An eleven-year-old immigrant must clear her name when things start disappearing from a Boston settlement house Innocenza Moretti’s parents died in a fire when she was two. Ever since, she’s lived with her grandmother and seven lodgers in the flat downstairs from her aunt, uncle, and cousins in a crowded tenement in Boston’s North End. Innie’s world changes when she and her cousin Teresa become members of a settlement house where immigrant girls can learn more about American life. Best of all, they’ll get to participate in a library club. At school, Innie has to share books with two or three other girls. Having her own books would be like eating Sunday dinner every day. The girls’ first assignment at the settlement house is unpacking books that had to be moved because of the recent fire that tore through the city. But now valuable things are vanishing: a pottery mug. A silver teapot. Money. And the prime suspect is Innie! With the help of Teresa and their new friend Matela Rosen, Innie searches for the real culprit. A secret tunnel under Copp’s Hill Burying Ground leads them to a surprising thief. This ebook includes a historical afterword.

In Michigan's Upper Peninsula, a dangerous rescue effort draws the ears and eyes of the entire country. A two-and-a-half-year-old girl has fallen down a mine shaft—"the only sound is an astonished tiny intake of breath from Ursula as she goes down, like a penny into the slot of a bank, disappeared, gone." It is as if all hope for life on the planet is bound up in the rescue of this little girl, the first and only child of a young woman of Finnish extraction and her Chinese-American husband. One TV viewer following the action notes that the Wong family lives in a decrepit mobile home and wonders why all this time and money is being "wasted on that half-breed trailer-trash kid." In response, the novel takes a breathtaking leap back in time to visit Ursula's most remarkable ancestors: a third-century-B.C. Chinese alchemist; an orphaned playmate of a seventeenth-century Swedish queen; Professor Alabaster Wong, a Chautauqua troupe lecturer (on exotic Chinese topics) traveling the Midwest at the end of the nineteenth century; her great-great-grandfather Jake Maki, who died at twenty-nine in a Michigan iron mine cave-in; and others whose richness and history are contained in the induplicable DNA of just one person—little Ursula Wong. Ursula's story echoes those of her ancestors, many of whom so narrowly escaped not being born that her very existence—like ours—comes to seem a miracle. Ambitious and accomplished, Ursula, Under is, most of all, wonderfully entertaining—a daring saga of culture, history, and heredity.

Seven years ago, Moriyah was taken captive in Jericho and branded with the mark of the Canaanite gods. Now the Israelites are experiencing peace in their new land, but Moriyah has yet to find her own peace. Because of the shameful mark on her face, she hides behind her veil at all times and the disdain of the townspeople keeps her from socializing. And marriage prospects were out of the question . . . until now. Her father has found someone to marry her, and she hopes to use her love of cooking to impress the man and his motherless sons. But when things go horribly wrong, Moriyah is forced to flee. Seeking safety at one of the newly-established Levitical cities of refuge, she is wildly unprepared for the dangers she will face, and the enemies--and unexpected allies--she will encounter on her way.

Meg and her siblings have been sent to the English countryside for the summer to stay with elderly relatives. The children are looking forward to exploring the ancient mansion and perhaps discovering a musty old attic or two filled with treasure, but never in their wildest dreams did they expect to find themselves in the middle of a fairy war. When Rowan pledges to fight for the beautiful fairy queen, Meg is desperate to save her brother. But the Midsummer War is far more than a battle between mythic creatures: Everything that lives depends on it. How can Meg choose between family and the fate of the very land itself?

From the New York Times bestselling author of The Drowning Kind comes a genre-defying novel, inspired by Mary Shelley’s masterpiece Frankenstein, that brilliantly explores the eerie mysteries of childhood and the evils perpetrated by the monsters among us. 1978: At her renowned treatment center in picturesque Vermont, the brilliant psychiatrist, Dr. Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when she’s home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love. Then one day Gran brings home a child to stay with the family. Iris—silent, hollow-eyed, skittish, and feral—does not behave like a normal girl. Still, Violet is thrilled to have a new playmate. She and Eric invite Iris to join their Monster Club, where they dream up ways to defeat all manner of monsters. Before long, Iris begins to come out of her shell. She and Vi and Eric do everything together: ride their bicycles, go to the drive-in, meet at their clubhouse in secret to hunt monsters. Because, as Vi explains, monsters are everywhere. 2019: Lizzy Shelley, the host of the popular podcast Monsters Among Us, is traveling to Vermont, where a young girl has been abducted, and a monster sighting has the town in an uproar. She’s determined to hunt it down, because Lizzy knows better than anyone that monsters are real—and one of them is her very own sister. “A must for psychological thriller fans” (Publishers Weekly, starred review), The Children on the Hill takes us on a breathless journey to face the primal fears that lurk within us all.

Grade level 6.6, book # 5070, Points 7.

A history of the Spindletop oil discovery at Beaumont, Texas, in 1901.

The girls of Sacred Heart Holy Angels eye the good dancers at the all-ages club Metropolis. They waste afternoons at the mall, check out parties on the lake, burn through candid, casual sex. Everybody calls them the Whores on the Hill, but they don't care. It is the mid-'80s and they go to the last all-girls' school in Milwaukee, where innocence is scarce and happiness is something to grabbed at in the backseat of a fast car. Meet exuberant, uninhibited Astrid, her nervy, troubled friend Juli and Thisbe, the shy, ascetic newcomer. They are fifteen years old. And they believe they can take on the world, no matter what it calls them. But when euphoric promiscuity mixes with a series of dangerous, deadly pranks, their world at Sacred Heart Holy Angels can never be the same.

In the near future, a group of girls survive on their own on a reclaimed garbage dump they call home.