This volume takes an in-depth look at the Rotterdam bridge that brought UN Studio, the Dutch firm of Ben van Berkel and Caroline Bos, into the architectural spotlight.

This volume is a monograph on UN Studio, one of the most innovative and respected architectural practices working today. 33 buildings and projects are grouped into themes and presented in detail, from the initial diagram to the construction and final outcome, accompanied throughout by explanatory essays.

Exploring the changing role of the architect though the knowledge process of the world-renowned architecture firm UNStudio.

The UN Studio also known as the United Network Studio was founded in 1998 by Ben van Berkel and Caroline Bos (art historian) as a continuation of their multidisciplinary architectural practice.

Volume # 29 of "IT Revolution in Architecture", "Digital van Berkel" is an invaluable book that scans with an attentive eye the full body of works of UNStudio. The author repeatedly interrogates van Berkel, offering to the reader approachable avenues for learning and understanding. One of the most interesting office today, develops trough its exciting realizations the issue of digital sustainability as the key of a mutable approach, constantly open at a flux of a flexible informations. Andrea Sollazzo (Napoli, 1978), architect, worked in Rome, Paris, and in the Netherlands at "OMA" and "123dv/Lionglie". Specializing in Building Technologies at TU Delft, Sollazzo lives and works in Rotterdam. "IT Revolution in Architecture" is a book series initiated by Birkhäuser in 1999 and now published by Edilstampa, ANCE Rome. Founder and editor since its first publication with Testo&mmagine is Antonino Saggio. http: //www.arc1.Uniroma1.it/Saggio/IT/

Using salvaged lumber and bricks, discarded tires, hay and waste cardboard bales, concrete rubble, colored bottles, and old license plates, they create inexpensive buildings in a style Mockbee describes as "contemporary modernism grounded in Southern culture."".

Speed up your French is a unique and innovative resource that identifies and explains the errors most commonly made by students of French. From false friends to idiomatic expressions and the use of prepositions, each of the nine chapters focuses on an aspect of the language where English speakers typically make mistakes. Full explanations are provided throughout with clear, comprehensive examples, enabling students to acquire a surer grasp of French vocabulary and idiom, as well as grammar. Key Features: carefully selected grammar topics and examples based on the most commonly made errors extensive exercises and answer key to reinforce learning, link theory to practice and promote self-study use of mnemonic devices, including visual illustrations, to aid understanding Supplementary exercises and answer key available at www.routledge.com/cw/Jubb Suitable both for classroom use or self-study, Speed up your French is the ideal resource for all intermediate learners of French wishing to refine their language skills.

This is part of a series which covers the NVQ and GNVQ language options in Business, and Leisure & Tourism, and is available in French, German and Spanish. Each course comprises a student book, a resource and assessment file, two presentation cassettes and two consolidation cassettes. End-of-unit progress checks are cross-matched with NVQ criteria for assessment in reading, speaking and writing, and each of the resource files contains photocopiable worksheets and a cassette for preparation and assessment in all four skills.

In recent architecture theory and practise there has been a tendency to refer to exteriors as a skin concealing an interior, as opposed to the traditional and more physical concepts of surface, flatness, and depth. The computer now enables the architect to call his design into life, free from the rigid material form, and view it as a flexible and interactive creation. In this book, the concepts of flatness and surface tension are examined in the light of virtual design and built reality. A selection of projects are presented to show how the architects regard space and surfaces in modern architectural practice in a digital age.

While it is undeniable that architectural practices have been transformed with the advent of digital technologies, they nevertheless continue to occupy an ambiguous or even problematic place within the design process. The underlying premise of this book on architectural design instruments is not to see them simply as means to an autonomous end, one that is pure and detached from any other technological aspect, but instead to see these instruments and their formative abilities as a different way in which architects can approach design. We maintain that it is through the very act of experimentation with these instruments that their various potentials are revealed and established. It is through such repeated experimentation, which is constantly being revised and consolidated, that practice is successfully and sustainably transformed. This view is less of a wish than it is an observation, and as such, it can be seen in the various practices that are analyzed in this book.