The Encyclopedia of American Poetry: The Twentieth Century contains over 400 entries that treat a broad range of individual poets and poems, along with many articles devoted to topics, schools, or periods of American verse in the century. Entries fall into three main categories: poet entries, which provide biographical and cultural contexts for the author's career; entries on individual works, which offer closer explication of the most resonant poems in the 20th-century canon; and topical entries, which offer analyses of a given period of literary production, school, thematically constructed category, or other verse tradition that historically has been in dialogue with the poetry of the United States.

It is impossible to appreciate poetry fully without some knowledge of the various aspects of poetic technique. First published in 1953, with a second edition in 1982, this title explains all the usual technical terms in an accessible manner. Marjorie Boulton shows that it is possible to approach a poem from a business-like perspective without losing enjoyment. This reissue will be of particular value to students as well as those with a general interest in the specifics of poetry.

“My Rebellious and Imperfect Eye”: Observing Geoffrey Grigson acknowledges and celebrates Geoffrey Grigson (1905-1985) as an all-round man, as a distinctive lyrical poet, as the exact observer of nature and of men, in the past and in the present, as a pioneering literary critic and art critic, as an unrivalled anthologist, as a ground-breaking editor, as a broadcaster, as a botanist - the list could be extended. In an unsurpassed number of diverse areas of artistic and natural culture, Grigson passionately communicated all he experienced and felt to as wide an audience as possible. Therefore, as the centenary of his birth comes in view, it seems singularly appropriate to celebrate Geoffrey Grigson's unique contribution to the twentieth-century cultural scene. In a writing career spanning nearly sixty years, he was unmatched by any of his contemporaries for a range which reaches from the edges of journalism into and beyond the academic world. In prose and verse, the nineteen contributors to this volume, amongst them some of the most distinguished names in contemporary English letters, would hardly claim to have covered every aspect of Grigson's genius, but they do manage to touch upon most of the territory he illuminated. The volume contains a full bibliography of Grigson's work and a number of his drawings.

Text. These have been heroically overcome by J.G. Riewald, the leading Beerbohm authority, for this definitive anthology of Max Beerbohm's poetry. Of the 138 poems here, fifty-one have never been collected before, and eighty-seven were not even published in Max's lifetime. There are variant readings in manuscript copies, including those written by Max himself, so Dr. Riewald's full textual notes will be welcome - particularly as Max didn't consider "accidentals" of.

In 1988 Iain McCalman's seminal work, Radical Underworld, unravelled the complex and clandestine revolutionary networks of democrats that operated in London between 1790 and the beginnings of Chartism, to reveal an urban underworld of prophets, infidels, pornographers and rogue preachers where powerful satirical and subversive subcultures were developed. This present volume reflects and builds upon the diversity of McCalman's discoveries, to present fresh insights into the culture and operation of popular politics in the 'age of reform'. It is a coherent and integrated treatment of the subject that offers a window into this 'unrespectable' underworld and questions whether it was a blackguard subculture or a more complex and rich counter-culture with powerful literary, legal and political implications. This book brings together an international team of experienced scholars to explore the concepts and subjects pioneered by McCalman. The volume presents a focused and coherent review of popular politics, from the meeting rooms of a reform society and the theatre stage, to the forum of the courtroom and the depths of prison.