An obsession with “degeneration” was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in “degeneration theory” – including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld – were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture.

An obsession with “degeneration” was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in “degeneration theory” – including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld – were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture.

Transparent made history as the first television show to feature a transgender character in the main role, as the first streaming series to win the Golden Globe for Best Television Series, and as, in the words of journalist Debra Nussbaum Cohen, “the Jewiest show ever.” No television show in history has depicted the lives of American Jews with as much attention to Jewish rituals, quirks, or culture. And no series has portrayed issues of gender and sexuality alongside Judaism with such nuance and depth, making Transparent a landmark series in the history of television. Blessings beyond the Binary brings together leading scholars to analyze and offer commentary on what scholar Josh Lambert calls “the most important work of Jewish culture of the century so far.” The book explores the show’s depiction of Jewish life, religion, and history, as well as Transparent’s scandals and criticisms and how it fits into and diverges from today’s transgender and queer politics. The first book to focus on Transparent, Blessings beyond the Binary offers a rich analysis of the groundbreaking series and its connections to contemporary queer, trans, and Jewish life.

Celebrates the centennial of Katherine Mansfield's BlissThis book celebrates the centennial of Bliss's publication by offering new readings of some of Mansfield's most well-known stories, revealing not only the depth and innovation of her work but also the extent to which she was instrumental in revisioning the potential of the short story form. It includes the publication of a newly discovered short story potentially by Mansfield, with an explanatory essay. It also presents a selection of new poetry and a new short story by acclaimed New Zealand author Paula Morris, all inspired by Mansfield.

Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition “Degenerate Art.” Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections—not only about the figure of the Jew but also about that of the antisemite.

"This book argues that the antisemitic interpretation of modernist form as a symptom of a mobile, contagious Jewish spirit needs to be treated as integral to the history of European modernism. The notion of modernist form as Jewified lies at the heart of both a certain modernism's hostile reception, and its self-conception"--

As Jewish writers, artists, and intellectuals made their way into Western European and Anglo-American cultural centers, they encountered a society obsessed with decadence. An avant-garde movement characterized by self-consciously artificial art and literature, philosophic pessimism, and an interest in nonnormative sexualities, decadence was also a smear, whereby Jews were viewed as the source of social and cultural decline. In The Jewish Decadence, Jonathan Freedman argues that Jewish engagement with decadence played a major role in the emergence of modernism and the making of Jewish culture from the 1870s to the present. The first to tell this sweeping story, Freedman demonstrates the centrality of decadence to the aesthetics of modernity and its inextricability from Jewishness. Freedman recounts a series of diverse and surprising episodes that he insists do not belong solely to the past, but instead reveal that the identification of Jewishness with decadence persists today.

This book provides a rich and wide-ranging analysis of Jewish history and culture, relating them to theories of modernity and postmodernity and to recent debates on ethnicity and postcolonialism. Issues addressed include psychoanalysis and gender, literary anti-semitism, (post)modernity and ′the Jew′, and the memory of the Holocaust. A Foreword by Homi Bhabha and an Afterword by Paul Gilroy place these concerns in an extended multicultural and postcolonial context. The book examines the work of past and present cultural theorists who have placed the figure of ′the Jew′ at the heart of their version of modernity and postmodernity. Many of the essays locate ′the Jew′ at the centre of Western metropolitan culture. But they also explore the ways in which Jews have historically been excluded in order for ascendant racial and sexual identities to be formed and maintained. Cheyette and Marcus argue that there is a virtue in the ambivalent positioning which characterizes Jewish history and culture both then and now. The volume places a disruptive and uncontainable Jewish history and culture in the context of current debates about gendered, sexual and ethnic identities. It challenges postcolonial and postmodern revisions of modernity which locate Jews in a dominant Judeo-Christian tradition or appropriate them to signify the universality of the modern subject. It will be of interest to students and scholars in Jewish studies, cultural studies, sociology, history, literature and philosophy.

In the analysis of the debates in Germany over Jews, Judaism and Jewish emancipation in the late 18th and 19th centuries, Jonathan M. Hess reconstructs a crucial chapter in the history of secular anti-Semitism. He examines not only the thinking of German intellectuals of the time but also that of Jewish writers, revealing the connections between anti-Semitism and visions of modernity, and the Jewish responses to the treat posed by these connections.

Between Redemption and Doom is a revelatory exploration of the evolution of German-Jewish modernism. Through an examination of selected works in literature, theory, and film, Noah Isenberg investigates the ways in which Jewish identity was represented in German culture from the eve of the First World War through the rise of National Socialism. He argues that various responses to modernity?particularly to its social, cultural, and aesthetic currents?converge around the discourse on community: its renaissance, its crisis, and its dissolution. ø Isenberg opens with a general discussion of German modernism?its primary forms, movements, and manifestations. Subsequent chapters on Franz Kafka and Arnold Zweig deal with particular instances of the modern, and often ambivalent, search for forms of German-Jewish identity based on cultural and ethnic community. Discussions of Paul Wegener?s film Der Golem and Walter Benjamin?s childhood memoirs explore the culmination of German modernism and the modes through which Jews were identified in mass society. Throughout, Isenberg shows how Jewish authors and figures confronted the dilemma of self-understanding?the exigencies of community in the modern world?in language, culture, memory, and representation.