Winner of the 1987 American Book Award The Essential Etheridge Knight is a selection of the best work by one of the country’s most prominent and liveliest poets. It brings together poems from Knight’s previously published books and a section of new poems.

Winner of the 2010 National Book Award for Poetry Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 In his fourth collection, Terrance Hayes investigates how we construct experience. With one foot firmly grounded in the everyday and the other hovering in the air, his poems braid dream and reality into a poetry that is both dark and buoyant. Cultural icons as diverse as Fela Kuti, Harriet Tubman, and Wallace Stevens appear with meditations on desire and history. We see Hayes testing the line between story and song in a series of stunning poems inspired by the Pecha Kucha, a Japanese presenta­tion format. This innovative collection presents the light- headedness of a mind trying to pull against gravity and time. Fueled by an imagination that enlightens, delights, and ignites, Lighthead leaves us illuminated and scorched.

Understanding Etheridge Knight introduces readers to a major—but understudied—American poet. Etheridge Knight (1931-1991) survived a shrapnel wound suffered during military service in Korea, as well as a drug addiction that led to an eight-year prison sentence, to publish five volumes of poetry and a small cache of powerful prose. His status in the front ranks of American poets and thinkers on poetry was acknowledged in 1984, when he won the Shelley Memorial Award, which had previously gone, as an acknowledgement of "genius and need," to E.E. Cummings, Gwendolyn Brooks, and W. S. Merwin. In this first book-length study of Knight and his complete body of work, Michael Collins examines the poetry of a complex literary figure who, following imprisonment, transformed his life to establish himself as a charismatic voice in American poetry and an accomplished teacher at institutions such as the University of Hartford, Lincoln University, and his own Free Peoples Poetry Workshops. Beginning with a concise biography of Knight, Collins explores Knight's volumes of poetry including Poems from Prison, Black Voices from Prison, Born of a Woman, and The Essential Etheridge Knight. Understanding Etheridge Knight brings attention to a crucial era in African American and American poetry, and to the literature of the incarcerated, while reflecting on the life and work of an original voice in American poetry.

“Hayes leaves resonance cleaving the air.” —NPR In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America. The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories. There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache. Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018.

"Poems written [between 1964 and 1979], products of the experiences of one Black man in a divided society, evoke the brutality, fear, and desperation fostered in injustice and comment on love and brotherhood"--From Amazon.com.

A collection of poems that explore the issues surrounding race relations in American society, told from the experience of Black, Native American, Asian, Arabic, Hispanic, and white cultures.

Etheridge Knight's first book of poetry, Poems from Prison, was acclaimed by poet Gwendolyn Brooks with the words "This poetry is a major announcement." Since its publication in 1968, Knight's reputation has grown steadily, and he has read his poetry throughout the nation. He has edited a collection of prison writings, Black Voices from Prison. Belly Song has as introduction a moving lettter written just before Knight's release from prison. Some of the poems were written in prison, others after his release, but they all show the increasing power and sensitiveness of his often anquished poetry.

Winner of the NAACP Image Award and finalist for the 2019 Los Angeles Times Book Prize “A powerful work of lyric art.” —New York Times Book Review, Editors’ Choice In fierce, agile poems, Felon tells the story of the effects of incarceration—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence in traditional and newfound forms, from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion.

In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.