A close look at the extraordinary literary achievements of a popular and prolific American author The winner of every major American literary prize, John Updike (1932-2009) was one of the most popular and prolific novelists of his time and a major cultural figure who traced the high point and fall of midcentury American self-confidence and energy. A superb stylist with sixty books to his credit, he brilliantly rendered the physical surfaces of the nation's life even as he revealed the intense longings beneath those surfaces. In Understanding John Updike, Frederic Svoboda elucidates the author's deep insights into the second half of the twentieth century as seen through the lives of ordinary men and women. He offers extended close readings of Updike's most significant works of fiction, templates through which his entire oeuvre may be understood. A small-town Pennsylvanian whose prodigious talent took him to Harvard, a staff position at the New Yorker, and ultimately a life in suburban Massachusetts, where the pace of his literary output never slowed, Updike was very much in the American cultural tradition. His series of Rabbit Angstrom novels strongly echo Sinclair Lewis's earlier explorations of middle America, while The Witches of Eastwick and related novels are variations on Nathaniel Hawthorne's nineteenth-century classic The Scarlet Letter. His number-one best seller Couples examines what Time magazine called "the adulterous society" in the last year of the Kennedy administration, following the nation's fall from idealism into self-centeredness. Understanding John Updike will give both new readers and those already familiar with the author a firm grasp of his literary achievement. This outline of Updike's professional career highlights his importance in the life of the nation—not only as a novelist but also as a gifted essayist, reviewer, cultural critic, and poet.

“Trapped in their cozy catacombs, the couples have made sex by turns their toy, their glue, their trauma, their therapy, their hope, their frustration, their revenge, their narcotic, their main line of communication and their sole and pitiable shield against the awareness of death.”—Time One of the signature novels of the American 1960s, Couples is a book that, when it debuted, scandalized the public with prose pictures of the way people live, and that today provides an engrossing epitaph to the short, happy life of the “post-Pill paradise.” It chronicles the interactions of ten young married couples in a seaside New England community who make a cult of sex and of themselves. The group of acquaintances form a magical circle, complete with ritualistic games, religious substitutions, a priest (Freddy Thorne), and a scapegoat (Piet Hanema). As with most American utopias, this one’s existence is brief and unsustainable, but the “imaginative quest” that inspires its creation is eternal. Praise for Couples “Couples [is] John Updike’s tour de force of extramarital wanderlust.”—The New York Times Book Review “Ingenious . . . If this is a dirty book, I don’t see how sex can be written about at all.”—Wilfrid Sheed, The New York Times Book Review

In John Updike’s second collection of assorted prose he comes into his own as a book reviewer; most of the pieces picked up here were first published in The New Yorker in the 1960s and early ’70s. If one word could sum up the young critic’s approach to books and their authors it would be “generosity”: “Better to praise and share,” he says in his Foreword, “than to blame and ban.” And so he follows his enthusiasms, which prove both deserving and infectious: Kierkegaard, Proust, Joyce, Dostoevsky, and Hamsun among the classics; Borges, Nabokov, Grass, Bellow, Cheever, and Jong among the contemporaries. Here too are meditations on Satan and cemeteries, travel essays on London and Anguilla, three very early “golf dreams,” and one big interview. Picked-Up Pieces is a glittering treasury for every reader who likes life, books, wit—and John Updike.

An antic riff on Hawthorne’s Scarlet Letter, in which a latter-day Arthur Dimmesdale is sent west from his Midwestern parish in sexual disgrace—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. “Updike may be America’s finest novelist and [this] is quintessential Updike.”—The Washington Post At a desert retreat dedicated to rest, recreation, and spiritual renewal, this fortyish serial fornicator is required to keep a journal whose thirty-one weekly entries constitute the book you now hold in your hand. In his wonderfully overwrought style he lays bare his soul and his past—his marriage to the daughter of his ethics professor, his affair with his organist, his antipathetic conversations with his senile father and his bisexual curate, his golf scores, his poker hands, his Biblical exegeses, and his smoldering desire for the directress of the retreat, the impregnable Ms. Prynne. A testament for our times.

From the award-winning poet and playwright behind Barber Shop Chronicles, The Half-God of Rainfall is an epic story and a lyrical exploration of pride, power and female revenge.

The Jewish American novelist Henry Bech—procrastinating, libidinous, and tart-tongued, his reputation growing while his powers decline—made his first appearance in 1965, in John Updike’s “The Bulgarian Poetess.” That story won the O. Henry First Prize, and it and the six Bech adventures that followed make up this collection. “Bech is the writer in me,” Updike once said, “creaking but lusty, battered but undiscourageable, fed on the blood of ink and the bread of white paper.” As he trots the globe, promotes himself, and lurches from one woman’s bed to another’s, Bech views life with a blend of wonder and cynicism that will make followers of the lit-biz smile with delight and wince in recognition.

In his extraordinary and highly charged new novel, John Updike tackles one of America's most burning issues – the threat of Islamist terror from within. Set in contemporary New Jersey, Terrorist traces the journey of one young man, from radicalism to fundamentalism to terrorism, against the backdrop of a fraying urban landscape and an increasingly fragmented community. In beautiful prose, Updike dramatizes the logic of the fundamentalist terrorist – but also suggests ways in which we can counter it, in our words and our actions . . .

To complement his work as a fiction writer, John Updike accepted any number of odd jobs—book reviews and introductions, speeches and tributes, a “few paragraphs” on baseball or beauty or Borges—and saw each as “an opportunity to learn something, or to extract from within some unsuspected wisdom.” In this, his largest collection of assorted prose, he brings generosity and insight to the works and lives of William Dean Howells, George Bernard Shaw, Philip Roth, Muriel Spark, and dozens more. Novels from outposts of postmodernism like Turkey, Albania, Israel, and Nigeria are reviewed, as are biographies of Cleopatra and Dorothy Parker. The more than a hundred considerations of books are flanked, on one side, by short stories, a playlet, and personal essays, and, on the other, by essays on his own oeuvre. Updike’s odd jobs would be any other writer’s chief work.

John Updike’s memoirs consist of six Emersonian essays that together trace the inner shape of the life, up to the age of fifty-five, of a relatively fortunate American male. The author has attempted, his foreword states, “to treat this life, this massive datum which happens to be mine, as a specimen life, representative in its odd uniqueness of all the oddly unique lives in this world.” In the service of this metaphysical effort, he has been hair-raisingly honest, matchlessly precise, and self-effacingly humorous. He takes the reader beyond self-consciousness, and beyond self-importance, into sheer wonder at the miracle of existence.