Though many scholars will acknowledge the Anglo-Saxon character of black American nationalism, few have dealt with the imperialistic ramifications of this connection. Now, Nigerian-born scholar Tunde Adeleke reexamines nineteenth-century black American nationalism, finding not only that it embodied the racist and paternalistic values of Euro-American culture but also that nationalism played an active role in justifying Europe's intrusion into Africa. Adeleke looks at the life and work of Martin Delany, Alexander Crummell, and Harry McNeal Turner, demonstrating that as supporters of the mission civilisatrice ("civilizing mission") these men helped lay the foundation for the colonization of Africa. By exposing the imperialistic character of nineteenth-century black American nationalism, Adeleke reveals a deep historical and cultural divide between Africa and the black diaspora. Black American nationalists had a clear preference—Euro-America over Africa—and their plans were not designed for the immediate benefit of Africans but to enhance their own fortunes. Arguing that these men held a strong desire for cultural affinity with Europe, Adeleke makes a controversial addition to the ongoing debate concerning the roots of black nationalism and Pan-Africanism.

Nigerian-born scholar Tunde Adeleke argues that 19th-century black American nationalism not only embodied the racist and paternalistic values of Euro-American culture but also played an active role in justifying Europe's intrusion into Africa. Copyright © Libri GmbH. All rights reserved.

John Brown Russwurm and African American Settlement in West Africa examines Russwurm's intellectual accomplishments and significant contributions to the black civil rights movement in America from 1826 - 1829, and more significantly explores the essential characteristics that distinguished his thoughts and endeavours from other black leaders in America, Liberia and Maryland in Liberia. Not surprisingly, the most controversial of Russwurm's ideas was his unwavering support of the American Colonization Society (ACS) and the Maryland State Colonization Society (MSCS), two organizations that most civil rights activists found racist and pro-slavery. Beyan probes the social and intellectual sources, underlying motives and the legacies of Russwurm's thoughts and endeavours, all in an attempt to dissect why Russwurm acted and made the choices that he did.

Through a series of essays that explore the forms, themes, genres, historical contexts, major authors, and latest critical approaches, A Companion to African American Literature presents a comprehensive chronological overview of African American literature from the eighteenth century to the modern day Examines African American literature from its earliest origins, through the rise of antislavery literature in the decades leading into the Civil War, to the modern development of contemporary African American cultural media, literary aesthetics, and political ideologies Addresses the latest critical and scholarly approaches to African American literature Features essays by leading established literary scholars as well as newer voices

In this compelling research, Kent Michael Shaw I reveals a concise and comprehensive work on the development of Missions Theology informed by the perspectives from early African American missionaries. Missiology Reimagined unveils the hidden and ignored missions history of enslaved and free African Americans during the antebellum period of the United States. This book helps the student of missiology decipher how the events of the 1800s shaped the missions theology of Black Americans. The enslaved of that day constructed a hermeneutic and interpreted the sacred text through a lens that contradicted their enslaver's version of Christianity. Through these constructs, they critically engaged in scripture and formulated a theology of mission contextualized for their lived experience. This insight compelled them to risk death and re-enslavement to pursue a global mandate from God. These pioneering missionaries would emerge as experts in the field of global evangelism, heralding them as both missionaries and missiologists. Since they were practitioners and students of Scripture, an applied mission’s theology would materialize. The reader will observe how this theological formation influenced the black church in the nineteenth century and their missiology reimagined. These men and women held two titles: missionary and missiologist. These pioneer missionaries would emerge as early experts in the field of global evangelism. As practitioners and students of scripture, an applied mission’s theology evolved. The reader will observe how this theological formation would shape the black church in the nineteenth century and a reimagined missiology.

The first slaves imported to America did not see themselves as "African" but rather as Temne, Igbo, or Yoruban. In Becoming African in America, James Sidbury reveals how an African identity emerged in the late eighteenth-century Atlantic world, tracing the development of "African" from a degrading term connoting savage people to a word that was a source of pride and unity for the diverse victims of the Atlantic slave trade. In this wide-ranging work, Sidbury first examines the work of black writers--such as Ignatius Sancho in England and Phillis Wheatley in America--who created a narrative of African identity that took its meaning from the diaspora, a narrative that began with enslavement and the experience of the Middle Passage, allowing people of various ethnic backgrounds to become "African" by virtue of sharing the oppression of slavery. He looks at political activists who worked within the emerging antislavery moment in England and North America in the 1780s and 1790s; he describes the rise of the African church movement in various cities--most notably, the establishment of the African Methodist Episcopal Church as an independent denomination--and the efforts of wealthy sea captain Paul Cuffe to initiate a black-controlled emigration movement that would forge ties between Sierra Leone and blacks in North America; and he examines in detail the efforts of blacks to emigrate to Africa, founding Sierra Leone and Liberia. Elegantly written and astutely reasoned, Becoming African in America weaves together intellectual, social, cultural, religious, and political threads into an important contribution to African American history, one that fundamentally revises our picture of the rich and complicated roots of African nationalist thought in the U.S. and the black Atlantic.

Postcolonial discourses on African Diaspora history and relations have traditionally focused intensely on highlighting the common experiences and links between black Africans and African Americans. This is especially true of Afrocentric scholars and supporters who use Africa to construct and validate a monolithic, racial, and culturally essentialist worldview. Publications by Afrocentric scholars such as Molefi Asante, Marimba Ani, Maulana Karenga, and the late John Henrik Clarke have emphasized the centrality of Africa to the construction of Afrocentric essentialism. In the last fifteen years, however, countervailing critical scholarship has challenged essentialist interpretations of Diaspora history. Critics such as Stephen Howe, Yaacov Shavit, and Clarence Walker have questioned and refuted the intellectual and cultural underpinnings of Afrocentric essentialist ideology. Tunde Adeleke deconstructs Afrocentric essentialism by illuminating and interrogating the problematic situation of Africa as the foundation of a racialized worldwide African Diaspora. He attempts to fill an intellectual gap by analyzing the contradictions in Afrocentric representations of the continent. These include multiple, conflicting, and ambivalent portraits of Africa; the use of the continent as a global, unifying identity for all blacks; the de-emphasizing and nullification of New World acculturation; and the ahistoristic construction of a monolithic African Diaspora worldwide.

Exploring the Yoruba tradition in the United States, Hucks begins with the story of Nana Oseijeman Adefunmi’s personal search for identity and meaning as a young man in Detroit in the 1930s and 1940s. She traces his development as an artist, religious leader, and founder of several African-influenced religio-cultural projects in Harlem and later in the South. Adefunmi was part of a generation of young migrants attracted to the bohemian lifestyle of New York City and the black nationalist fervor of Harlem. Cofounding Shango Temple in 1959, Yoruba Temple in 1960, and Oyotunji African Village in 1970, Adefunmi and other African Americans in that period renamed themselves “Yorubas” and engaged in the task of transforming Cuban Santer'a into a new religious expression that satisfied their racial and nationalist leanings and eventually helped to place African Americans on a global religious schema alongside other Yoruba practitioners in Africa and the diaspora. Alongside the story of Adefunmi, Hucks weaves historical and sociological analyses of the relationship between black cultural nationalism and reinterpretations of the meaning of Africa from within the African American community.

Building upon his previous work and using Richard Hofstadter's The American Political Tradition as a model, Professor Moses has revised and brought together in this book essays that focus on the complexity of, and contradictions in, the thought of five major African-American intellectuals: Frederick Douglass, Alexander Crummell, Booker T. Washington, W. E. B. DuBois and Marcus M. Garvey. In doing so, he challenges both popular and scholarly conceptions of them as villains or heroes. In analyzing the intellectual struggles and contradictions of these five dominant personalities with regard to individual morality and collective reform, Professor Moses shows how they contributed to strategies for black improvement and puts them within the context of other currents of American thought, including Jeffersonian and Jacksonian democracy, Social Darwinism, and progressivism.

Accepting the basic premise that Africa is the ancestral homeland of black Americans raises questions as to how much, if any, of African cultural heritage remains within that community. Some claim that the severity of the plantation system and the acculturation process of the slaves could not have left any Africanism in the New World, while others argue that African cultural heritage can still be seen today in many aspects of American life and thought. This volume revisits the debate, examining the ways in which this alleged cultural heritage manifests itself.