Explores the relationship between unexpected events in narrative and life

Apparently, I'm a Dragoness. I knew I was worth more than minimum wage! Suck it, haters. When my parents were murdered in cold blood, life became a shock in more ways than one. Obviously, my parents were sheltering me, and for good reason. Not only am I a dragoness, but there's also a slightly insane sounding prophesy. Something powerful has been asleep inside of me, lurking in the shadows. My spine is tingling, how about yours? I'm supposed to save the world. But first, I have a score to settle. Oh, and to fulfill the prophecy, I'm supposed to take on a mate. Or... more accurately, mates. As in, more than one. My inner beast is super excited about taking on mates. Please don't encourage her. Werewolves, wizards, vampires, you name it, she's down to mate it. I may be new to being a dragon, but my parents didn't leave me completely defenseless. They missed a prime opportunity; they should have named me Stabitha, because I can get very stabby, and I love my blades. Don't make me mad, okay? You won't like it.... I will. The "Dragon Goddess" series is a paranormal romance series with werewolves, wizards, vampires.... and one very sarcastic dragon shifter female! This series follows Tia as she learns who she is and how to control her powers. The blade loving dragon will also claim her fated mates throughout the series. There will be a HEA...eventually! *There is a mate rejection in this series.* I always want to give my readers the best reading experience possible, so this book received an update on May 12th, 2021. An incredible artist created beautiful custom formatting, and editors worked to remove those stubborn typos that managed to slip through the (many) previous rounds of edits. The story remains the same, it has just been tidied up a bit!

A unique struggle has been taking place in rural Pennsylvania since the start of the Industrial Revolution. An orthodox, hard-working culture has refused to tap into the convenience brought about by electricity and the combustion engine. They have fought astronomical odds to retain their way of life amid the population explosion of suburban Philadelphia. They have thus far succeeded. But in the dawn of the Computer Age a new challenge is coming to light. At the center of this challenge is a young man determined to see the world and break from the isolation of his people. His journey introduces him to the technology of tomorrow, while at the same time sealing him off from the purity of the past.

This book demonstrates how the author of the Song of Songs employed certain literary devices for a specific rhetorical purpose to convey certain therological truths. These are the author's use of first person personal pronouns, rhetorical questions, and the various characters that inhabit its pages

"Miller and Upton is by far the most cited macroeconomics text in front line academic research journals over the last ten years. It has become a contemporary classic."—Roger C. Kormendi, University of Michigan "The most innovative approach to introducing macroeconomics that I have seen. . . . A 'classic' in the sense that every serious student of macroeconomics is likely to want it in his or her library."—John P. Gould, University of Chicago "The task the authors set out to perform is ambitious: to write a macroeconomics textbook structured around a neoclassical growth model. And in this task they have succeeded."—Clifford W. Smith, Jr., Journal of Finance "This is a superb book. As a vehicle for teaching economics I have to place it right behind Henderson and Quant (Microeconomics) and Dorfman, Samuelson, and Solow (Linear Programming). Moreover, it is an exciting book both to read and to think about. . . . It is not just that these authors have something to say, but their way of saying it is generally superior."—F. E. Banks, Kyklos

Attempts to assess whether the United States is in economic decline. Appropriate to general readers as well as economics students and scholars, this book examines the fears of Americans about their economic future.

Focusing empirically on how political and economic forces are always mediated and interpreted by agents, both in individual countries and in the international sphere, Constructing the International Economy sets out what such constructions and what various forms of constructivism mean, both as ways of understanding the world and as sets of varying methods for achieving that understanding. It rejects the assumption that material interests either linearly or simply determine economic outcomes and demands that analysts consider, as a plausible hypothesis, that economies might vary substantially for nonmaterial reasons that affect both institutions and agents' interests. Constructing the International Economy portrays the diversity of models and approaches that exist among constructivists writing on the international political economy. The authors outline and relate several different arguments for why scholars might attend to social construction, inviting the widest possible array of scholars to engage with such approaches. They examine points of terminological or theoretical confusion that create unnecessary barriers to engagement between constructivists and nonconstructivist work and among different types of constructivism. This book provides a tool kit that both constructivists and their critics can use to debate how much and when social construction matters in this deeply important realm. Contributors: Rawi Abdelal, Harvard Business School; Jacqueline Best, University of Ottawa; Mark Blyth, Brown University; Mlada Bukovansky, Smith College; Jeffrey M. Chwieroth, London School of Economics; Francesco Duina, Bates College; Charlotte Epstein, University of Sydney; Yoshiko M. Herrera, University of Wisconsin–Madison; Paul Langley, Northumbria University; Craig Parsons, University of Oregon; Catherine Weaver, University of Texas at Austin; Wesley W. Widmaier, Saint Joseph's University; Cornelia Woll, CERI-Sciences Po Paris

In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.

This is the era of flexibility. Under constant pressure to be adaptable, organizations increasingly adopt employment practices such as zero-hours contracts, the casualization of the workforce and the use of temporary and agency labour. These flexible practices are central to debates about the changing nature of job quality and its causes, trends and consequences. Arguing that job quality is central to understanding contemporary work, this book explores the internal and external pressures for flexibility in workplaces, professions and sectors and how this pressure shapes workers’ experiences of job quality. By studying job quality dynamics via case studies from organizations and occupations in the UK, Poland, Belgium and Sweden, the volumes illustrates the diversity of practices and experiences, as well as market pressures and institutional arrangements which effect working lives. Finally, the editors propose a policy debate on the new concept "flexiquality" - a combination of flexibility and job quality that can be beneficial for both management and workers.

The focus of this book is on the government of prisoners with mental health problems in England and Wales over the last twenty-five years. The wider context and backdrop to the book is the shift to 'late modernity', which, since the 1970s has seen massive structural change in most Western societies, affecting the social, economic and cultural spheres, as well as the field of crime and punishment. This book investigates whether these profound transformations have also led to a reconfiguring of responses to mentally vulnerable offenders who end up in prison. Specifically, it explores how this group of prisoners has come to be viewed increasingly as sources of 'risk', requiring 'management' or containment, rather than as people suitable for therapeutic responses. The book draws on primary research carried out by the author, including interviews with key informants involved in the field during this period, such as former cabinet ministers, senior civil servants, campaigners and academics. In conducting this investigation, the author has developed a method of research which combines and synthesizes different forms of analysis to create a novel approach to socio-historical research.