Underneath Everything is a seductive, gorgeously written debut about two girls bound by an obsessive and toxic friendship, perfect for fans of Lauren Oliver and Courtney Summers. Mattie shouldn't be at the bonfire. She should be finding new maps for her collection, hanging out with Kris, and steering clear of almost everyone else, especially Jolene. After all, Mattie and Kris dropped off the social scene the summer after sophomore year for a reason. But now Mattie is a senior, and she's sick of missing things. So here she is. And there's Jolene: Beautiful. Captivating. Just like the stories she wove. Mattie would know—she used to star in them. She and Jolene were best friends. Mattie has the scar on her palm to prove it, and Jolene has everything else, including Hudson. But when Mattie runs into Hudson and gets a glimpse of what could have been, she decides to take it all back: the boyfriend, the friends, the life she was supposed to live. Problem is, Mattie can't figure out where Jolene's life ends and hers begins. Because there's something Mattie hasn't told anyone: She walked away from Jolene over a year ago, but she never really left.

Everything That’s Underneath, Kristi DeMeester’s debut powerful horror collection, is full of weird, unsettling tales that recall the styles of such accomplished storytellers as Laird Barron and Tom Piccirilli. Crawl across the earth and dig in the dirt. Feel it. Tearing at your nails, gritty between your teeth, filling your nostrils. Consume it until it has consumed you. For there you will find the voices that have called from the shadows, the ones that promise to cherish you only to rip your body to shreds. In Everything That’s Underneath, Kristi DeMeester explores the dark places most people avoid. A hole in an abandoned lot, an illness twisting your loved one into someone you don’t recognize, lust that pushes you farther and farther until no one can hear yours cry for help. In these 18 stories the characters cannot escape the evil that is haunting them. They must make a choice: accept it and become part of what terrifies them the most or allow it to consume them and live in fear forever. “Kristi DeMeester’s wonderfully disturbing Everything That’s Underneath features a cast of characters who are as emotionally raw and authentic as they are haunted. DeMeester’s mothers and daughters, struggling at the edges of a society/economy as cold and uncaring as the universe, succumb in the face of horrors made even more terrifying by their nagging sense of familiarity. A dark, intelligent, relentless collection." — Paul Tremblay, author of A Head Full of Ghosts and Disappearance at Devil’s Rock “In Everything That’s Underneath, Kristi DeMeester lays out a series of evocative visions and bizarre terrors that deftly meld the gothic, religious, and darkly fantastic to tell tales of body horror and transformation. Her fiction explores the ways we are often betrayed by our flesh and led astray by our own desires. DeMeester is a rising star of weird horror, and this debut collection is evidence that her transformative visions are destined to leave their mark.” — Simon Strantzas, author of Burnt Black Suns “With these stories Kristi DeMeester conjures earthy magic out of seemingly ordinary circumstances. Her characters, through ritual and instinct, discover a rough connection to all living things, but that connection may not bring comfort. This is DeMeester’s particular brand of cosmic horror, coming from deep down in the bones, imbued with animal vitality and ingrained wisdom. She’s bringing themes of every day life, including love and domestic violence, to a much larger canvas and simultaneously taking nature at large to a deeply personal level. The effects are uncanny and unsettling. A young writer, Demeester is already established as a talent to watch in horror and weird fiction. I look forward to more of these dark, fierce, disturbing tales.” — S.P. Miskowski, author of Stag in Flight “When Kristi DeMeester weaves a tapestry of tales, there is no escaping. On every level these stories fascinate, hypnotize, threaten, and reveal. On the surface, your skin will flush; in your heart, lost desires will bubble to the surface; in your mind, these intricate mythologies will teach you what is possible; and in your soul, you are complicit—seeking dark magic to free you from what has been seen. One of my favorite authors writing today, this collection is a visceral, haunting, and stirring experience.” — Richard Thomas, author of Tribulations and Breaker “Kristi DeMeester is not afraid to peel back the skin of things. Like many of the characters in these stories learn, true horror is often inside us, threaded in the tissue and marrow so there is no escape from it. Perhaps even worse, we are horrors to one another. Carrying a Southern Gothic light into the shadows of horror and weird fiction, her prose sings in your ear as her plots reach around your throat. Everything That’s Underneath is an essential collection and shows a major new voice crawling out of the dark.” — Michael Wehunt, author of Greener Pastures TABLE OF CONTENTS Everything That’s Underneath The Wicked Shall Come Upon Him To Sleep Long, To Sleep Deep The Fleshtival The Beautiful Nature of Venom Like Feather, Like Bone Worship Only What She Bleeds (short story original to collection) The Tying of Tongues The Marking The Long Road The Lightning Bird (short story original to collection) The Dream Eater Daughters of Hecate Birthright (novelette original to collection) All That Is Refracted, Broken December Skin Split Tongues To Sleep in the Dust of the Earth

SHORTLISTED FOR THE 2018 MAN BOOKER PRIZE An eerie, watery reimagining of the Oedipus myth set on the canals of Oxford, from the author of Fen The dictionary doesn’t contain every word. Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries. One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals. A runaway boy had found community and shelter with them, and all three were haunted by their past and stalked by an ominous creature lurking in the canal: the bonak. Everything and nothing at once, the bonak was Gretel’s name for the thing she feared most. And now that she’s searching for her mother, she’ll have to face it. In this electrifying reinterpretation of a classical myth, Daisy Johnson explores questions of fate and free will, gender fluidity, and fractured family relationships. Everything Under—a debut novel whose surreal, watery landscape will resonate with fans of Fen—is a daring, moving story that will leave you unsettled and unstrung.

It’s been ages since the “incident” that estranged former best friends Adam and Thomas, and Adam has long since decided he’s better off, even if his own life hasn’t exactly turned out as planned. Ten years after the two friends spoke their last words, Adam is working as a tutor, sleeping with the mother of a student, and spending most of his nights looking up his ex-girlfriend on Facebook. But when he receives an email from Thomas’s mother begging for his help, he finds himself drawn back into his old friend’s world. Thomas hasn’t been doing well, and now he’s disappeared while traveling in India. As Adam embarks upon a magnificently strange and unlikely journey, Ben Dolnick unspools a tale of friendship, spiritual reckoning, and redemption.

There is nothing lonelier than a cat who has been loved, at least for a while, and then abandoned on the side of the road. A calico cat, about to have kittens, hears the lonely howl of a chained-up hound deep in the backwaters of the bayou. She dares to find him in the forest, and the hound dares to befriend this cat, this feline, this creature he is supposed to hate. They are an unlikely pair, about to become an unlikely family. Ranger urges the cat to hide underneath the porch, to raise her kittens there because Gar-Face, the man living inside the house, will surely use them as alligator bait should he find them. But they are safe in the Underneath...as long as they stay in the Underneath. Kittens, however, are notoriously curious creatures. And one kitten’s one moment of curiosity sets off a chain of events that is astonishing, remarkable, and enormous in its meaning. For everyone who loves Sounder, Shiloh, and The Yearling, for everyone who loves the haunting beauty of writers such as Marjorie Kinnan Rawlings, Flannery O’Connor, and Carson McCullers, Kathi Appelt spins a harrowing yet keenly sweet tale about the power of love—and its opposite, hate—the fragility of happiness and the importance of making good on your promises.

Discovery of Less is the true story about one man's poignant and humorous journey of stepping out of the comfort zone of everyday life and letting go. Through his insightful and refreshing storytelling, Chris Lovett shares details of how he found enriching outcomes of a simpler approach to life and work after decluttering, selling off everything he owned and walking away from the security of a stable career. Although the material deals with important issues such as clutter, emotional attachment, stress, sentimental attachment, debt, career change, imposter syndrome and the like, there is always room for fun and Chris brings colour, flavour and reality through his storytelling and just adds a little bit of dirt to the clean minimalist aesthetic. This book is your companion to stepping out of the lost year, providing inspiration and motivation to ditch all that stuff that holds us back to be better and do better, with less.

A NEW YORK TIMES NOTABLE BOOK • From an award-winning journalist, a poignant and gripping immersion in the life of a young, homeless single mother amid her quest to find stability and shelter in the richest city in America LONGLISTED FOR THE PEN/JEAN STEIN BOOK AWARD • “Riveting . . . a remarkable feat of reporting.”—The New York Times Camila is twenty-two years old and a new mother. She has no family to rely on, no partner, and no home. Despite her intelligence and determination, the odds are firmly stacked against her. In this extraordinary work of literary reportage, Lauren Sandler chronicles a year in Camila’s life—from the birth of her son to his first birthday—as she navigates the labyrinth of poverty and homelessness in New York City. In her attempts to secure a safe place to raise her son and find a measure of freedom in her life, Camila copes with dashed dreams, failed relationships, the desolation of abandonment, and miles of red tape with grit, humor, and uncanny resilience. Every day, more than forty-five million Americans attempt to survive below the poverty line. Every night, nearly sixty thousand people sleep in New York City-run shelters, 40 percent of them children. In This Is All I Got, Sandler brings this deeply personal issue to life, vividly depicting one woman's hope and despair and her steadfast determination to change her life despite the myriad setbacks she encounters. This Is All I Got is a rare feat of reporting and a dramatic story of survival. Sandler’s candid and revealing account also exposes the murky boundaries between a journalist and her subject when it becomes impossible to remain a dispassionate observer. She has written a powerful and unforgettable indictment of a system that is often indifferent to the needs of those it serves, and that sometimes seems designed to fail. Praise for This Is All I Got “A rich, sociologically valuable work that’s more gripping, and more devastating, than fiction.”—Booklist “Vivid, heartbreaking. . . . Readers will be moved by this harrowing and impassioned call for change.”—Publishers Weekly “A closely observed chronicle . . . Sandler displays her journalistic talent by unerringly presenting this dire situation. . . . An impressive blend of dispassionate reporting, pungent condemnation of public welfare, and gritty humanity.” —Kirkus Reviews

Everything Awake was written during a dreamy, disorienting period of insomnia. In the middle of the night, I began studying Catullus, imagining that his hendecasyllabic rhythms might shush me to sleep. Instead, they prompted a series of eleven-line poems with eleven syllables per line. I was drawn to the number, via Catullus, because it felt both excessive and insufficient, just like the space of an insomniac's day. Eleven opened up onto an expanse in which I could think about dwelling, in a day, at the foot of a wind-swept mountain, in a family of humans, animals and plants, all of whom needed my care. Like Catullus's neoteric poems, these poems attempt to bring the private, domestic space to bear upon the larger, public sphere in hopes that each might inform the other. The assumption of these poems is an ancient one-our most basic daily acts of care, and our most intimate relationships, define our relationship to the larger world. My hope is that these poems might offer one humble account of care in our deeply damaged world. "In Steensen's verse the elusive "seam between dawn and dreams" is luminous, tenderly sewn into gardens of quiet, tucked between tumultuous days and nights. When we find ourselves sleepless, when there is "no feed," when we are "out to sea" her poems are rowboats, groves, refuge. In Everything Awake the known gives birth to the unknown and brings us closer not only to lucid dreams, but to the necessity of lucid wakefulness. This beautiful book provides solace for the unmoored, not by providing fixity, but by reminding us that the lens of the sacred is made of consciousness, excludes nothing, and is always curious." -Laynie Browne

With multiple starred reviews, don't miss this humorous, poignant, and original contemporary story about bullying, broken friendships, social media, and the failures of communication between kids. From John David Anderson, author of the acclaimed Ms. Bixby’s Last Day. In middle school, words aren’t just words. They can be weapons. They can be gifts. The right words can win you friends or make you enemies. They can come back to haunt you. Sometimes they can change things forever. When cell phones are banned at Branton Middle School, Frost and his friends Deedee, Wolf, and Bench come up with a new way to communicate: leaving sticky notes for each other all around the school. It catches on, and soon all the kids in school are leaving notes—though for every kind and friendly one, there is a cutting and cruel one as well. In the middle of this, a new girl named Rose arrives at school and sits at Frost’s lunch table. Rose is not like anyone else at Branton Middle School, and it’s clear that the close circle of friends Frost has made for himself won’t easily hold another. As the sticky-note war escalates, and the pressure to choose sides mounts, Frost soon realizes that after this year, nothing will ever be the same.