I used to know it all; who was bound for heaven and who would be in hell, how the contradictions in the Bible all fit together when read with guidance from the Spirit and in keeping with our church’s exact teaching. How to fix government, end war, and balance capitalism with community, what was true and what was false, how the world made sense and why it was fair. Then my sure answers became unacceptable. Now I know mostly little things; the love of family, the importance of children, the need to live in the circle of a tribe, the freedom of unknowing, the joy of being in trees and on rocks under birds in flight, the comfort of not being responsible for all things and all people, the power each moment to choose behavior that will add to the heaven or hell experienced in the present by real people, the beauty of the dance of atoms and stars bracketing the grand diversity and mysteries of life. I know One Universe which creates, knows, sustains, and is. One is enough.

"In his groundbreaking book, The Scientific Proof of God, Fredrick Swaroop Honig takes difficult concepts about quantum physics and the functioning of the universe, and explains them in simple language that anyone can understand. He integrates science and consciousness and shows us how this information contains the very core of our purpose on this planet. This is an inspiring read that leaves us with hope about our lives and the goodness of this world." - Marci Shimoff, #1 NY Times bestselling author of Happy for No Reason Fredrick Swaroop Honig is a visionary whose insights bridge the scientific and spiritual worlds. Swaroop was trained as a Mechanical Engineer at UC Berkeley in the '70s, and then lived as a monk for twenty years in the Ashram of the acclaimed interfaith leader Sri Swami Satchidananda. His forty years of deep meditation practice have revealed to him profound insights into the nature of the universe. In The Scientific Proof of God, Swaroop integrates into the standard model of physics the dimensions of Consciousness and Intention. He sheds light on how the universe began and illuminates the twelve principle mysteries presently unanswered in the standard model of physics. Swaroop offers a new application of Einstein's famous equation E=mc2, and how this equation when applied to the universe's dimension of consciousness becomes the Unitive Field Law of Causation. This one equation explains the cause and effect of any action as well as how the primal singularity, the seed of the universe, came into existence before the Big Bang. As a golden bridge between Science and Spirituality, this book also explains how the name of God can be used for attaining Unitive Consciousness. Through these pages, the universe will make more sense to you and you will better understand your unique part in it. We are one with Unitive Consciousness, and realizing this is the goal of life.

Why did Einstein tirelessly study unified field theory for more than thirty years? In this book, the author argues that Einstein believed he could find a unified theory of all of nature's forces by repeating the methods he thought he had used when he formulated general relativity. The book discusses Einstein's route to the general theory of relativity, focusing on the philosophical lessons that he learnt. It then addresses his quest for a unified theory for electromagnetism and gravity, discussing in detail his efforts with Kaluza-Klein and, surprisingly, the theory of spinors. From these perspectives, Einstein's critical stance towards the quantum theory comes to stand in a new light. This book will be of interest to physicists, historians and philosophers of science.

In God and Natural Order: Physics, Philosophy, and Theology, Shaun Henson brings a theological approach to bear on contemporary scientific and philosophical debates on the ordered or disordered nature of the universe. Henson engages arguments for a unified theory of the laws of nature, a concept with monotheistic metaphysical and theological leanings, alongside the pluralistic viewpoints set out by Nancy Cartwright and other philosophers of science, who contend that the nature of physical reality is intrinsically complex and irreducible to a single unifying theory. Drawing on the work of theologian Wolfhart Pannenberg and his conception of the Trinitarian Christian god, the author argues that a theological line of inquiry can provide a useful framework for examining controversies in physics and the philosophy of science. God and Natural Order will raise provocative questions for theologians, Pannenberg scholars, and researchers working in the intersection of science and religion.

In the prequel to his best-seller, The DaVinci Code, Dan Brown narrates the story of a great scientist who tries to unify science with religion by replicating the first moment in natural history, known as the "Big Bang." That prequel, called Angels and Demons, is about humanity and its search for suitable answers to the source of our existence and the quandary of our destiny. This book is a non-fiction version of Angels and Demons - only without the angels or the demons. It is a serious and strictly scientific attempt to make sense of all the knowledge acquired by our species during the course of history. In particular, this book seeks to reconcile the exciting discoveries of the first part of the Twentieth Century (including relativity and the Big Bang) with the perplexing discoveries of the second half of that troubled century, when strange and paradoxical solutions were offered by science (most notably quantum physics and Heisenberg's principle of uncertainty). The conclusions of the book can be summarized by saying that it is an admittedly immodest effort to compile a "theory of everything." Weaving together the theories of humanity's quest for harmonious understanding of nature, its origins and its destiny entailed many mysteries; solving those mysteries often required advancing novel ideas. Perhaps the most creative of all is the proposition that the Big Bang produced not just space and time, but order as well. This proposition is buttressed by the latest findings in astronomy, which suggest that order came quickly to our world, as if delivered in a package, complete with ribbons and wrapping intended for our appreciation and use. Does that mean that the package was created by anomnipotent being - the god of theology? The answer to that question is not tackled until the last two chapters. The first eight tackle a more elementary question: whether our species differs from the animals merely in the sense of being a more sophisticated aggregation of organic life, as Darwin argued. That view is contrasted to one characterized as Integral Humanism, a philosophical framework which offers the opposing argument, under which humans are understood to be an unpredictable and wonderful mixture of three distinct dimensions: mind, matter and spirit.

In his classic work Method in Theology, Bernard Lonergan left many questions unanswered in regard to his treatment of systematics. In What Is Systematic Theology? Robert M. Doran attempts to articulate and respond to these questions. Doran begins by accepting four emphases presented by Lonergan concerning systematics: first, that its principal function is the hypothetical and analogical understanding of the mysteries of faith; second, that it should begin with those mysteries of faith that have received dogmatic status; third, that it must proceed in the 'order of teaching' rather than the 'order of discovery'; and last, that it must be explanatory rather than merely descriptive. He then addresses questions that are raised by each of these emphases. What Is Systematic Theology? is the most thorough attempt undertaken to date to advance Lonergan's program for systematics, fully in the spirit of his work but addressing issues that he left to others. Doran's idea of a core set of meanings for systematics – or a 'unified field structure' – is highly original, as is the integration of the systematic ideal and contemporary historical consciousness.

"Presents findings from quantum physics, chaos theory, biology, and neuroscience that support a new conception of human potential. It includes practical suggestions for enhancing family, school and social environments"--Provided by publisher.

A considerable amount of public debate and media print has been devoted to the “war between science and religion.” In his accessible and eminently readable new book, Stephen M. Barr demonstrates that what is really at war with religion is not science itself, but a philosophy called scientific materialism. Modern Physics and Ancient Faith argues that the great discoveries of modern physics are more compatible with the central teachings of Christianity and Judaism about God, the cosmos, and the human soul than with the atheistic viewpoint of scientific materialism. Scientific materialism grew out of scientific discoveries made from the time of Copernicus up to the beginning of the twentieth century. These discoveries led many thoughtful people to the conclusion that the universe has no cause or purpose, that the human race is an accidental by-product of blind material forces, and that the ultimate reality is matter itself. Barr contends that the revolutionary discoveries of the twentieth century run counter to this line of thought. He uses five of these discoveries—the Big Bang theory, unified field theories, anthropic coincidences, Gödel’s Theorem in mathematics, and quantum theory—to cast serious doubt on the materialist’s view of the world and to give greater credence to Judeo-Christian claims about God and the universe. Written in clear language, Barr’s rigorous and fair text explains modern physics to general readers without oversimplification. Using the insights of modern physics, he reveals that modern scientific discoveries and religious faith are deeply consonant. Anyone with an interest in science and religion will find Modern Physics and Ancient Faith invaluable.

Our understanding of human rationality has changed significantly since the beginning of the century, with growing emphasis being placed on multiple rationalities, each adapted to the specific tasks of communities of practice. We may think of the world as an ontological unity-but we use a plurality of methods to investigate and represent this world. This development has called into question both the appeal to a universal rationality, characteristic of the Enlightenment, and also the simple 'modern-postmodern' binary. The Territories of Human Reason is the first major study to explore the emergence of multiple situated rationalities. It focuses on the relation of the natural sciences and Christian theology, but its approach can easily be extended to other disciplines. It provides a robust intellectual framework for discussion of transdisciplinarity, which has become a major theme in many parts of the academic world. Alister E. McGrath offers a major reappraisal of what it means to be 'rational' which will have significant impact on older discussions of this theme. He sets out to explore the consequences of the seemingly inexorable move away from the notion of a single universal rationality towards a plurality of cultural and domain-specific methodologies and rationalities. What does this mean for the natural sciences? For the philosophy of science? For Christian theology? And for the interdisciplinary field of science and religion? How can a single individual hold together scientific and religious ideas, when these arise from quite different rational approaches? This ground-breaking volume sets out to engage these questions and will provoke intense discussion and debate.

David Lynch is internationally renowned as a filmmaker, but it is less known that he began his creative life as a visual artist and has maintained a devoted studio practice, developing an extensive body of painting, prints, photography, and drawing. Featuring work from all periods of LynchÕs career, this book documents LynchÕs first major museum exhibition in the United States, bringing together works held in American and European collections and from the artistÕs studio. Much like his movies, many of LynchÕs artworks revolve around suggestions of violence, dark humor, and mystery, conveying an air of the uncanny. This is often conveyed through the addition of text, wildly distorted forms, and disturbances in the paint fields that surround or envelop his figures. While a few relate to his film projects, most are independent works of art that reveal a parallel trajectory. Organized in close collaboration with the artist, David Lynch: The Unified Field brings together ninety-five paintings, drawings, and prints from 1965 to the present, often unified by the recurring motif of the home as a site of violence, memories, and passion. Other works explore the odd, tender, and mincing aspects of relationships. Highlighting many works that have rarely been seen in public, including early work from his critical years in Philadelphia (1965Ð70), this catalog offers a substantial response to dealer Leo Castelli's comment when he enthusiastically viewed LynchÕs work in 1987, ÒI would like to know how he got to this point; he cannot be born out of the head of Zeus.Ó Published in association with the Pennsylvania Academy of the Fine Arts