Nursing a baby - it's the most simple, natural thing in the world, right? Then why is it so fraught and freighted for so many women? In Unbuttoned, a collection of essays edited by Dana Sullivan and Maureen Connolly, 25 women share their thoughts and feelings about breastfeeding, all from the standpoint of personal experience. By turns enlightening, entertaining, moving, and thought provoking, their stories are sure to get readers talking. The essays are as varied as women themselves. Best - selling author Julia Glass describes nursing her two sons after being treated for breast cancer. Rebecca Walker remembers breastfeeding her seriously ill baby in the neonatal intensive care unit. And humorist Suzanne Schlosberg milks the logistics of nursing twins for laughs, while columnist Patricia Berry defends her decision to bottle - feed her three daughters. Linda Murray, editor - in - chief ofBabyCenter.com, contributes a thoughtful foreword. The essays are organized in a way that echoes the chronology of the nursing experience itself. In Part One, Latching On, women share their stories about starting breastfeeding; by Part Four, Letting Go, they've moved on to the sometimes - wistful, sometimes - welcome process of weaning. In these pages are laughter and tears, love and longing, tenderness and temper tantrums - and above all, a multifaceted portrait of what it means to nurture a baby. Unbuttoned makes a wonderful gift for new or expectant mothers, not to mention their partners. It's also an intriguing selection for book groups or moms' groups, who will surely find much to discuss among the essays. Even women whose nursing days are well behind (or ahead) of them will find food for thought in this insightful collection.

When Prime Minister William Lyon Mackenzie King died in 1950, the public knew little about his eccentric private life. In his final will King ordered the destruction of his private diaries, seemingly securing his privacy for good. Yet twenty-five years after King's death, the public was bombarded with stories about "Weird Willie," the prime minister who communed with ghosts and cavorted with prostitutes. Unbuttoned traces the transformation of the public’s knowledge and opinion of King's character, offering a compelling look at the changing way Canadians saw themselves and measured the importance of their leaders’ personal lives. Christopher Dummitt relates the strange posthumous tale of King's diary and details the specific decisions of King's literary executors. Along the way we learn about a thief in the public archives, stolen copies of King's diaries being sold on the black market, and an RCMP hunt for a missing diary linked to the search for Russian spies at the highest levels of the Canadian government. Analyzing writing and reporting about King, Dummitt concludes that the increasingly irreverent views of King can be explained by a fundamental historical transformation that occurred in the era in which King's diaries were released, when the rights revolution, Freud, 1960s activism, and investigative journalism were making self-revelation a cultural preoccupation. Presenting extensive archival research in a captivating narrative, Unbuttoned traces the rise of a political culture that privileged the individual as the ultimate source of truth, and made Canadians rethink what they wanted to know about politicians.

Mad Men Unbuttoned, footnotes to the show and the era, including these fascinating tidbits: Don Draper's character is based on the real-life Draper Daniels, protÉgÉ of Leo Burnett who started off as a copywriter and rose to creative director, eventually heading the team that launched the Marlboro Man. The iconic "Think Small" Volkswagen ad positioned the Beetle as an ugly but well-made car—a revolt against excess. Not only did unit sales top 500,000 cars a year, but the campaign succeeded in junking all the rules of car advertising. When barred from visiting Disneyland on a trip to the United States, Soviet premier Nikita Khrushchev threw a tantrum and left Los Angeles in a huff the very next day. The Group by Mary McCarthy, the novel Betty Draper is seen reading in the bathtub, transformed the way women viewed love, sex, and marriage. In 1947 Christian Dior showcased its revolutionary New Look line. Betty, Peggy, and the rest of the steno pool at Sterling-Cooper can be seen sporting the sloping shoulders, hourglass silhouettes, and billowing skirts of the New Look style.

When crisis shatters the author's buttoned-up life, he embarks on a journey of self-discovery, tranforming from a person with an obsessive mind to an accessible heart--in other words, a complete man.

Unbuttoned: The Art and Artists of Theatrical Costume Design documents the creative journey of costume creation from concept to performance. Each chapter provides an overview of the process, including designing and shopping; draping, cutting, dyeing, and painting; and beading, sewing, and creating embellishments and accessories. This book features interviews with practitioners from Broadway and regional theatres to opera and ballet companies, offering valuable insights into the costume design profession. Exceptional behind-the-scenes photography illustrates top costume designers and craftspeople at work, along with gorgeous costumes in progress.

“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

Gathers drawings and photographs of Victorian era women's underwear, shirts, collars, blouses, hats, dresses, men's coats and suits, hosiery, gloves, cravats, shoes, and sportswear

This witty and impudent confession is the work of a pioneer independent filmmaker whose adventures among the famous and the infamous extend from New York circles of the '30s to the avant-garde antics of San Francisco in the '60s and '70s. Born a gleeful poet in a solemn family, James Broughton survived military school, Stanford University, the merchant marine and journalism before his passion for cinema and his dedication to poetry crystallized in 1948 with his first book and the first of his many films. In the '50s he worked in London and Paris; and for many years he occupied a special place in the San Francisco Bay Area as a performer, playwrite and professor. In the course of his lively odyssey Broughton shares intimate memories of Anais Nin, Alan Watts, Robert Duncan, Maya Deren, Jean Cocteau, W.H. Auden, Pauline Kael, Kenneth Rexroth, Robinson Jeffers, and the poets of the Beat Generation. Broughton has turned eighty but his writing is as sassy and agile as a young Pan's.

Can opposites attract? Rugged tycoon Lorenzo Hall comes from the wrong side of the tracks, and this wild rebel has a new cause: he's aching to discover if his new assistant, Sophy Braithwaite, is as prim and proper as she looks! Of course, for Sophy, her smoldering boss should be off-limits. But it's easy to see how Lorenzo's criminally hot body and the dangerous twinkle in his eyes could tempt her to break all the rules ..."--P. [4] of cover.

A poetry and prose project by Simone Forti, Terrence Luke Johnson, Sarah Swenson and Douglas Wadle.