The New Testament records seven separate incidents of dead people returning to life through the power of God. In the midst of the current cultural fascination with undead creatures, many believers in the church are more familiar with zombies in entertainment than with the amazing stories of new life recorded in the Bible. Undead: Revived, Resuscitated, and Reborn retells these stories in a unique style that will reach a new generation of readers and challenge them to come back from the spiritual dead. Few believers realize that many people - including six specific individuals - are raised from the dead between the Gospels and book of Acts. Undead applies those stories to revitalize the faith of believers while leading seekers to discover the spiritual resuscitation that only comes from God through His Son. By examining each story of resuscitation, readers discover gospel truths that they can apply to their own lies in ways that will elevate hope and challenge faith. Relating to the characters in these accounts helps bring to light areas in our lives that may need revitalization and challenge us to decide whether we will allow God to transform us. Click here to download the FREE Study Guide.

Explores the intersection of the vampire and zombie with 21st Century dystopian and post-apocalyptic cinemaTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the areluctant vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.Key featuresRather than seeing them as separate or oppositional, this book explores the intersection and dialogue between the vampire and zombie across film and televisionMuch contemporary scholarship on the vampire focuses on Dark Romance, while this book explores the more horror-based end of the genreOffers a detailed discussion of the development of zombie televisionProvides a detailed examination of Richard Mathesons I Am Legend, including the novel, the script, the adaptations and the BBFCs response to Mathesons script

His lungs were gone. He was completely hollow inside. But he was not dead. Not quite. What happens when Robin Hood and his Merry Men are faced with a plague of zombies? Somehow, Robin must figure out a way to defeat the most difficult and dangerous enemy he's ever faced, and save the country from destruction...

In this study of representations of children and childhood, a global team of authors explores the theme of undeadness as it applies to cultural constructions of the child. Moving beyond conventional depictions of the undead in popular culture as living dead monsters of horror and mad science that transgress the borders between life and death, rejuvenation, and decay, the authors present undeadness as a broader concept that explores how people, objects, customs, and ideas deemed lost or consigned to the past might endure in the present. The chapters examine nostalgic texts that explore past incarnations of childhood, mementos of childhood, zombie children, spectral children, images and artefacts of deceased children, as well as states of arrested development and the inability or refusal to embrace adulthood. Expanding undeadness beyond the realm of horror and extending its meaning conceptually, while acknowledging its roots in the genre, the book explores attempts at countering the transitory nature of childhoods. This unique and insightful volume will interest scholars and students working on popular culture and cultural studies, media studies, film and television studies, childhood studies, gender studies, and philosophy.

Now it’s the monsters’ turn to be scared! Monster Hunters Unlimited is a new series of tongue-in-cheek handbooks that instruct readers on the not-so-deadly art of monster hunting. Complete with comical, full-color art and irreverent narratives based around actual myths, folklore, and legends, Monster Hunters Unlimited: The Undead & Water Beasts is a must have book for anyone plagued by Ankou, the King of the Dead, or Mamlambo, the brain sucker.

It’s a journal of survival. Five people set out to escape the Undead who have risen too close to home. Join the emotional and physical struggle as they began on the third day after the awakening of Brooks VanReit, as they are recorded from the point of view of Julie, a former pathologist and part-time survivalist. Each entry is geared toward helping those who want to help themselves and maybe give a few that don’t a swift kick in the ass. Join our group of survivors on their journey through these Days with the Undead.

Looking beyond Euro-Anglo-US centric zombie narratives, Decolonizing the Undead reconsiders representations and allegories constructed around this figure of the undead, probing its cultural and historical weight across different nations and its significance to postcolonial, decolonial, and neoliberal discourses. Taking stock of zombies as they appear in literature, film, and television from the Caribbean, Latin America, sub-Saharan Africa, India, Japan, and Iraq, this book explores how the undead reflect a plethora of experiences previously obscured by western preoccupations and anxieties. These include embodiment and dismemberment in Haitian revolutionary contexts; resistance and subversion to social realities in the Caribbean and Latin America; symbiosis of cultural, historical traditions with Western popular culture; the undead as feminist figures; as an allegory for migrant workers; as a critique to reconfigure socio-ecological relations between humans and nature; and as a means of voicing the plurality of stories from destroyed cities and war-zones. Interspersed with contextual explorations of the zombie narrative in American culture (such as zombie walks and the television series The Santa Clarita Diet) contributors examine such writers as Lowell R. Torres, Diego Velázquez Betancourt, Hemendra Kumar Roy, and Manabendra Pal; works like China Mieville's Covehithe, Reza Negarestani's Cycolonopedia, Julio Ortega's novel Adiós, Ayacucho, Ahmed Saadawi's Frankenstein in Baghdad; and films by Alejandro Brugués, Michael James Rowland, Steve McQueen, and many others. Far from just another zombie project, this is a vital study that teases out the important conversations among numerous cultures and nations embodied in this universally recognized figure of the undead.

After being killed in a car accident, fashion savvy Betsy Taylor becomes one of the undead and, with the help of her newfound friends, the lure of designer shoes, and a sexy vampire, must destroy a dark enemy and fulfill her destiny as the prophesied vampire queen. Original.

The Anthropocene and the Undead describes how our experience of an increasingly erratic environment and the idea of the undead are more closely linked than the obvious zombie horde signaling the end of the world. In fact, as described here, much of how we understand the anthropocene both conceptually and in practice involves undead entities from the past that will not die, undead traumas that rise up and consume the world, and undead temporalities that can never end. Fifteen original essays by cultural and anthropological experts such as Kyle William Bishop, Nils Bubandt, Johan Höglund, and Steffen Hantke, among others, study the nature of humanity’s ongoing complicated relationship to the environment via the concept of the undead. In doing so, The Anthropocene and the Undead sheds invaluable light on adjacent concepts such as the Capitalocene, Necrocene, Disanthropocene, Post-anthropocene, and the Symbiocene to trace real and imagined trajectories of our more-than-human selves into undead and undying futures.

Necromancers and dragons stand between a heroic knight and victory over the zombie outbreak chewing its way through the fantasy realm of Zombicide Black Plague The Black Plague’s terrible toll never ends, unleashing a new wave of zombies with disastrous consequences. Low on hope, Knight Alaric von Mertz and his companions flee their crumbling sanctuary, and soon come under the unlikely wing of murderous pirates. There, they learn of a legendary artifact called Mournshroud that could destroy swathes of the undead, but to claim it they must defeat an evil sorceress on an isolated island. Guarded by a dragon! A knight’s honor demands he defend his kingdom, no matter the cost. Yet, as the undead hordes close in on them, a familiar evil waits in the shadows, plotting revenge on Alaric and everything he holds dear…