The fourth volume in a series which offers a textual analysis of Shakespeare's plays grouped by genre and by period. The term "unconformities", which occurs in all the titles, has been found useful to designate the breaches of continuity or consistency which occur in the texts for whatever reason.

This study of Shakespeares Falstaff versus Shakespeare Criticism takes a view of Falstaff that is critically unorthodox but which is supported by the text. This reading of the Falstaff plays sees the playwright basing his fiction on natural law, but bending natural law to present a world of personified natural phenomena. This reading is logically consistent, and conforms to all fictional requirements for necessity and probability, thus eliminating the supposed errors that criticism, which sees the plays as strictly realistic vehicles, appears to find in these plays.

Introduction -- Clowns, fools, and folly -- Structural doubleness and repetition -- Place, being, and agency -- The manifestation of desire -- The return from the dead -- Ending and wondering.

Shakespeare Survey is a yearbook of Shakespeare studies and productions. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 67 is 'Shakespeare's Collaborative Work'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

Focusing on England, Hungary and on some other European countries, the book explores the latent religious patterns in the appropriation of Shakespeare from the 1769 Stratford Jubilee to the tercentenary of Shakespeare's birth in 1864. It shows how the Shakespeare cult used quasi-religious (verbal and ritual) means of reverence, how it made use of some romantic notions, and how the ensuing quasi-transcendental authority was utilized for political purposes. The book suggests a theoretical framework and a comprehensive anthropological context for the interpretation of literature.

Confronted with the formidable and at times daunting mass of materials on Shakespeare, where does the beginning student - or even a seasoned one - turn for guidance? Answering that question remains the central aim of this guide.

"There is also a study of English-Danish relations in Shakespeare's time and how they are reflected in Hamlet, and another essay discusses the very personal work of the influential Danish scholar Georg Brandes.

The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.

The Bible was everywhere in Shakespeare's England. Through sermons, catechisms, treatises, artwork, literature and, of course, biblical reading itself, the stories and language of the Bible pervaded popular and elite culture. In recent years, scholars have demonstrated how thoroughly biblical allusions saturate Shakespearean plays. But Shakespeare's audiences were not simply well versed in the Bible's content - they were also steeped in the practices and methods of biblical interpretation. Reformation and counter-reformation debate focused not just on the biblical text, but - crucially - on how to read the text. The Bible on the Shakespearean Stage is the first volume to integrate the study of Shakespeare's plays with the vital history of Reformation practices of biblical interpretation. Bringing together the foremost international scholars in the field of 'Shakespeare and the Bible', these essays explore Shakespeare's engagement with scriptural interpretation in the tragedies, histories, comedies, and romances.