Erudite, inspirational, and concise, Michael Lydon offers a celebration of the craft of writing that will serve as a guidebook for aspiring writers and avid readers. A musician and former Newsweek reporter who was a founding editor of Rolling Stone, Lydon calls writing "a visible word music, more like singing than drawing", and indeed his own prose rings with a rhythm and lyricism that exemplifies his view. With enthusiasm and great warmth, he asks a question central to all writers and readers: "What makes writing good?" and for his answers he taps sources that range from the Bible to Raymond Chandler, Shakespeare to Nabokov, Dickens to the New York Times. What makes Lydon's study both remarkable and refreshing, however, is his conscious attempt to present an antidote to postmodern literary theory which tries to erase the presence of the author and negate the existence of an external reality. In contrast, Lydon describes in engaging, readable terms his own discovery that authors are very much alive and that reality is out there to be captured in their writing.

Instruction and education have no age. The philiawisdomethics science is a method permitting to search the arts of good life. The principle of philosophical action, of philosophical arts, reside in an analytical mind, of wondering, either of question, contrary to all acquired sciences. The philosopher does not make himself a connoisseur, but as a human being that wants to know something very well. To avoid falling in believes that have no issue, illusions and appearances, he use reason or intellect. To know himself better, he does not search truth by someone else, but through himself. To uninitiated, philosophical science is an unimportant subject, and the philosopher a schizophrener. Those that hate the philosophical arts, consider it as a simple abstract reflexion, which has no link with the visible life. From the moment that philosophy requires to situate oneself out of the world, before all self exteriorisation, it is as such a way to deny life. The real philosopher has no other interest than to learn how to get out of the world, and to live as he is not in the world, according to Emperoy. Legends, anecdotes, on anti-philosophers show that they were persons living out of the Marge of reality.

The nature of representation is a central topic in philosophy. This is the first book to connect problems with understanding representational artifacts, like pictures, diagrams, and inscriptions, to the philosophies of science, mind, and art. Can images be a source of knowledge? Are images merely conventional signs, like words? What is the relationship between the observer and the observed? In this clear and stimulating introduction to the problem John V. Kulvicki explores these questions and more. He discusses: the nature of pictorial experience and "seeing in" recognition, resemblance, pretense, and structural theories of depiction images as aids to scientific discovery and understanding mental imagery and the nature of perceptual content photographs as visual prostheses. In so doing he assesses central problems in the philosophy of images, such as how objects we make come to represent other things, and how we distinguish kinds of representation - pictures, diagrams, graphs - from one another. Essential reading for students and professional philosophers alike, the book also contains chapter summaries, annotated further reading, and a glossary.

The brand new self-help book that is the ultimate in being pro-human - the ultimate in humanism(!) - with the new subject-theme of "Be good, be neutral ... but don't be bad". With brand new “How To Be ... ” subject-lessons: Supreme Super Power: The Secret Ultimate Power [ The Most Powerful New Human Subject-Lessons For Greatness, Fame, Fortune, And Power ] ( Created By And Given By John Rosario / Rex Supreme ) [p. 374] Super-Human: How To Become A Super Human(-Being) [ Become The Super-Human Version Of Yourself ] [p. 538] Human-God: How To Become Your Own God (A Self-God) [p. 558] Human-God: How To Be A Human-God (A Demi-God) [p. 566] Billionaire: How To Become A Billionaire (Become Billionaire-Rich, Famous & Powerful) [p. 586] THAT'S RIGHT! LEARN HOW TO BECOME A BILLIONAIRE! It’s humankind reformed, perfected and made superior (to its previous, regular self)!

Figurative painting of the past five years, represented here by an exciting young generation of artists and vital practitioners, addresses the challenge of contemporary representation through expressionistic compositions and new techniques reflecting digital fluency. Figuration is one of the oldest art forms, but it continually evolves, along with our changing understanding of human identity. The artists featured here often source imagery from the Internet, and draw on aesthetics developed in Internet-first channels. Digital techniques and affordances are incorporated into rendering processes with traditional media: brushstrokes are more precise, lines are sharper, and color is more highly keyed. In these works, expressionism is located more in the composition than in the paint handling. This richly illustrated collection of figurative works is accompanied by texts that connect the present moment in painting to the early 1980s, when the emergence of artists such as Jean-Michel Basquiat, Francesco Clemente, David Salle, and Julian Schnabel revitalized the art dialogue after the extended dissolution of Minimalism, and to its roots in the practice of painters like Picabia.

The terms mental health, maturity, personality integration, self-actualization have been used by psychologists to represent the realm of the ideal or optimal personality. Originally published in 1974, Professor Richard Coan here describes a method of analysing this domain, and examines the important theoretical implications of his findings. He developed instruments to measure various characteristics, including personal consistency, the experience of control and openness to experience, which are associated with current concepts of sound psychological functioning. A battery containing these instruments was administered to several hundred subjects and analysed. The results, reported here, are enlightening. It was found, for example, that the different characteristics viewed by psychologists as traits of the ideal person do not constitute a unitary pattern. There is no evidence of a general dimension of personality integration or mental health. A number of independent components or factors of sound functioning were isolated. Some desirable traits were discovered to be inversely related to each other, many of these relationships appearing to involve a choice between an open or spontaneous orientation and a more ordered and controlled orientation. The author’s view, fully supported by his findings, is that if people are to achieve maximal realization of their potentials, a clear requisite is the flexible utilization of various modes of experiencing and acting.

Provides an examination of the use of rebirth and renewal in classic literary works.

Part of the Handbook of the Philosophy of Science Series edited by: Dov M. Gabbay King's College, London, UK;Paul Thagard University of Waterloo, Canada; and John Woods University of British Columbia, Canada. Philosophy of Economics investigates the foundational concepts and methods of economics, the social science that analyzes the production, distribution and consumption of goods and services. This groundbreaking collection, the most thorough treatment of the philosophy of economics ever published, brings together philosophers, scientists and historians to map out the central topics in the field. The articles are divided into two groups. Chapters in the first group deal with various philosophical issues characteristic of economics in general, including realism and Lakatos, explanation and testing, modeling and mathematics, political ideology and feminist epistemology. Chapters in the second group discuss particular methods, theories and branches of economics, including forecasting and measurement, econometrics and experimentation, rational choice and agency issues, game theory and social choice, behavioral economics and public choice, geographical economics and evolutionary economics, and finally the economics of scientific knowledge. This volume serves as a detailed introduction for those new to the field as well as a rich source of new insights and potential research agendas for those already engaged with the philosophy of economics. - Provides a bridge between philosophy and current scientific findings - Encourages multi-disciplinary dialogue - Covers theory and applications

Received document entitled: RESPONDENT'S SUPPLEMENTAL BRIEF

The value of true belief has played a central role in history of philosophy—consider Socrates' slogan that the unexamined life is not worth living, and Aristotle's claim that everyone naturally wants knowledge—as well as in contemporary epistemology, where questions about the value of knowledge have recently taken center stage. It has usually been assumed that accurate representation—true belief—is valuable, either instrumentally or for its own sake. In A Luxury of the Understanding, Allan Hazlett offers a critical study of that assumption, and of the main ways in which it can be defended. Hazlett defends the conclusion that true belief is at most sometimes valuable. In the first part of the book, he targets the view that true belief is normally better for us than false belief, and argues that false beliefs about ourselves—for example, unrealistic optimism about our futures and about other people, such as overly positive views of our friends—are often valuable vis-à-vis our wellbeing. In the second part, he targets the view that truth is "the aim of belief," and argues for anti-realism about the epistemic value of true belief. Together, these arguments comprise a challenge to the philosophical assumption of the value of true belief, and suggest an alternative picture, on which the fact that some people love truth is all there is to "the value of true belief".