The human body is the locus of meaning, personhood, and our sense of the possibility of sanctity. The desecration of the human corpse is a matter of universal revulsion, taboo in virtually all human cultures. Not least for this reason, the unburied corpse quickly becomes a focal point of political salience, on the one hand seeming to express the contempt of state power toward the basic claims of human dignity—while on the other hand simultaneously bringing into question the very legitimacy of that power. In Unburied Bodies: Subversive Corpses and the Authority of the Dead, James Martel surveys the power of the body left unburied to motivate resistance, to bring forth a radically new form of agency, and to undercut the authority claims made by state power. Ranging across time and space from the battlefields of ancient Thebes to the streets of Ferguson, Missouri, and taking in perspectives from such writers as Sophocles, Machiavelli, Walter Benjamin, Hannah Arendt, James Baldwin, Judith Butler, Thomas Lacqueur, and Bonnie Honig, Martel asks why the presence of the abandoned corpse can be seen by both authorities and protesters as a source of power, and how those who have been abandoned or marginalized by structures of authority can find in a lifeless body fellow accomplices in their aspirations for dignity and humanity.

Fox Hollow Farm, a lush million-dolar suburban Indianapolis estate, had 18 acres of lawns, a fabulous swimming pool...and thousands of human bones buried in the yard. The piles of dismembered skeletons belonged to young men who has disappeared from the gay bars and cruising sites of this Midwest city. Their killer was Herb Baumeister, a beloved father and successful businessman who led a deadly double life. And until the day his son dug up a buried skull, Herb's pretty wife Julie never dreamed he was Indian's worst serial killer. She didn't know about the bizarre sexual encounters Herb held at the house when she went away with their kids...or about the brutal cravings that led him to kill. In this riveting account, two veteran journalists tell the uncensored story of Herb Baumeister--taking you into a psychopath's dark obsession to meet his victims, to witness the rituals of sex and death he forced his victims to perform, and to find out how this gruesome killing sprees finally--shockingly--came to an end...

The murder of a small-time Scottish hoodlum makes big trouble for two Glasgow detectives in a thriller that’ll “wake up crime fiction readers everywhere” (Val McDermid). When a neighborhood heroin dealer turns up dead one fine morning in Scotland, no one is too surprised. Sleeping with a major drug trafficker’s girlfriend can bring around plenty of enemies. It’s no wonder that Detective Superintendent Catherine McLeod has plenty of early leads. If only out-of-work actress Jasmine Sharp could get a lead. With a career in nosedive, she’s learning the ropes at her uncle Jim’s PI business. But when Jim goes missing, Sharp is thrown into the deep end. To find him she’ll have to solve his most recent case—and do it solo. Following the trail quickly leads Sharp into the crosshairs of an unknown assailant—and headed down the same road as McLeod. When their investigations become intertwined, “Glasgow’s mean streets come alive . . . [in] one of the best novels of the year” (John Lutz, New York Times–bestselling and Edgar award–winning author). “[For] fans of Lynda La Plante’s Prime Suspect series and HBO’s The Wire.” —Library Journal “Tough Scottish humor . . . leavened with Elmore Leonard-like flourishes . . . finely controlled yet exuberant mayhem.” —The Christian Science Monitor

The first full study of corpse mistreatment and funeral violation in Greco-Roman epic poetry, illuminating many major texts.

Death in Medieval Europe: Death Scripted and Death Choreographed explores new cultural research into death and funeral practices in medieval Europe and demonstrates the important relationship between death and the world of the living in the middle ages. This volume explores overarching topics such as burials, commemorations, revenants, mourning practices and funerals, capital punishment, suspiscious death and death registrations using case studies from across Europe including England, Iceland and Spain. Drawing together and building upon the latest scholarship, this book is essential reading for all students and academics of death in the medieval period.

Mourning Remains examines the attempts to find, recover, and identify the bodies of Peruvians who were disappeared during the 1980s and 1990s counterinsurgency campaign in Peru's central southern Andes. Isaias Rojas-Perez explores the lives and political engagement of elderly Quechua mothers as they attempt to mourn and seek recognition for their kin. Of the estimated 16,000 Peruvians disappeared during the conflict, only the bodies of 3,202 victims have been located, and only 1,833 identified. The rest remain unknown or unfound, scattered across the country and often shattered beyond recognition. Rojas-Perez examines how, in the face of the state's failure to account for their missing dead, the mothers rearrange senses of community, belonging, authority, and the human to bring the disappeared back into being through everyday practices of mourning and memorialization. Mourning Remains reveals how collective mourning becomes a political escape from the state's project of governing past death and how the dead can help secure the future of the body politic.

The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.

In 'Now It Can Be Told,' Philip Gibbs offers a candid and unvarnished portrait of World War I, which stands out in stark contrast to the sanitized versions that were permissible under wartime censorship. Gibbs masterfully employs a rich, journalistic prose style that captures the harrowing experiences and untold stories of soldiers on the Western Front. His work is not only a literary accomplishment but also a piece of historical journalism that has significantly contributed to the contemporary understanding of the Great War. Within the literary context, his narrative breaks free from the constraints of his time, providing a raw and essential account of the true costs of conflict. Philip Gibbs, an esteemed war correspondent, bore witness to the atrocities of the First World War, through which he experienced the indelible traumas and heroism of the battlefield firsthand. This direct exposure to the horrors of war informed his reflective and compassionate approach in documenting the lives of soldiers and civilians affected by the conflict. Gibbs's narrative is fuelled by an urgency to reveal the truths that wartime censorship had suppressed, a testament to his commitment to journalistic integrity and transparency. The book comes highly recommended for readers with an interest in military history, journalism, and the literature of war. Gibbs's 'Now It Can Be Told' transcends its own era to resonate with contemporary audiences seeking a deeper understanding of the human condition amidst the chaos of war. It is an essential read for anyone who wishes to grasp the reality of warfare beyond the romanticism and valor often depicted, unveiling the courage, tragedy, and sometimes the mundanity, of life on the front lines.

This latest edition of Techniques of Crime Scene Investigation examines concepts, field-tested techniques and procedures, and technical information concerning crime scene investigation. It has been widely adopted by police academies, community colleges, and universities and is recommended for preparation for certification exams. Written in an easy-