Wax : "Beauties from the beehive"--Shell work : "Flowers from the sea" -- Hair work : "Hair today, hair tomorrow" -- Nature contained : "Birds, dogs, frogs, and monkeys too!" -- Feather work : "Birds of a feather" -- Beautiful in death : "Skeleton leaves and phantom bouquets" -- Wool work : "Have you any wool?" -- Glass whimsies : "Confections in glass" -- Fancy that! : "Paper, muslin, silk, bead, and seed work" -- Automata : "Musical mechanical masterpieces" -- Esoterica -- Gone but not forgotten.

This volume presents an evaluation of the quality and financial successes of the Disney Company's ventures. It also provides an overview of and behind-the-scenes information about 30 Disney animated films from "Snow White" through "The Hunchback of Notre Dame". The author relates each film to its original tale, gives the Disney version, and tells what and why cuts were made. The exposed secrets consist of such things as "Plot Holes," "Bloopers," "Hidden Images," and "Strange Reactions." Anecdotes about the growth of the Disney industry and the development of the theme-park rides are included. One of the most enticing sidebars offers over 50 names that were originally considered for the seven dwarfs.

In this epic account of an extraordinary life lived during remarkable times, Jay Kirk follows the adventures of legendary explorer and taxidermist Carl Akeley, who revolutionized taxidermy and environmental conservation and created the famed African Hall at New York's Museum of Natural History. Akeley risked death time and again in the jungles of Africa as he stalked animals for his dioramas and hobnobbed with outsized personalities of the era, such as Theodore Roosevelt and P. T. Barnum. Kingdom Under Glass is "a rollicking biography...an epic adventure...[and] a beguiling novelistic portrait of a man and an era straining to hear the call of the wild" (Publishers Weekly).

A breathtaking novel from the award-winning author Nalo Hopkinson about two women, two worlds, fated to encounter one another. Sheeny lives in a world scoured clean by the glass wind that comes roaring out of the empty space where a mountain used to be. A wind whose gusts can strip flesh from bone and whose breezes leave a dust of glass so fine it accumulates in the lungs with every sip of air. Delpha lives in an otherwhere, an otherwhen in which no glass wind blows. Her world is poised on the precipice of its reality, needing only the faintest push to fall. And if that should happen, there will be no picking up the pieces. Two women, two worlds, rush toward a shattering collision. Unless...

Life Under Glass tells the fascinating story of four men and four women who lived and worked inside the Biosphere 2 structure, where they recycled their air, water, food, and wastes, setting a world record for time spent in a closed ecological system. This is the only account written during the unprecedented experiment while the team was enclosed inside.

Monsters under Glass explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass. In a study as wide-ranging, vivid, and beautiful as our beloved exotic blooms themselves, Jane Desmarais charts the history and influence of these humid, tropical worlds and their creations, providing a steamy window onto our recent past.

"This book is a revised second edition of the first edition. Second ed. includes foreword, introduction, and afterword materials provided by authors. The story itself is that of a two year experiment in the 1990s, the first fully closed system experiment in the world. The authors share the story of "living inside": from their fully self-sufficient diet, daily maintenance of the experiment, and the ways they kept themselves nourished, and entertained for their two years away from the world on the outside. The added edition will also include some highlights, lightly detailing a few of the findings of their experiment"--

The Conservatory celebrates the history, technology, and architectural majesty of these light-filled structures

A colossal jungle. Two suns. The sea on fire. If the mind were a place, what might it look like? Under Glass is an ambitious new collection by one of the most exciting young poets writing today. Gregory Kan's second book is a dialogue between a series of prose poems, following a protagonist through a mysterious and threatening landscape, and a series of verse poems, driven by the speaker's compulsive hunger to make sense of things. Kan's explorations of the outer and inner landscapes frequently cross paths but leave the reader in doubt—this is a collection full of maps and trapdoors, labyrinths and fragmented traces. Under Glass opens up new ways of telling stories while questioning the value of storytelling itself. Beautifully crystalline and emotionally powerful, this poetry collection takes readers on a journey that is frightening yet tender, imperfect but triumphant.

In a new approach to environmental photography, Dana Fritz explores the world’s largest enclosed landscapes: Arizona’s Biosphere 2, Cornwall’s Eden Project, and Nebraska’s Lied Jungle and Desert Dome at the Henry Doorly Zoo. In these vivaria, plants are grown amid carefully constructed representations of the natural world to entertain and educate tourists while also supporting scientific research. Together, these architectural and engineering marvels stand as working symbols of our complex relationship with the environment. Giant terraria require human control of temperature, humidity, irrigation, insects, weeds, and other conditions to create otherwise impossible ecosystems. While technical demands inform the design of these spaces, the juxtapositions of natural and artificial elements generate striking visual paradoxes that can go unnoticed. Here Fritz turns away from visitors’ prepared sight lines, revealing alternate views that dispel the illusion of natural conditions. Inviting questions about what it means to create and contain landscapes, Terraria Gigantica inspires contemplation of our ecological future.