A lively, engaging ethnography that demonstrates how a volatile politics of race, class, and nation animates the infamously violent struggles over forests in the U.S. Southwest.

Through lively, engaging narrative, Understories demonstrates how volatile politics of race, class, and nation animate the notoriously violent struggles over forests in the southwestern United States. Rather than reproduce traditional understandings of nature and environment, Jake Kosek shifts the focus toward material and symbolic “natures,” seemingly unchangeable essences central to formations of race, class, and nation that are being remade not just through conflicts over resources but also through everyday practices by Chicano activists, white environmentalists, and state officials as well as nuclear scientists, heroin addicts, and health workers. Drawing on two years of ethnographic fieldwork and extensive archival research, he shows how these contentious natures are integral both to environmental politics and the formation of racialized citizens, politicized landscapes, and modern regimes of rule. Kosek traces the histories of forest extraction and labor exploitation in northern New Mexico, where Hispano residents have forged passionate attachments to place. He describes how their sentiments of dispossession emerged through land tenure systems and federal management programs that remade forest landscapes as exclusionary sites of national and racial purity. Fusing fine-grained ethnography with insights gleaned from cultural studies and science studies, Kosek shows how the nationally beloved Smokey the Bear became a symbol of white racist colonialism for many Hispanos in the region, while Los Alamos National Laboratory, at once revered and reviled, remade regional ecologies and economies. Understories offers an innovative vision of environmental politics, one that challenges scholars as well as activists to radically rework their understandings of relations between nature, justice, and identity.

A lively, engaging ethnography that demonstrates how a volatile politics of race, class, and nation animates the infamously violent struggles over forests in the U.S. Southwest.

New Hampshire Literary Award Winner NPR Books Summer Reading Selection “My favorite collection of short stories in recent memory.” —NANCY PEARL, NPR Morning Edition “Profound . . . with more to say on the human condition than most full books. . . . A remarkable collection, with pitch-perfect leaps of imagination.” —Minneapolis Star Tribune “Horvath doesn’t just tell a story, he gives readers a window into the hearts, minds and souls of his characters.” —Concord Monitor What if there were a city that consisted only of restaurants? What if Paul Gauguin had gone to Greenland instead of Tahiti? What if there were a field called Umbrology, the study of shadows, where physicists and shadow puppeteers worked side by side? Full of speculative daring though firmly anchored in the tradition of realism, Tim Horvath’s stories explore all of this and more— blending the everyday and the wondrous to contend with age-old themes of loss, identity, imagination, and the search for human connection. Whether making offhand references to Mystery Science Theater, providing a new perspective on Heidegger’s philosophy and forays into Nazism, or following the imaginary travels of a library book, Horvath’s writing is as entertaining as it is thought provoking. Tim Horvath teaches creative writing at New Hampshire Institute of Art and Boston’s Grub Street writing center. He has also worked part-time as a counselor in a psychiatric hospital, primarily with autistic children and adolescents. He lives in New Hampshire with his wife and daughter.

"Russell writes easily, and in the vernacular. He tells of Indians and Indian fighters, buffalo hunts, bad men, wolves, wild horses, tough hotels, drinking customs, and hard-riding cowboys. . . . [He] lived long enough in the West to acquire a vast amount of information and lore, and he has left enough from his brush to prove his place as a sound interpreter of a stirring period and a fascinating country".-New York Times. "Russell was the greatest painter who ever painted a range man, a range cow, a range horse, or a Plains Indian. He savvied the cow, the grass, the blizzard, the drought, the wolf, the young puncher in love with his own shadow, the old waddie remembering rides and thirsts of far away and long ago. He was a wonderful storyteller. . . . His subjects were warm with life, whether awake or asleep, at a particular instant, under particular conditions. Trails Plowed Under, prodigally illustrated, is a collection of yarns and ancedotes saturated with humor and humanity".-J. Frank Dobie, Guide to Life and Literature of the Southwest. Brian W. Dippie is a professor of history at the University of Victoria, British Columbia, and the author of Catlin and His Contemporaries: The Politics of Patronage (Nebraska 1990).

Steve "Louie" Boyd tells tales from ski patrolling during the the wild early days of Vail, Colorado. Having been trained in Aspen, Louie joined Vail's ski patrol in the winter of 1963-64, when the cultural revolution was raging. From avalanches to nights with the girls, every day was a new adventure. With additional stories from: Jim Himmes Dick Dennison Dennis Mikottis Sandy Hinmon Frank McNeill Larry Benway Mike Ewing Mike Woods Dave Stanish Dan Cady Jeff Supinger Chuck Malloy & The Hostess Girls

Examining the science of stream restoration, Rebecca Lave argues that the neoliberal emphasis on the privatization and commercialization of knowledge has fundamentally changed the way that science is funded, organized, and viewed in the United States. Stream restoration science and practice is in a startling state. The most widely respected expert in the field, Dave Rosgen, is a private consultant with relatively little formal scientific training. Since the mid-1990s, many academic and federal agency-based scientists have denounced Rosgen as a charlatan and a hack. Despite this, Rosgen's Natural Channel Design approach, classification system, and short-course series are not only accepted but are viewed as more legitimate than academically produced knowledge and training. Rosgen's methods are now promoted by federal agencies including the Environmental Protection Agency, the U.S. Forest Service, the U.S. Fish and Wildlife Service, and the Natural Resources Conservation Service, as well as by resource agencies in dozens of states. Drawing on the work of Pierre Bourdieu, Lave demonstrates that the primary cause of Rosgen's success is neither the method nor the man but is instead the assignment of a new legitimacy to scientific claims developed outside the academy, concurrent with academic scientists' decreasing ability to defend their turf. What is at stake in the Rosgen wars, argues Lave, is not just the ecological health of our rivers and streams but the very future of environmental science.

“A delightfully weird and very queer reimagining of 90s YA nostalgia.” —Autostraddle "Queer dynamite." —Kristen Arnett, author of Mostly Dead Things Finalist for the 2022 Lambda Literary Award in Transgender Fiction Meet Margaret. At age twelve, she was head detective of the mystery club Girls Can Solve Anything. Margaret and her three best friends led exciting lives solving crimes, having adventures, and laughing a lot. But now that she's entered high school, the club has disbanded, and Margaret is unmoored—she doesn't want to grow up, and she wishes her friends wouldn't either. Instead, she opts out, developing an eating disorder that quickly takes over her life. When she lands in a treatment center, Margaret finds her path to recovery twisting sideways as she pursues a string of new mysteries involving a ghost, a hidden passage, disturbing desires, and her own vexed relationship with herself. Margaret and the Mystery of the Missing Body reimagines nineties adolescence—mashing up girl group series, choose-your-own-adventures, and chronicles of anorexia—in a queer and trans coming-of-age tale like no other. An interrogation of girlhood and nostalgia, dysmorphia and dysphoria, this debut novel puzzles through the weird, ever-evasive questions of growing up.

This open access book presents and analyzes the results of more than 30 years of long-term ecological research in riparian forest ecosystems with the aim of casting light on changes in the dynamics of riparian forests over time. The research, focusing on the Ooyamazawa riparian forest, one of the remaining old-growth forests in Japan, has yielded a number of interesting outcomes. First, it shows that large-scale disturbances afford various trees opportunities for regeneration and are thus the driving force for the coexistence of canopy trees in riparian forests. Second, it identifies changes in reproductive patterns, highlighting that seed production has in fact quantitatively increased over the past two decades. Third, it describes the decline in forest floor vegetation caused by deer grazing and reveals how this decline has affected bird and insect populations. The book illustrates the interconnectedness of phenomena within an ecosystem and the resultant potential for cascade effects and also stresses the need for long-term ecological studies of climate change impacts on forests. It will be of interest to both professionals and academics in the field of forest science.

E. C. Abbott was a cowboy in the great days of the 1870's and 1880's. He came up the trail to Montana from Texas with the long-horned herds which were to stock the northern ranges; he punched cows in Montana when there wasn't a fence in the territory; and he married a daughter of Granville Stuart, the famous early-day stockman and Montana pioneer. For more than fifty years he was known to cowmen from Texas to Alberta as "Teddy Blue." This is his story, as told to Helena Huntington Smith, who says that the book is "all Teddy Blue. My part was to keep out of the way and not mess it up by being literary.... Because the cowboy flourished in the middle of the Victorian age, which is certainly a funny paradox, no realistic picture of him was ever drawn in his own day. Here is a self-portrait by a cowboy which is full and honest." And Teddy Blue himself says, "Other old-timers have told all about stampedes and swimming rivers and what a terrible time we had, but they never put in any of the fun, and fun was at least half of it." So here it is—the cowboy classic, with the "terrible" times and the "fun" which have entertained readers everywhere. First published in 1939, We Pointed Them North has been brought back into print by the University of Oklahoma Press in completely new format, with drawings by Nick Eggenhofer, and with the full, original text.