Praise for Sun Yung Shin: Finalist for the Believer Poetry Award "[her] work reads like redactions, offering fragments to be explored, investigated and interrogated, making her reader equal partner in the creation of meaning."—Star Tribune Sun Yung Shin moves ideas—of identity (Korean, American, adoptee, mother, Catholic, Buddhist) and interest (mythology, science fiction, Sophocles)— around like building blocks, forming and reforming new constructions of what it means to be at home. What is a cyborg but a hybrid creature of excess? A thing that exceeds the sum of its parts. A thing that has extended its powers, enhanced, even superpowered.

Who is guest, and who is host? Adoption, Antigone, zombies, clones, and minotaurs--all building blocks, forming and reforming our ideas.

With its privileging of the unconscious, Jacques Lacan's psychoanalytic thought would seem to be at odds with the goals and methods of philosophy. Lacan himself embraced the term "anti-philosophy" in characterizing his work, and yet his seminars undeniably evince rich engagement with the Western philosophical tradition. These essays explore how Lacan's work challenges and builds on this tradition of ethical and political thought, connecting his "ethics of psychoanalysis" to both the classical Greek tradition of Socrates, Plato, and Aristotle, and to the Enlightenment tradition of Kant, Hegel, and de Sade. Charles Freeland shows how Lacan critically addressed some of the key ethical concerns of those traditions: the pursuit of truth and the ethical good, the ideals of self-knowledge and the care of the soul, and the relation of moral law to the tragic dimensions of death and desire. Rather than sustaining the characterization of Lacan's work as "anti-philosophical," these essays identify a resonance capable of enriching philosophy by opening it to wider and evermore challenging perspectives.

A collection of poems in which Sun Yung Shin explores the Korean diasporic experience.

When Psyche, because of her beauty and so many suitors, declares she hates Love and Beauty, her father closes the Temple of Aphrodite. Aphrodite sends Eros to punish them, but Eros falls in love with Psyche. His loyalty to Aphrodite causes him to punish Psyche by marrying her to a monster (himself in disguise). Psyche admits her attraction to the monster, and needs to prove her love to Eros. 2nd of the Myth trilogy by Roberta Gellis; originally published by Pinnacle

Seventeen-year-old Matthew Munson is ranked thirteenth in the state in Bash Bash Revolution, an outdated Nintendo game from 2002 that, in 2016, is still getting tournament play. He’s a high school dropout who still lives at home with his mom, doing little but gaming and moping. That is, until Matthew’s dad turns up again. Jeffrey Munson is a computer geek who’d left home eight years earlier to work on a top secret military project. Jeff has been a sporadic presence in Matthew’s life, and much to his son’s displeasure insists on bonding over video games. The two start entering local tournaments together, where Jeff shows astonishing aptitude for Bash Bash Revolution in particular. Then, as abruptly as he appeared, Matthew’s father disappears again, just as he was beginning to let Jeff back into his life. The betrayal is life-shattering, and Matthew decides to give chase, in the process discovering the true nature of the government-sponsored artificial intelligence program his father has been involved in. Told as a series of conversations between Matthew and his father’s artificial intelligence program, Bash Bash Revolution is a wildly original novel of apocalypse and revolution, as well as a poignant story of broken family.

When Cooper, a biracial Korean-American boy, feels uncomfortable trying to speak Korean in Mr. Lee's grocery, his bad behavior eventually leads to a change in his attitude.

Sun Yung Shin calls her readers into the unknown now-future of the human species, an underworld museum of births, deaths, evolutions, and extinctions. Personal and environmental violations form the backdrop against which Sun Yung Shin examines questions of grievability, violence, and responsibility in The Wet Hex. Incorporating sources such as her own archival immigration documents, Ovid’s Metamorphoses, Christopher Columbus’s journals, and traditional Korean burial rituals, Shin explores the ways that lives are weighed and bartered. Smashing the hierarchies of god and humanity, heaven and hell, in favor of indigenous Korean shamanism and animism, The Wet Hex layers an apocalyptic revision of nineteenth-century imagery of the sublime over the present, conjuring a reality at once beautiful and terrible.

In her second full-length poetry collection, Miracle Marks, activist Purvi Shah charts women’s status through pointed explorations of Hindu iconography and philosophy and powerful critiques of American racism. In these searing, revelatory poems, Shah reminds us that surviving birth as an infant girl and living as a woman is miraculous—as such, every girl is a miracle mark. And because education is often denied to girls, writing by women is a miracle. In Miracle Marks, Shah probes belonging, devotion, and social inequity, delving into what it means to be a woman, and what it means to be. Through sound energy and white space, these poems chart multiple realities, including the miracles of women’s labors and survivals. This collection spurs dialogue across audiences and communities and lights a way for brown girls and women who relish in spirit, intellect, politics, and justice.

Rasputin's is one of the most famous deaths in history. Now, his assassin's thrilling memoir is finally back in print. Born to great riches in the days before the Russian Revolution, and married to the niece of Czar Nicholas II, Prince Felix Youssoupoff observed at close range the rampant corruption and intrigues of the imperial court, which culminated in the rise to power of the sinister monk Rasputin. In 1916, Prince Felix and several aristocratic cohorts killed Rasputin, which more than any other single event brought about the cataclysmic upheaval of Tsarist Russia.