Poetry. Latino/Latina Studies. "If poetic episodes can act as gauges of social role-playing and role-disruption, what might lie 'outside' the roles 'we' 'inhabit?' What remains undocumented, but hardly silent? What are the sensed and projected traces of 'identity' that are ideologically eviscerated, and minimally verifiable? Rosa Alcala calls up a most magical theater when exploring these quandaries. The tipping (flash) points she constructs continuously build up toward the (touched, handled, engaged) experiential moment, all the while resisting an object-status art. This is a poetics that's prologue + epilogue to incidence, and never the 'it' itself. Sweet tin on tawny brass, flesh-toned, radio-worthy"--Rodrigo Toscano.

The chapters in this book show the important role that political documentary cinema has played in Latin America since the 1950s. Political documentary cinema in Latin America has a long history of tracing social injustice and suffering, depicting political unrest, intervening in periods of crisis and upheaval, and reflecting upon questions about ideology, cultural identity, genocide and traumatic memory. This collection bears witness to the region's film culture's diversity, discussing documentaries about workers' strikes, riots, and military coups against elected governments; crime, poverty, homelessness, prostitution, children's work, and violence against women; urban development, progress, (under)development, capitalism, and neoliberalism; exile, diaspora and border cultures; trauma and (post)memory. The chapters focus on documentaries made in Argentina, Brazil, Chile, Cuba, Mexico, and Venezuela, as well as on the work of Latino and diasporic Latin American political documentarians. The contributors to the anthology reflect the cultural and linguistic diversity of current Latin American film scholarship, with some writing in Spanish and Portuguese from Argentina and Brazil (with their original works especially translated), and others writing in English from Australia, Europe, and the USA. This book was originally published as a special issue of Social Identities.

How do migrants describe themselves and their experiences? As the world faces a migration crisis, there is an enhanced need for educational responses to the linguistic and cultural diversity of student bodies, and for consideration of migrant students at all levels of the curriculum. This book explores the stories of over 70 migrants from 41 countries around the world and examines the language they use when talking about their move to a new country and their experiences there. The book interprets common themes from the stories using metaphor and metonymy analysis to lead to more nuanced understandings of migration that have implications for language teachers. The stories also dispel many stereotypes relating to migration, serving as a reminder to us all to consider our own language when talking about this complex subject.

Danzirly is a stunning bilingual poetry collection that considers multigenerational Latinx identities in the rapidly changing United States. Winner of the Academy of American Poets' Ambroggio Prize, Gloria Muñoz's collection is an unforgettable reckoning of the grief and beauty that pulses through twenty-first-century America.

REMEX presents the first comprehensive examination of artistic responses and contributions to an era defined by the North American Free Trade Agreement (1994–2008). Marshaling over a decade’s worth of archival research, interviews, and participant observation in Mexico City and the Mexico–US borderlands, Amy Sara Carroll considers individual and collective art practices, recasting NAFTA as the most fantastical inter-American allegory of the turn of the millennium. Carroll organizes her interpretations of performance, installation, documentary film, built environment, and body, conceptual, and Internet art around three key coordinates—City, Woman, and Border. She links the rise of 1990s Mexico City art in the global market to the period’s consolidation of Mexico–US border art as a genre. She then interrupts this transnational art history with a sustained analysis of chilanga and Chicana artists’ remapping of the figure of Mexico as Woman. A tour de force that depicts a feedback loop of art and public policy—what Carroll terms the “allegorical performative”—REMEX adds context to the long-term effects of the post-1968 intersection of D.F. performance and conceptualism, centralizes women artists’ embodied critiques of national and global master narratives, and tracks post-1984 border art’s “undocumentation” of racialized and sexualized reconfigurations of North American labor pools. The book’s featured artwork becomes the lens through which Carroll rereads a range of events and phenomenon from California’s Proposition 187 to Zapatismo, US immigration policy, 9/11 (1973/2001), femicide in Ciudad Juárez, and Mexico’s war on drugs.

Poetics of Social Engagement emphasizes the ways in which innovative American poets have blended art and social awareness, focusing on aesthetic experiments and investigations of ethnic, racial, gender, and class subjectivities. Rather than consider poetry as a thing apart, or as a tool for asserting identity, this volume's poets create sites, forms, and modes for entering the public sphere, contesting injustices, and reimagining the contemporary. Like the earlier anthologies in this series, this volume includes generous selections of poetry as well as illuminating poetics statements and incisive essays. This unique organization makes these books invaluable teaching tools. A companion website will present audio of each poet's work. Poets included: Rosa Alcalá Brian Blanchfield Daniel Borzutzky Carmen Giménez Smith Allison Hedge Coke Cathy Park Hong Christine Hume Bhanu Kapil Mauricio Kilwein Guevara Fred Moten Craig Santos Perez Barbara Jane Reyes Roberto Tejada Edwin Torres Essayists included: John Alba Cutler Chris Nealon Kristin Dykstra Joyelle McSweeney Chadwick Allen Danielle Pafunda Molly Bendall Eunsong Kim Michael Dowdy Brent Hayes Edwards J. Michael Martinez Martin Joseph Ponce David Colón Urayoán Noel

From the author of MyOTHER TONGUE comes a new collection of prose poetry exploring the intergenerational inheritance of gendered violence. Rosa Alcalá choreographs language to understand the body as it “gathers itself over time to become whole,” recovering the speaker’s intuition while unraveling memory to pinpoint the aches, anxieties, and lessons of a woman's survival. Ruminating on daughterhood, mothering, and the body's cumulative wisdom, YOU traces a jagged line through fears and joys both past and present.

Poetry. Latino/Latina Studies. "Rosa Alcalá's poems dwell in the liminal space between the personal and the political—poems built on the idea that 'the world exists,' and that work to define the metaphysical and ephemeral architectures of origin, migration, nationalism, and loss. Rosa Alcalá is uncompromising, wry, and brutal: all of the qualities that significant poetic works of cultural criticism require."—Carmen Giménez Smith "'I want to know how everything changes with the price of admission,' writes Rosa Alcalá in her extraordinary new book. These poems begin at the exact point where 'the fundamental concepts of elementary navigation / become unhinged,' as they invent a new way of talking: developing tenuous and affectionate convergences between desire and fear, love and anger—even sex, money, tradition, and the history of appearances. It's all here. What fascinates Alcalá is precisely what animates her poetry: 'the mess of lost power,' compelled at once by contradiction and complicity, yet cleaving with an unsentimental eye and an inspiring wit."—Joshua Marie Wilkinson

Ends of Assimilation examines how Chicano literature imagines the conditions and costs of cultural change, arguing that its thematic preoccupation with assimilation illuminates the function of literature. John Alba Cutler shows how mid-century sociologists advanced a model of assimilation that ignored the interlinking of race, gender, and sexuality and characterized American culture as homogeneous, stable, and exceptional. He demonstrates how Chicano literary works from the postwar period to the present understand culture as dynamic and self-consciously promote literature as a medium for influencing the direction of cultural change. With original analyses of works by canonical and noncanonical writers--from Am rico Paredes, Sandra Cisneros, and Jimmy Santiago Baca to Estela Portillo Trambley, Alfredo V a, and Patricia Santana--Ends of Assimilation demands that we reevaluate assimilation, literature, and the very language we use to talk about culture.

The story to be written -- Missing -- At Hobby Lobby -- Dear María -- Voice activation -- Heritage speaker -- My body's production -- Offering -- Purity & danger: a performance -- This is not the end of my film career -- The 11th day of Occupy Wall Street -- Natural disaster: a dream -- Mother, monster: a lecture -- Questionnaire -- Projection -- Trace of lovers -- Paramour -- Getting around the subject -- Dear stranger -- Pedagogy: a dream -- Training -- Visitors log -- Archaeology of vestments -- Mise en garde -- Voice: an essay -- Ghost song.