THE CLOUD OF UNKNOWING and THE BOOK OF PRIVY COUNSELING are the first explorations in the English language of the soul’s quest for God. Written in Middle English by an unknown fourteenth-century mystic, THE CLOUD OF UNKNOWING expresses with beauty a message that has inspired such great religious thinkers as St. John of the Cross and Teilhard de Chardin, as well as countless others in search of God. Offering a practical guide to the life of contemplation, the author explains that ordinary thoughts and earthly concepts must be buried beneath a “cloud of forgetting,” while our love must rise toward a God hidden in the “cloud of unknowing.” THE BOOK OF PRIVY COUNSELING, also included in this volume, is a short and moving text on the way to enlightenment through a total loss of self and a consciousness only of the divine. William Johnston, an authority on fourteenth-century mysticism and spirituality, provides an accessible discussion of the works, detailing what is known about the history of the texts and their author. In a new foreword, Huston Smith draws on his extensive knowledge of the varieties of religious experience to illuminate the relevance of these works for contemporary readers.

Presents the lives of eight individuals whose experiences illuminate a variety of dilemmas and anxieties that most of us encounter at different points of our lives. According to Spinelli (psychology, Regent's College), therapy at its most fundamental level involves the act of revealing, reassessing, and reconstructing the life stories that clients tell themselves in order to establish or maintain meaning. The existential therapist must not only listen, but must remain "un-knowing," i.e. open to new interpretation of that which is seemingly familiar, thus bringing to light unexamined possibilities. Annotation copyrighted by Book News, Inc., Portland, OR

Philip Weinstein explores the modernist commitment to "unknowing" by addressing the work of three supreme experimental writers: Franz Kafka, Marcel Proust, and William Faulkner. In their novels, the narrative props that support the drama of coming to know are refused. When space turns uncanny rather than lawful, when time ceases to be linear and progressive, objects and others become unfamiliar. So does the subject seeking to know them. Weinstein argues that modernist texts work, by way of surprise and arrest, to subvert the familiarity and narrative progression intrinsic to realist fiction. Rather than staging the drama of coming to know, they stage the drama of coming to unknow. The signature move of modernism is shock, just as resolution is the trademark of realism.Kafka, Proust, and Faulkner wrought their most compelling experimental effects by undermining an earlier Enlightenment project of knowing. Weinstein draws on major Enlightenment thinkers to identify constituent components of the narrative of "coming to know"—the progressive narrative underwriting two centuries of Western realist fiction. The book proceeds by framing modernist unknowing between prior practices of realist knowing, on the one hand, and, on the other, certain later practices—postmodern and postcolonial—that move beyond knowing altogether. In so doing, Weinstein proposes a metahistory of the Western novel, from Daniel Defoe to Toni Morrison.

Contains The Cloud of Unknowing, The Mystical Theology of Saint Denis, The Book of Privy Counselling, and An Epistle on Prayer. Against a tradition of devotional writings which focussed on knowing God through Christ's Passion and his humanity, these texts describe a transcendent God who exists beyond human knowledge and human language. These four texts are at the heart of medival mystical theology in their call for contemplation, calm, and above all, love, as the way to understand the Divine.

A “gripping” mystery revolving around a family tragedy, and a woman who may or may not be descending into madness (Entertainment Weekly). David Sears grew up terrorized by the ravings of his schizophrenic father, a frustrated literary genius who openly preferred David’s sister Diana for her superior intelligence. When the Old Man died, David thought the madness had finally died with him. But the Sears family was not through with its troubles. The drowning of Diana’s mentally ill son has been ruled a tragic “misadventure,” a conclusion she refuses to accept. After hastily divorcing her husband, she sets out to prove his culpability. Her increasingly manic behavior is becoming hard for David to ignore. He finds himself afraid for his own family’s safety—and choosing his words carefully when answering the detective. Edgar Award–winning author Thomas H. Cook explores the power of blood to define us, bind us, and sometimes destroy us, in a novel of “consuming suspense almost too concentrated to bear” (New York Daily News). “So spare and precise, it feels as if it has been chiseled in stone with something like a surgical instrument.” —Joyce Carol Oates “What’s at stake isn’t so much the resolution of a mystery as the integrity of a family.” —Time Out New York

For centuries, mystics have groped for words in which to account for the supreme reality of this experience which not only illuminates a man's mind and fills his heart with new strength, but even radically transforms his whole life. All this is said in classic and unforgettable pages by TheCloud of Unknowing, the work of an anonymous fourteenth-century English writer.

THE BOOK OF UNKNOWING continues the leading-edge work begun in the The Book of Undoing. That was about how-to awaken, while this one is primarily about the post-awakening experience itself--how to clear. Topics addressed include how to assess if you're awake or not, why you may need a teacher, what our experience is in post-awakening, experiments and inquiries, and dozens more.The Book of Unknowing contains 33 articles that have previously appeared on AwakeningClarityNow.com or other websites, which are freshly edited and introduced by John Ames, author of the well received novel, Adventures in Nowhere.

When Denise Levertov died on December 20, 1997, she left behind forty finished poems, which now form her last collection, This Great Unknowing. Few poets have possessed so great a gift or so great a body of work—when she died at 74, she had been a published poet for more than half a century. The poems themselves shine with the artistry of a writer at the height of her powers.