and cooperation of all women. Bynum examines the effects of women's social and sexual behavior on the dominant society and shows the ways in which power flowed between private and public spheres. Whether wives or unmarried, enslaved or free, women were active agents of the society's ordering and dissolution.