"Outstanding collection of stories chosen from Arredondo's Obras completas (1991), translated by Cynthia Steele, Elena Poniatowska, and the author. Informative essay by Steele, foreword by Poniatowska, and Steele's fine translation provide a welcome introduction to a body of work that deserves a wider readership in both Spanish and English. Highly recommended"--Handbook of Latin American Studies, v. 58.

Beyond the River brings to brilliant life the dramatic story of the forgotten heroes of the Ripley, Ohio, line of the Underground Railroad. From the highest hill above the town of Ripley, Ohio, you can see five bends in the Ohio River. You can see the hills of northern Kentucky and the rooftops of Ripley’s riverfront houses. And you can see what the abolitionist John Rankin saw from his house at the top of that hill, where for nearly forty years he placed a lantern each night to guide fugitive slaves to freedom beyond the river. In Beyond the River, Ann Hagedorn tells the remarkable story of the participants in the Ripley line of the Underground Railroad, bringing to life the struggles of the men and women, black and white, who fought “the war before the war” along the Ohio River. Determined in their cause, Rankin, his family, and his fellow abolitionists—some of them former slaves themselves—risked their lives to guide thousands of runaways safely across the river into the free state of Ohio, even when a sensational trial in Kentucky threatened to expose the Ripley “conductors.” Rankin, the leader of the Ripley line and one of the early leaders of the antislavery movement, became nationally renowned after the publication of his Letters on American Slavery, a collection of letters he wrote to persuade his brother in Virginia to renounce slavery. A vivid narrative about memorable people, Beyond the River is an inspiring story of courage and heroism that transports us to another era and deepens our understanding of the great social movement known as the Underground Railroad.

Underground rivers in science, history, the arts and any number of sightings elsewhere

A Star Above It and Other Stories is volume 1 of a collection of Chad Oliver's SF, containing the following: Blood's a Rover The Land of Lost Content The Ant and the Eye Artifact Any More At Home Like You? Rewrite Man The Edge of Forever The Boy Next Door A Star Above It The Mother of Necessity Night Technical Advisor Between the Thunder and the Sun The One That Got Away Transfusion Guardian Spirit The Gift To Whom It May Concern A Stick for Harry Eddington Old Four-Eyes

'Steve Brown's Bunyip and Other Stories" is a classic tale by English author John Arthur Barry. This book is a wonderful collection of Barry's tales filled with his bright imagination. Besides the title story, the book contains some introductory poetic lines by Rudyard Knippling and stories like "Mo-Poke," "Number One North Rainbow," "Dead Man's Camp," and others.

Featuring both established and emerging Western Australian writers, this short story anthology includes both fiction and creative nonfiction. A quirky and memorable collection, it centers on “who we are and what we want to be”—ideas that will resonate globally despite the regional origin of the contributors. The distinctive voices highlighted here present joy and pain in equal measure with humor and feeling.

Dystopian fantasy, political parable, morality tale—however one reads it, this novel is first and foremost pure Ana María Shua, a work of fiction like no other and a dark pleasure to read. Shua, an Argentinian writer widely celebrated throughout Latin America, frames her complex drama in deceptively simple, straightforward prose. The story takes place at a fat farm called The Reeds, a nightmare world that might not exist but certainly could. The last resort of the overweight wealthy (or sponsored), The Reeds subjects its “campers” to extreme measures—particularly the regimented system of public humiliation imposed by its director, a glib and sharp-minded sadist called the Professor. Into the midst of this methodical madness comes Marina Rubin, who experiences all the excesses of The Reeds. The pervasive cruelty of this refined novel distances it from facile conclusions. Amid the mordant social satire, The Reeds’ obese campers are far more than merely victims of the system, subjected to impossible social demands for physical perfection. Out of control, fierce, rebellious, or subjugated, they are recognizable human beings, contending with an unjust but efficient authority in their unique and solitary ways.

Gender intervenes in the circuits of consumption, distribution, production and reproduction. This book looks at how gender intervenes in all parts of the circuit or the linkages between different elements.

The leading poet of his generation, Jose Emilio Pacheco is one of Mexico's most esteemed and beloved writers. City of Memory and Other Poems presents two of his finest poetry collections, accompanied by beautifully rendered translations. The first, "City of Memory," touches on Pacheco's major literary obsessions: the destructive effects of time; the essential egotism and cruelty of the natural world, with humankind at its violent center; and the capacity of the human spirit to achieve transcendence. The second, "I watch the Earth," is an emotional catharsis, the poet's mediation on the tragic earthquake that devastated his native Mexico City in 1985. Together, these poems paint a vivid picture of the noble beauty and uncontrollable tragedy that is Mexico-and the world-today. Jose Emilio Pacheco is the winner of the Jose Asuncion Silva Award for the best book of poetry to appear in Spanish from 1990 to 1995. Novelist, poet, essayist, and translator, he lives in Mexico City. Cynthia Steele is the author of Politics, Gender and the Mexican Novel, 1968-1988, Beyond the Pyramid and the translator of Underground River and Other Stories by Ines Arredondo. David Lauer is a poet and translator who lives in Chihuahua, Mexico.

A collection of terrifying and esoteric short stories from the postulant horror writer, D. H. McKee Fifteen tales swarm up from the pages, surrounding you, lurking just out of reach, waiting for you to turn out the light. Even the mundane becomes questionable. Do you trust the mournful whistling of the custodian as he sweeps the leaves from the ancient sidewalk? What about the ghostly shadows of children dancing against the far wall of the square? Or how about those strange, creaking vines growing in the cracks of the building? The ones which seem to move away as you step closer. The thing in the road is screaming. Can you hear it? What about the strange noises over the radio, which seem to drown out the cries of the student trapped in a box, miles below the surface of the Earth?