It's finally happening. Reality is disintegrating. The Age of Nihilism is dawning. Fake news, post-truth, post-facts, alternative facts, "everyone has their own truth", the Dunning-Kruger effect, Mythos, hyperreality, hyporeality, virtual reality, virtual irreality, simulation, simulacra, the copy without the original, the map that precedes the territory, the authentic fake. Whom will you believe? Whom will you trust? Who is telling the truth? Who is lying to you? It's time to explore the Unreal city, the Unreal world. Soon enough, humanity itself will be Unreal.

In the nineteenth century the great cities underwent the most conspicuous transformation. The beauties and the dark side of urban existence soon came to be one of the central issues in contemporary literature and art. In The Reality of the Unreal, the works of four great English writers of the time are analyzed, with the focus on their representation of the city. Through the concrete image of London and Paris around the turn of the century as well as through the metaphorical role of the city as a concept, this booka new volume in the Philosophiae Doctores seriesprovides differing views about the age, as seen by H. G. Wells, George Gissing, Joseph Conrad, and Henry James. The books analysis arrives at the complex image of civilization at the end of the nineteenth century.

The strangest of all wars has broken out. The Third World War is the Unreality War. Some call it the Hyperreal War, the war of the "more real than real". Reality can deliver only so much. Human fantasy, by contrast, knows no bounds. Reality acknowledges constraints. Fantasy doesn't. The hyperreal is where human fantasy, rather than reality, drives humanity's perceived reality. Actual reality is reduced to nostalgia. As technology improves, it delivers human fantasy with ever more power. It does so via vivid, luscious screens, the perfect medium of human fantasy. The World has been replaced by the Screen. The more people look at the screen rather than at the world, the more they are in hyperreality. Come inside and explore the strangest of all worlds.

From Paul Tremblay, the author of A Head Full of Ghosts, comes a contemporary psychological suspense concerning a family shaken to its core after the mysterious disappearance of a teenage boy. “A Head Full of Ghosts scared the living hell out of me, and I’m pretty hard to scare,” raved Stephen King about Paul Tremblay’s previous novel. Now, Tremblay returns with another disturbing tale sure to unsettle readers. Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her thirteen-year-old son, Tommy, has vanished without a trace in the woods of a local park. The search isn’t yielding any answers, and Elizabeth and her young daughter, Kate, struggle to comprehend Tommy’s disappearance. Feeling helpless and alone, their sorrow is compounded by anger and frustration: the local and state police have uncovered no leads. Josh and Luis, the friends who were the last to see Tommy before he vanished, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out a landmark the local teens have renamed Devil’s Rock. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connects them. As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

A beautiful lady who can only be seen from far away, a machine that generates an entire civilization, a king who loves the hidden life of an inanimate statue, a city that appears once a year across a great chasm, an ancient Korean king assassinated in the dark of the night, a ghost that haunts soldiers on the DMZ - these are just some of the marvels you will encounter in these stories from the transcultural and metafictional imagination of Minsoo Kang. In diverse narratives grouped under the titles of Tales from a Lost History, Fables of the Dream World, and Stories from an Imaginary Homeland, Kang explores the nature and possibilities of storytelling itself as he spins out variations on an episodic theme, reinterprets an old myth, and struggles with a past that seeks a voice in the present. The result is a marvelously surrealistic landscape where histories, ideas, and legends freely intermingle and dance to the music of wonder and longing.

Cartographies of New York and Other Postwar American Cities: Art, Literature and Urban Spaces explores phenomena of urban mapping in the discourses and strategies of a variety of postwar artists and practitioners of space: Allan Kaprow, Claes Oldenburg, Vito Acconci, Gordon Matta-Clark, Robert Smithson, Rebecca Solnit, Matthew Buckingham, contemporary Situationist projects. The distinctive approach of the book highlights the interplay between texts and site-oriented practices, which have often been treated separately in critical discussions. Monica Manolescu considers spatial investigations that engage with the historical and social conditions of the urban environment and reflect on its mediated nature. Cartographic procedures that involve walking and surveying are interpreted as unsettling and subversive possibilities of representing and navigating the postwar American city. The book posits mapping as a critical nexus that opens up new ways of studying some of the most important postwar artistic engagements with New York and other American cities.

Depersonalization and Creative Writing: Unreal City explores the common psychological symptom of depersonalization, its influence on literature and the insights it can provide into the writing process. Depersonalization is a distressing symptom in which sufferers feel detached from their own selves and the world. Often associated with psychological disorders, it can also affect healthy people at times of stress. Beginning with a first-hand account of the experience, the book goes on to argue that many well-known literary texts, including Camus’s The Outsider and Sartre’s Nausea, evoke a similar psychological state. It shows how a concept of depersonalized writing can be found in the work of literary theorists from widely different traditions, including T.S. Eliot, Roland Barthes and Viktor Shklovsky. Finally, it maintains that creative writers can make use of the lessons learned from a study of depersonalization to arrive at a deeper understanding of writing. Given this knowledge, the controversial writing teacher’s maxim show, don’t tell, so often misapplied or misunderstood, can be repurposed as a practical instruction for taking students’ writing to a new level of sophistication and wisdom.

Archaeologists are increasingly interested in studying the experiences of Chinese immigrants, yet this area of research is mired in long-standing interpretive models that essentialize race and identity. Showcasing the enormous amount of data available on the lives of Chinese people who migrated to North America in the nineteenth century, this volume charts new directions by providing fresh approaches to interpreting immigrant life. In this volume, leading scholars first tackle broad questions of how best to position and understand these populations. They then delve into a variety of site-based and topical case studies, providing new approaches to themes like Chinese immigrant foodways and highlighting understudied topics including entrepreneurialism, cross-cultural interactions, and conditions in the Jim Crow South. Pushing back against old colonial-based tropes, contributors call for an awareness of the transnational relationships created through migration, engagement with broader archaeological and anthropological debates, and the expansion of research into new contexts and topics. Contributors: Linda Bentz | Todd J. Braje | Kelly N. Fong | D. Ryan Gray | J. Ryan Kennedy | Christopher Merritt | Laura W. | Virginia S. Popper | Adrian Praetzellis | Mary Praetzellis | Chelsea Rose | Douglas E. Ross | Charlotte K. Sunseri | Barbara L. Voss | Priscilla Wegars | Henry Yu

Multicultural Comics: From Zap to Blue Beetle is the first comprehensive look at comic books by and about race and ethnicity. The thirteen essays tease out for the general reader the nuances of how such multicultural comics skillfully combine visual and verbal elements to tell richly compelling stories that gravitate around issues of race, ethnicity, gender, and sexuality within and outside the U.S. comic book industry. Among the explorations of mainstream and independent comic books are discussions of the work of Adrian Tomine, Grant Morrison, and Jessica Abel as well as Marv Wolfman and Gene Colan's The Tomb of Dracula; Native American Anishinaabe-related comics; mixed-media forms such as Kerry James Marshall's comic-book/community performance; DJ Spooky's visual remix of classic film; the role of comics in India; and race in the early Underground Comix movement. The collection includes a "one-stop shop" for multicultural comic book resources, such as archives, websites, and scholarly books. Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling.