Step into the riveting world of William Gomes's Unbound Voices: A Polyphonic Rebellion, a powerful collection of poetry that delves deep into the human condition. This book is a profound exploration of resilience, diversity, and rebellion against the societal norms that oppress and silence. Each poem is a heartfelt testament to the struggles, victories, and quiet revolutions that shape our existence, giving voice to stories that are often marginalized or ignored. Through vivid imagery and compelling language, Gomes captures the essence of individuals grappling with identity, heritage, and resistance. Unbound Voices is not just a poetry collection; it's a vibrant manifesto of defiance and a celebration of human diversity. It challenges readers to question the status quo and encourages a collective response to injustices past and present. Gomes invites readers to join a movement of change through his words. The collection serves as both a solitary reflection and a call to communal action, urging us to partake in a chorus of voices that demand transformation and understanding. Whether experienced through the immersive audio of the audiobook or the tactile connection of the paperback, this collection promises to inspire and transform. The poetry features rich, evocative language that pulls readers into intense emotional landscapes. It focuses on themes of resistance and empowerment, overcoming societal constraints and celebrating the human spirit's capacity for resilience. The collection also celebrates individual stories, recognizing and honoring the unique struggles and triumphs of diverse lives. It encourages readers to reflect on their own lives and to engage actively with the broader community. Ideal for enthusiasts of contemporary poetry with a deep narrative and social commentary, readers looking to be moved and inspired by stories of courage and change, and book clubs and discussion groups eager for meaningful dialogue on poignant, topical issues. Dive into Unbound Voices: A Polyphonic Rebellion and let William Gomes's transformative poetry inspire your journey towards personal and collective liberation.

Step into the riveting world of William Gomes's Unbound Voices: A Polyphonic Rebellion, a powerful collection of poetry that delves deep into the human condition. This book is a profound exploration of resilience, diversity, and rebellion against the societal norms that oppress and silence. Each poem is a heartfelt testament to the struggles, victories, and quiet revolutions that shape our existence, giving voice to stories that are often marginalized or ignored. Through vivid imagery and compelling language, Gomes captures the essence of individuals grappling with identity, heritage, and resistance. Unbound Voices is not just a poetry collection; it's a vibrant manifesto of defiance and a celebration of human diversity. It challenges readers to question the status quo and encourages a collective response to injustices past and present. Gomes invites readers to join a movement of change through his words. The collection serves as both a solitary reflection and a call to communal action, urging us to partake in a chorus of voices that demand transformation and understanding. Whether experienced through the immersive audio of the audiobook or the tactile connection of the paperback, this collection promises to inspire and transform. Key Features: Rich, Evocative Language: Each poem is intricately crafted, pulling readers into intense emotional landscapes. Themes of Resistance and Empowerment: The collection focuses on overcoming societal constraints and celebrating the human spirit's capacity for resilience. Celebration of Individual Stories: Recognizes and honors the unique struggles and triumphs of diverse lives. Engagement and Action: Encourages readers to reflect on their own lives and to engage actively with the broader community. Ideal for: Enthusiasts of contemporary poetry with a deep narrative and social commentary. Readers looking to be moved and inspired by stories of courage and change. Book clubs and discussion groups eager for meaningful dialogue on poignant, topical issues. Dive into Unbound Voices: A Polyphonic Rebellion and let William Gomes's transformative poetry inspire your journey towards personal and collective liberatio

This book illuminates the connectedness of Dostoevsky's literary art with his philosophical and psychological brilliance. Two Fyodor Dostoevsky conferences originating at the University of North Texas set the stage for this volume. Scholars contributed original papers focusing on how Dostoevsky's literary art and philosophical insights enrich one another. Fyodor Dostoevsky wrote and thought polyphonically. His polyphonic method is both his special literary technique and his distinctive way of probing theological, social, and philosophical depths. As Bakhtin and Terras suggest, all Dostoevsky's major literary inventions--from the underground man to the vitriolic Grushenka--are products of his ability to listen profoundly to his own characters. Like the genius author-redactor of 1 and 2 Samuel, he reports the heights and depths of human emotion and behavior, whether exploring the anatomy of dysfunctional families, making the heart soar with Zosima's vision of forgiveness, or giving Ivan Karamazov full rein to challenge theism. Dostoevsky's characters transform themselves into irregular verbs whose fierce independence emerges only because of their desperate and inescapable interdependence. His major characters are text, subtext, and context for each other. They play inside each other's head and answer in one way or another.

Haiti has long been relegated to the margins of the so-called New World. Marked by exceptionalism, the voices of some of its most important writers have consequently been muted by the geopolitical realities of the nation's fraught history. In Haiti Unbound, Kaiama L. Glover offers a close look at the works of three such writers: the Haitian Spiralists Frankétienne, Jean-Claude Fignolé, and René Philoctète. While Spiralism has been acknowledged as a crucial contribution to the French-speaking Caribbean literary tradition, it has not been given the sustained attention of a full-length study. Glover's book represents the first effort to consider the works of the three Spiralist authors both individually and collectively, filling an important gap in postcolonial Francophone and Caribbean studies.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Historically and contemporarily, politically and literarily, Haiti has long been relegated to the margins of the so-called 'New World.' Marked by exceptionalism, the voices of some of its most important writers have consequently been muted by the geopolitical realities of the nation's fraught history. In Haiti Unbound, Kaiama L. Glover offers a close look at the works of three such writers: the Haitian Spiralists Frankétienne, Jean-Claude Fignolé, and René Philoctète. While Spiralism has been acknowledged by scholars and regional writer-intellectuals alike as a crucial contribution to the French-speaking Caribbean literary tradition, the Spiralist ethic-aesthetic not yet been given the sustained attention of a full-length study. Glover's book represents the first effort in any language to consider the works of the three Spiralist authors both individually and collectively, and so fills an astonishingly empty place in the assessment of postcolonial Caribbean aesthetics. Touching on the role and destiny of Haiti in the Americas, Haiti Unbound engages with long-standing issues of imperialism and resistance culture in the transatlantic world. Glover's timely project emphatically articulates Haiti's regional and global centrality, combining vital 'big picture' reflections on the field of postcolonial studies with elegant close-reading-based analyses of the philosophical perspective and creative practice of a distinctively Haitian literary phenomenon. Most importantly perhaps, the book advocates for the inclusion of three largely unrecognized voices in the disturbingly fixed roster of writer-intellectuals that have thus far interested theorists of postcolonial (Francophone) literature. Providing insightful and sophisticated blueprints for the reading and teaching of the Spiralists' prose fiction, Haiti Unbound will serve as a point of reference for the works of these authors and for the singular socio-political space out of and within which they write.

Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so.

This fascinating new study by Mark Asquith offers an original approach to Hardy's art as a novelist and entirely new readings of certain musical scenes in Hardy's works. Asquith utilizes a rich seam of original archival research (both scientific and musicological), which will be of use to all Hardy scholars, and discusses a range of Hardy's major works in relation to musical metaphors - from early fiction The Poor Man and the Lady to later major works Jude the Obscure, Far From the Madding Crowd, the Mayor of Casterbridge .

A new interdisciplinary interest has risen to study interconnections between oral tradition and book culture. In addition to the use and dissemination of printed books, newspapers etc., book culture denotes manuscript media and the circulation of written documents of oral tradition in and through the archive, into published collections. Book culture also intertwines the process of framing and defining oral genres with literary interests and ideologies. The present volume is highly relevant to anyone interested in oral cultures and their relationship to the culture of writing and publishing. The questions discussed include the following: How have printing and book publishing set terms for oral tradition scholarship? How have the practices of reading affected the circulation of oral traditions? Which books and publishing projects have played a key role in this and how? How have the written representations of oral traditions, as well as the roles of editors and publishers, introduced authorship to materials customarily regarded as anonymous and collective?

The ultimate book on the worldwide movement of hackers, pranksters, and activists collectively known as Anonymous—by the writer the Huffington Post says “knows all of Anonymous’ deepest, darkest secrets” “A work of anthropology that sometimes echoes a John le Carré novel.” —Wired Half a dozen years ago, anthropologist Gabriella Coleman set out to study the rise of this global phenomenon just as some of its members were turning to political protest and dangerous disruption (before Anonymous shot to fame as a key player in the battles over WikiLeaks, the Arab Spring, and Occupy Wall Street). She ended up becoming so closely connected to Anonymous that the tricky story of her inside–outside status as Anon confidante, interpreter, and erstwhile mouthpiece forms one of the themes of this witty and entirely engrossing book. The narrative brims with details unearthed from within a notoriously mysterious subculture, whose semi-legendary tricksters—such as Topiary, tflow, Anachaos, and Sabu—emerge as complex, diverse, politically and culturally sophisticated people. Propelled by years of chats and encounters with a multitude of hackers, including imprisoned activist Jeremy Hammond and the double agent who helped put him away, Hector Monsegur, Hacker, Hoaxer, Whistleblower, Spy is filled with insights into the meaning of digital activism and little understood facets of culture in the Internet age, including the history of “trolling,” the ethics and metaphysics of hacking, and the origins and manifold meanings of “the lulz.”