A fascinating and entertaining look at the men behind the first surgical use of anesthesia—and the price they paid for their breakthrough. On Friday, October 16, 1846, only one operation was scheduled at Massachusetts General Hospital.... That day in Boston, the operation was the routine removal of a growth from a man's neck. But one thing would not be routine: instead of using pulleys, hooks, and belts to subdue a patient writhing in pain, this crucial operation would be the first performed under a general anesthetic. No one knew whether the secret concoction would work. Some even feared it might kill the patient. This engrossing book chronicles what happened that day and during its dramatic aftermath. In a vivid history that is stranger than fiction, Ether Day tells the story of the three men who converged to invent the first anesthesia—and the war of ego and greed that soon sent all three men spiraling wildly out of control.

The speaker of The Philosopher's Window and Other Poems, Allen Grossman tells us, is "an old man compelled by the insistent questioning of the children to explain himself"--and in this way, the world. He begins with creation ("The Great Work Farm Elegy"), recalls the romantic quest of youth ("The Philosopher's Window"), returns to reality ("The Snowfall" and "Whoever Builds"). His tales told, the old man wakes in a stormy springtime ("June, June"), "when the lilacs are gone." Grossman's allegory of life's journey, at once sonorous and antic, takes in the high and the low in these new visionary songs of innocence and experience. Allen Grossman is Andrew W. Mellon Professor of the Humanities at The Johns Hopkins University. He counts among his many honors and awards MacArthur, Guggenheim, and NEA fellowships, the Witter Bynner Prize for Poetry, and the PEN-Sheaffer/New England Award for Literary Distinction. The Philosopher's Window is his eighth book of poetry. His previous collection, The Ether Dome & Other Poems New and Selected (1991), was a National Book Critics Circle Award nominee.

An insightful record charting the history of American anaesthesia.

The clinical practice of anesthesia has undergone many advances in the past few years, making this the perfect time for a new state-of-the-art anesthesia textbook for practitioners and trainees. The goal of this book is to provide a modern, clinically focused textbook giving rapid access to comprehensive, succinct knowledge from experts in the field. All clinical topics of relevance to anesthesiology are organized into 29 sections consisting of more than 180 chapters. The print version contains 166 chapters that cover all of the essential clinical topics, while an additional 17 chapters on subjects of interest to the more advanced practitioner can be freely accessed at www.cambridge.org/vacanti. Newer techniques such as ultrasound nerve blocks, robotic surgery and transesophageal echocardiography are included, and numerous illustrations and tables assist the reader in rapidly assimilating key information. This authoritative text is edited by distinguished Harvard Medical School faculty, with contributors from many of the leading academic anesthesiology departments in the United States and an introduction from Dr S. R. Mallampati. This book is your essential companion when preparing for board review and recertification exams and in your daily clinical practice.

A series of poems traces the course of a love affair from both the man's and the woman's point of view.

“An engaging and illuminating exploration of the invisible medical specialty that is anesthesia.… Counting Backwards pulls back the veil on the very act of being alive.” —Danielle Ofri, MD, PhD, author of What Patients Say, What Doctors Hear For many of the 40 million Americans who undergo it each year, anesthesia is the source of great fear and fascination. In Counting Backwards, pediatric anesthesiologist Dr. Henry Jay Przybylo delivers an unforgettable account of the procedure’s daily dramas and fundamental mysteries. Przybylo has administered anesthesia more than 30,000 times over his thirty-year career: on newborn babies, screaming toddlers, sullen teenagers, even a gorilla. Filled with intense moments of near-disaster, life-saving successes, and simple grace, Counting Backwards is for anyone curious about what happens after we lose consciousness.

The Woman on the Bridge over the Chicago River is Allen Grossman's first collection with New Directions. His voice is astonishingly contemporary, his often dissociated imagery bordering on the surreal--yet one hears in his verse classical and Biblical echoes and, on occasion, darker medieval undertones. The brilliance of his imagination works against a measured eloquence, setting up a fine-edged tension not unlike the prophetic verse of William Blake, the wild dithyrambs of David, or the more controlled metrics of Catullus and Villon.

The surgeons' heads seemed small next to the huge dome-shaped lights. Together heads and lights zoomed in on this sick heart, which looked like a wiggly red ball of flesh. Gloved fingers felt and searched for new possibilities. All of a sudden there was an undeniable knowing that someday I would be a member of such a team and stand at the head of the patient to guard his or her life Bold and brilliant, Behind the Ether Screen shares the true story of Gabriele F. Roden, a woman whose attempt to break free from a childhood of relentless expectations of performance and perfection, instead ended up choosing a career with similar challenges that resulted in great successes. Born in post-war Germany, Roden was raised with rigorous discipline and motivation to choose a career based on humanitarian principles that would outlast the demolished, chaotic surroundings of her home. But it was a pivotal move to Ireland in her teens and her enrollment at University College Cork that launched her career in medicine. Her early drive to excel in the specialty of anesthesiology brought her to the United States of America as a young graduate. She completed her internship in Worcester, MA, pursued her anesthesia residency at Yale University, and after a few years in private practice at a community hospital, she returned to academic medicine in Boston. Spanning a career of more than thirty-seven years, Dr. Roden's moving account offers insight into the behind-the-scenes struggles and rewards of her specialty.