Unheard Witness foregrounds a young woman’s experience of domestic abuse, resistance, and survival before the mass shooting at the University of Texas at Austin in 1966. In 1966, Kathy Leissner Whitman was a twenty-three-year-old teacher dreaming of a better future. She was an avid writer of letters, composing hundreds in the years before she was stabbed to death by her husband, Charles Whitman, who went on to commit a mass shooting from the tower at the University of Texas at Austin. Kathy’s writing provides a rare glimpse of how one woman described, and sought to change, her short life with a coercive, controlling, and violent partner. Unheard Witness provides a portrait of Kathy’s life, doing so at a time when Americans are slowly grasping the link between domestic abuse and mass shootings. Public violence often follows violence in the home, yet such private crimes continue to be treated separately and even erased in the public imagination. Jo Scott-Coe shows how Kathy's letters go against the grain of the official history, which ignored Kathy’s perspective. With its nuanced understanding of abuse and survival, Unheard Witness is an intimate, real-time account of trust and vulnerability—in its own way, a prologue to our age of atrocities.

For ten years, Voice of Witness has illuminated contemporary human rights crises through its remarkable oral history book series. Founded by Dave Eggers, Lola Vollen and Mimi Lok, Voice of Witness has amplified the stories of hundreds of people impacted by some of the most crucial human rights crises of our time, including men and women living under oppressive regimes in Burma, Colombia, Sudan, and Zimbabwe; public housing residents and undocumented workers in the United States; and exploited workers around the globe. This selection of narratives from these remarkable men and women is many things: an astonishing record of human rights issues in the 21st century; a testament to the resilience and courage of the most marginalized among us; and an opportunity to better the understand the world we live in through human connection and a participatory vision of history.

This highly personal memoir by one of Adolf Hitler's closest associates during the Nazi rise to power delves into the mind and character of the man responsible for more death and destruction than any person in history. Hanfstaengl graduated from Harvard and ran the family business in New York for a dozen years before returning to Germany in 1921. There by chance he heard Adolf Hitler. Hanfstaengl befriended Hitler and welcomed him into his home. He saw himself as a civilizing influence on the volatile politician, and for a time he was. But later, after Hitler was jailed in Landsberg, their relationship began to change. It was there Hitler wrote Mein Kampf, honing his fanatical theories and ideas - especially his growing anti-Semitism - and surrounding himself with rabid extremists like Goering, Hess, Rosenberg, and Goebbels.

"First published in the United States by G.P. Putnam's Sons, under the title Alice Roosevelt Longworth"--T.p. verso.

The Moral Witness is the first cultural history of the "witness to genocide" in the West. Carolyn J. Dean shows how the witness became a protagonist of twentieth-century moral culture by tracing the emergence of this figure in courtroom battles from the 1920s to the 1960s—covering the Armenian genocide, the Ukrainian pogroms, the Soviet Gulag, and the trial of Adolf Eichmann. In these trials, witness testimonies differentiated the crime of genocide from war crimes and began to form our understanding of modern political and cultural murder. By the turn of the twentieth century, the "witness to genocide" became a pervasive icon of suffering humanity and a symbol of western moral conscience. Dean sheds new light on the recent global focus on survivors' trauma. Only by placing the moral witness in a longer historical trajectory, she demonstrates, can we understand how the stories we tell about survivor testimony have shaped both our past and contemporary moral culture.

What does it mean to listen faithfully to how stories are told through a web of verbal and near-verbal media? How do dynamics of testimony, witness, and authority work to determine the politics and poetics of human experience? This collection of essays addresses fundamental problems that confront creative practitioners, researchers, educators, and graduate and undergraduate students working on questions about expressive communication across the Humanities, Creative Arts, and Social Sciences. It is an international interdisciplinary examination of the interaction between verbal and near-verbal media, their uses, and their users. The leading theme of this volume is an interrogation of texts, both oral and written, that bear witness to experience and which are determined by permutations of subjective consciousness, the dynamics of transmission, cultural knowledge systems and codes, aboriginality, and the limits of verbalisation. The contributing authors are international scholars and artists in the fields of literature, education, creative writing, linguistics, film and documentary, performance studies, sporting culture, politics, and poetics. All offer erudite insights on various formal and informal articulations of experience, their applications, and their broader significance.

Unheard Voices of the Pandemic reveals through first-person narratives what happened the year the COVID-19 pandemic swept across the United States. The seventeen stories included in this collection speak to the precarity, uncertainty, and injustice of that year, but also to bravery, solidarity, and generosity. Although the shadow cast by the COVID-19 pandemic is long, the insights gleaned through listening can last longer.

Exploring diverse human experiences in the US, Poland and Northern Ireland, this book is of interest to practitioners and students of applied theatre, peace and conflict studies, professionals working in conflict resolution, counselors, psychotherapists, professionals in the field of criminal and restorative justice, and spiritual seekers.

Victor's book is the first to show that implementing the Final Solution was actually the root of Hitler's most disastrous military decisions.

Princes Philipp and Christoph von Hessen-Kassel, great-grandsons of Queen Victoria of England, had been humiliated by defeat in World War I and, like much of the German aristocracy, feared the social unrest wrought by the ineffectual Weimar Republic. Jonathan Petropoulos shows how the princes, lured by prominent positions in the Nazi regime and highly susceptible to nationalist appeals, became enthusiastic supporters of Hitler. Prince Philipp, son-in-law to the King of Italy, became the highest-ranking prince in the Nazi state and developed a close personal relationship with Hitler and Hermann Göering. Prince Christoph was a prominent SS officer and head of the most important intelligence agency in the Third Reich. In return, the princes made the Nazis socially acceptable to wealthy, high-society patrons. Prince Philipp even introduced Göering to Mussolini at a critical stage in the Nazi Party's development and later served as a liaison between Hitler and the Italian dictator. Permitted access to Hessen family private papers and the Royal Archives at Windsor Castle, Petropoulos follows the story of the House of Hesse through to its tragic denouement--the princes' betrayal and persecution by an increasingly paranoid Hitler and prosecution and denazification by the Allies.