The activist and TED speaker Megan Phelps-Roper reveals her life growing up in the most hated family in America At the age of five, Megan Phelps-Roper began protesting homosexuality and other alleged vices alongside fellow members of the Westboro Baptist Church in Topeka, Kansas. Founded by her grandfather and consisting almost entirely of her extended family, the tiny group would gain worldwide notoriety for its pickets at military funerals and celebrations of death and tragedy. As Phelps-Roper grew up, she saw that church members were close companions and accomplished debaters, applying the logic of predestination and the language of the King James Bible to everyday life with aplomb—which, as the church’s Twitter spokeswoman, she learned to do with great skill. Soon, however, dialogue on Twitter caused her to begin doubting the church’s leaders and message: If humans were sinful and fallible, how could the church itself be so confident about its beliefs? As she digitally jousted with critics, she started to wonder if sometimes they had a point—and then she began exchanging messages with a man who would help change her life. A gripping memoir of escaping extremism and falling in love, Unfollow relates Phelps-Roper’s moral awakening, her departure from the church, and how she exchanged the absolutes she grew up with for new forms of warmth and community. Rich with suspense and thoughtful reflection, Phelps-Roper’s life story exposes the dangers of black-and-white thinking and the need for true humility in a time of angry polarization.

After prolific growth on social media, Komal Kapoor is utilizing her perceptive understanding of romance in the digital age to present her first collection of poems. Unfollowing You tells a chronological tale of a modern love through a series of poems, prose, texts, screen grabs, and unsent letters. Exploring digital phenomena like swipe culture and technological realities, Kapoor’s words affirm experiences and sentiment echoed across many media platforms. Unfollowing You is separated into two parts: “Following You” details how the two protagonists fall in love and “Unfollowing You” shares their heartbreak. The realism of this collection will encourage readers to normalize growth and indulge in their feelings, even finding strength in them.

This domestic thriller is a “timely, page-turner of a novel” that examines the terrifying depths of our social media obsessions (Araminta Hall, author of Our Kind of Cruelty) You can't stop watching her. Violet Young is a hugely popular journalist-turned-mummy-influencer, with three children, a successful husband and a million subscribers on YouTube who tune in daily to watch her everyday life unfold. Until the day she's no longer there. But one day she disappears from the online world—her entire social media presence deleted overnight, with no explanation. Has she simply decided that baring her life to all online is no longer a good idea, or has something more sinister happened to Violet? But do you really know who Violet is? Her fans are obsessed with finding out the truth, but their search quickly reveals a web of lies, betrayal, and shocking consequences . . .

An intimate, impertinent, and incisive collection about race, progress, and hypocrisy from Jill Louise Busby, aka Jillisblack. Jill Louise Busby spent years in the nonprofit sector specializing in Diversity & Inclusion. She spoke at academic institutions, businesses, and detention centers on the topics of Race, Power, and Privilege and delivered over two-hundred workshops to nonprofit organizations all over the California Bay Area. In 2016, fed up with what passed as progressive in the Pacific Northwest, Busby uploaded a one-minute video about race, white institutions, and faux liberalism to Instagram. The video received millions of views across social platforms. As her pithy persona Jillisblack became an "it-voice" weighing in on all things race-based, Jill began to notice parallels between her performance of "diversity" in the white corporate world and her performance of "wokeness" for her followers. Both, she realized, were scripted. Unfollow Me is a memoir-in-essays about these scripts; it's about tokenism, micro-fame, and inhabiting spaces-real and virtual, black and white-where complicity is the price of entry. Busby's social commentary manages to be both wryly funny and achingly open-hearted as she recounts her shape-shifting moves among the subtle hierarchies of progressive communities. Unfollow Me is a sharply personal and self-questioning critique of white fragility (and other words for racism), respectability politics (and other words for shame), and all the places where fear masquerades as progress.

Elegies of public and personal loss from the renowned avant-garde poet

'An intriguing slow burner that reveals the dark side of social media' Heat 'A timely, page-turner of a novel' Araminta Hall 'Gripping, scarily realistic and unpredictable - brilliant!' Karen Hamilton 'A twisty tale' i news ********** You can't stop watching her. Violet Young is a hugely popular journalist-turned-mummy-influencer, with three children, a successful husband and a million subscribers on YouTube who tune in daily to watch her everyday life unfold. Until the day she's no longer there. But one day she disappears from the online world - her entire social media presence deleted overnight, with no explanation. Has she simply decided that baring her life to all online is no longer a good idea, or has something more sinister happened to Violet? But do you really know who Violet is? Her fans are obsessed with finding out the truth, but their search quickly reveals a web of lies, betrayal, and shocking consequences... ********** 'A total page-turner' 5* reader review 'I was completely captivated' 5* reader review 'Brilliantly addictive' 5* reader review 'Warning: once you start, you can't put it down' 5* reader review

It wasn’t until Libby Phelps was an adult, a twenty-five year old, that she escaped the Westboro Baptist Church. She is the granddaughter of its founder, Fred Phelps, and when she left, the church and its values were all she’d known. She didn’t tell her family she was leaving. It happened in just a few minutes; she ran into her house, grabbed a bag, and fled. No goodbyes. Based in Topeka, Kansas, the Westboro Baptist Church community is one the country’s most notorious evangelical groups. Its members are known for their boisterous picketing—their zealous members with anti-military, anti-Semitic, and anti-gay signs—“Thank God for Dead Soldiers,” “God Hates Jews,” or “Thank God for 9/11”—and their notorious catchphrase “God hates fags.” Search for them online and you’re directed to their website, www.godhatesfags.com. The church makes headlines in news across the country. You’ve driven past its picketers or seen them on TV. It has seventy members and ninety percent of them are part of Libby’s family. They picket concerts, football games, other churches, and, most notoriously, the funerals of servicemen and victims of hate crimes. For its members, to question its rules is to risk going to hell—where worms eat at your body and fire shoots out of your eyeballs. In Girl on a Wire, Libby is candid about her experience and what’s happened since her escape. On Anderson Cooper Live, she was confronted by the mother of a soldier whose funeral had been picketed, and had to respond. Despite it all, she cares for her family. Her grandfather’s sermons were fear mongering, but she loves him. This unusual memoir presents a rare, inside look into a notorious cult, and is an astonishing story of strength, bravery, and determination.

Life is full of opportunity for young women, but it's also far more pressured than ever before. Whether it's the proliferation or the homogeneity of images of beauty and success that wallpaper our world, we know what a beautiful woman looks like - and we know what a perfect life looks like too. We live in a world that floods us with expectations about everything - from what we should weigh to what we should wear to how often we should be having sex and how much money we should be making. As a consequence, we begin to feel that we need to tick all these boxes in order to have 'the Perfect Life'. When we inevitably fall short, we feel anxious - we feel that we are failing and have the sense we are losing control. As a result, increasing numbers of young women are battling with issues such as anxiety, low self-esteem, bullying, perfectionism, toxic friendships and relationships, pressure to succeed or conform, and poor body image. At an age when life should be exciting, fun and relatively care-free, more and more young women are adrift and struggling. Dr Linda Papadopoulos understands the issues and has the experience to guide and support young women to help get their lives back on track so they can feel happier, more confident, more in control. Unfollow: Living life on your own terms offers valuable insight and practical self-help to empower women to throw off the burden of expectation and start leading the lives they want to lead.

"The first book to take fans behind the scenes of Finn the Human's and Jake the Dog's adventures in the post-apocalyptic, magical land of Ooo. Packed to the seams with concept art and storyboards, this ... illustrated tome offers an all-access pass into the Emmy Award-winning show team's creative process, [tracing] series creator Pendleton Ward's early influences and work, then [revealing] how the writers, storyboarders, animators, and voice actors work in tandem to bring this ... series to life"--Amazon.com.

Literary Nonfiction. Lyric Essay. Prompted by a sequence of discouraging internet encounters, Felicity Fenton attempts to free herself from the tendrils of an online world we know, but struggle to look away from. She evaluates the endless distractions of being tethered to her device and all that comes with it: email, spam, texting, taking pictures, and social media (aka "the walls"). In lyrical prose that swerves into dream-like mirage, hilarious thoughts, social observations, and unwavering sadness, USER NOT FOUND is a powerful essay that is all too relatable.