Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era examines the experiences of seven prominent women of stage and screen whose lives and careers were damaged by the McCarthy-era “witch hunts” for Communists and Communist sympathizers in the entertainment industry: Judy Holliday, Anne Revere, Lillian Hellman, Dorothy Parker, Margaret Webster, Mady Christians, and Kim Hunter. The effects on women of the anti-Communist crusades that swept the nation between 1947 and 1962 have been largely overlooked by cultural critics and historians, who have instead focused their attention on the men of the period. Author Milly S. Barranger looks at the gender issues inherent in the investigations and at the destructive impact the investigations had on the lives and careers of these seven women—and on American film and theater and culture in general. Issues of gender and politics surface in the women’s testimony before the committeemen, labeled “unfriendly” because the women refused to name names. Unfriendly Witnesses redresses the absence of women’s histories during this era of modern political history and identifies the enduring strains of McCarthyism in postmillennial America. Barranger recreates the congressional and state hearings that addressed the alleged Communist influence in the entertainment industry and examines in detail the cases of these seven women, including the appearance of actress Judy Holliday before the committee of Senator Pat McCarran, who aimed to limit the immigration of Eastern Europeans; actress Anne Revere and playwright Lillian Hellman, appearing before the House Un-American Activities Committee, sought the protections of the Fifth Amendment with different outcomes; of writer Dorothy Parker, who testified before a New York state legislative committee investigating contributions to “front” groups; and of director Margaret Webster, before Senator Joseph McCarthy’s subcommittee, whose aim was the indictment of Senator J. William Fulbright and the U.S. State Department. None escaped subsequent blacklisting, denial of employment, and notations in FBI files that they were threats to national security. Unfriendly Witnesses is enhanced by nine illustrations and extensive excerpts from Red Channels: The Report of Communist Influence in Radio and Television, originally published in 1950 at the height of the Red Scare, and which listed 151 allegedly subversive writers, directors, and performers. Barranger includes the complete entries from Red Channels for the seven women she discusses, which include the “subversive” affiliations that prompted the women’s interrogation by the government.

In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door—or had it shut in their faces. In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era. He details the theatrical elements of a proceeding that bridged the realms of entertainment and politics, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified, and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping cultural history of one of the most transformative events of the postwar era.

This book chronicles the struggle among non-Communist leftists and liberals over American relations with the Soviet Union from 1939 through the 1950's. Few now care as passionately and as violently as people did then about Soviet-American relations. It was a time when friends became enemies, and others forged strange alliances, all in the name of commitments that today seem remote. A Better World evokes those times and their choices, and explains why these long-ago battles still arouse such deep feelings today–and should. Americans who were pro-Soviet without being members of the Communist party–“progressives” as t hey called themselves–had a large emotional investment in the Soviet Union. From 1935 to 1939 literally millions joined the “Popular Front” of pro-Soviet organiations. O'Neill takes us through the shock of the Stalin-Hitler pact of 1939, through the revival of the Popular Front spurred by government and business support after Russia entered the war against Hitler. He traces the isolation of the anti-Stalinists, the rise and fall of Henry Wallace, and the eclipse of progressivism. And he explores the shifting allegiances of intellectuals as they struggled, often with each other, to influence the course of public debate, with long-lasting consequences for American intellect, culture, and morals. As O'Neill observes in his introduction, “More than any of my other books A Better World inspired correspondents to send me probing or reflective letters.” It was this response, along with the extraordinary critical debate spurred by initial publication of this volume, that makes the book's continuing importance clear. The dream of achieving a better world through radical violence never dies, and the willingness of apologists to cling to utopian visions persists. As long as it does, the lessons of this book need to be available to us. William L. O'Neill is professor of history at Rutgers Universy, and the author of numerous books in recent American history.

From the outbreak of the Cold War to the rise of the United States as the last remaining superpower, the years following World War II were filled with momentous events and rapid change. Diplomatically, economically, politically, and culturally, the United States became a major influence around the globe. On the domestic front, this period witnessed some of the most turbulent and prosperous years in American history. "Postwar America: An Encyclopedia of Social, Political, Cultural, and Economic History" provides detailed coverage of all the remarkable developments within the United States during this period, as well as their dramatic impact on the rest of the world. A-Z entries address specific persons, groups, concepts, events, geographical locations, organizations, and cultural and technological phenomena. Sidebars highlight primary source materials, items of special interest, statistical data, and other information; and Cultural Landmark entries chronologically detail the music, literature, arts, and cultural history of the era. Bibliographies covering literature from the postwar era and about the era are also included, as are illustrations and specialized indexes.

Now in paperback, the Pulitzer Prize-winning biography of J Edgar Hoover deemed "Masterful…an enduring, formidable accomplishment, a monument to the power of biography [that] now becomes the definitive work”by The Washington Post (and everywhere else) "Revelatory...an acknowledgment of the complexities that made Hoover who he was, while charging the turbulent currents that eventually swept him aside."—The New York Times G-Man is the groundbreaking portrait of a colossus who dominated half a century of American history and planted the seeds for much of today’s conservative political landscape. Hoover transformed a scandal-riddled law-enforcement backwater, into a modern machine—one just as oppressive as it was promising. He rose to power and then stayed there, decade after decade, using the tools of the state to create a personal fiefdom unrivaled in U.S. history. Beverly Gage’s monumental work explores the full sweep of Hoover’s life and career, from his birth in 1895 to a modest Washington civil-service family to a strongarm for white supremacists and the politicized Christian right, serving eight presidents. G-Man places Hoover back where he once stood in American political history--not at the fringes, but at the center--and uses his story to explain the trajectories of governance, policing, race, ideology, political culture, and federal power as they evolved over the course of the 20th century. “[A] crisply written, prodigiously researched, and frequently astonishing new biography”—The New Yorker “Gage’s penetrating account of Hoover’s career, especially his many long-eclipsed triumphs, offers a well-timed and sobering perspective as yet another institution in our fractured country struggles to maintain trust.” -The Atlantic “Gage’s triumph is her deft navigation through Hoover’s 'deep state,' while reminding us of the abuse of power that remains his enduring legacy.”—The Boston Globe