Bella, Gwen, and the Lost Boys have escaped to Alnwick Castle, but it is not the safe haven they hoped it would be, for the "cure" for the Horologia virus has mutated into something even worse--so the Duchess Alyssa and Maddox Hadder set out searching for the virus's origin, an extinct poisonous apple, supposedly from a tree at the center of a labyrinth hidden deep within Germany and guarded by monsters.

Forget the story of Peter Pan and Wendy you know. Because in Everland, the only way to grow up is to survive. London has been destroyed in a blitz of bombs and disease. The only ones who have survived are children, among them Gwen Darling and her siblings, Joanna and Mikey. They spend their nights scavenging and their days avoiding the ruthless Marauders -- the German Army led by Captain Hanz Otto Oswald Kretschmer. Unsure if the virus has spread past England's borders but desperate to leave, Captain Hook hunts for a cure, which he thinks can be found in one of the survivors. He and his Marauders stalk the streets snatching children for experimentation. None ever return. Until the day they grab Joanna. As Gwen sets out to save her, she meets a daredevil boy named Pete. Pete offers the assistance of his gang of Lost Boys and the fierce sharpshooter Bella, who have all been living in a city hidden underground. But in a place where help has a steep price and every promise is bound by blood, it will cost Gwen. And are she, Pete, the Lost Boys, and Bella enough to outsmart Captain Hook?

Forget the story of The Wonderful Wizard of Oz you know. Because in Ozland, the only way home is to kill the wicked queen. With Everland and Umberland both annihilated, the survivors have taken refuge in a small village tucked within the shadows of the Bloodred Queen's castle. Doc has found an actual cure for the Horologia virus, while Gwen, Pete, and Alyssa begin plotting the assassination of the queen with the help of Gail, an excellent huntress. But killing the queen won't be enough. The world has been destroyed and its needs a ruler to set things right again. A ruler who is good, kind, and fair. Someone like the former king of Germany. But he's dead . . . or is he? There's a rumor that the king has been hidden away in a secret land, where only the worthiest can find him. Desperate to end the war, a plan is hatched that could put everything right again. Yet before it's set in motion, the village is burned to the ground, all survivors taken prisoner to the castle. Except Gail.But is one girl enough to find a long-dead king, kill the wicked queen, and save the world?

Light the candles and shut the door, The Wrong Train is a deliciously creepy and scarily good collection of scary stories, complete with terrifying illustrations from Dave Shelton. Perfect for fans of Patrick Ness, R.L. Stine, and Emily Carroll.Imagine you've just managed to catch your train and you realize it's the wrong one. You'd be annoyed of course, but not scared . . . Yet.Imagine you get off the wrong train at the next station hoping to catch one back the way you came. But the station is empty. Again, you'd be annoyed, but not scared . . . Yet.Imagine someone comes to the station, a stranger who starts to tell you stories to help pass the time. But these aren't any old stories--they're nightmares that come with a price to pay. And you want them to stop. Scared yet? You will be.

A tenth anniversary edition of the iconic book about the wonderful world of maths Sunday Times bestseller | Shortlisted for the BBC Samuel Johnson Prize 'Original and highly entertaining' Sunday Times 'A page turner about humanity's strange, never easy and, above all, never dull relationship with numbers' New Scientist 'Will leave you hooked on numbers' Daily Telegraph In this richly entertaining and accessible book, Alex Bellos explodes the myth that maths is best left to the geeks, and demonstrates the remarkable ways it's linked to our everyday lives. Alex explains the surprising geometry of the 50p piece, and the strategy of how best to gamble it in a casino. He shines a light on the mathematical patterns in nature, and on the peculiar predictability of random behaviour. He eats a potato crisp whose revolutionary shape was unpalatable to the ancient Greeks, and he shows the deep connections between maths, religion and philosophy. From the world's fastest mental calculators in Germany to numerologists in the US desert, from a startlingly numerate chimpanzee in Japan to venerable Hindu sages in India, these dispatches from 'Numberland' are an unlikely but exhilarating cocktail of history, reportage and mathematical proofs. The world of maths is a much friendlier and more colourful place than you might have imagined. This anniversary edition is fully revised and updated.

Elizabeth, a duke's daughter sick with fever, travels through time from Elizabethan England to a farm in modern Iowa, where she has difficulty convincing anyone of the truth of her story.

Corinne La Mer claims she isn’t afraid of anything. Not scorpions, not the boys who tease her, and certainly not jumbies. They’re just tricksters made up by parents to frighten their children. Then one night Corinne chases an agouti all the way into the forbidden forest, and shining yellow eyes follow her to the edge of the trees. They couldn’t belong to a jumbie. Or could they? When Corinne spots a beautiful stranger at the market the very next day, she knows something extraordinary is about to happen. When this same beauty, called Severine, turns up at Corinne’s house, danger is in the air. Severine plans to claim the entire island for the jumbies. Corinne must call on her courage and her friends and learn to use ancient magic she didn’t know she possessed to stop Severine and to save her island home.

The second installment in Ann Hood’s Gracie Belle imprint challenges the traditional solemnity that characterizes nonfiction books of grief, loss, and sorrow. “Few readers will fail to be gripped by this tragically common story about death and what comes after for those left behind . . . A haunting and thought-provoking consideration of death and ‘how utterly it rips apart our lives.'” —Kirkus Reviews, Starred Review Planet Claire is the story of the untimely death of the author’s wife and his candid account of the following year of madness and grief. As his life unravels, Porter analyzes his sadness with growing interest. He talks to Claire as if to evoke a presence, to mark a space for memory. He reports on his daily walks and shares observations of life’s sadness, while reminiscing about various moments in their life together. Like Orpheus, the author searches for a lost love, and what he finds is not the dog of doom but flashes of an intimate symmetry that brighten the darkest places of sorrow. The second title from Ann Hood’s Gracie Belle imprint, Planet Claire takes readers on a journey of sorrow that recalls memorable works by C.S. Lewis (A Grief Observed), Joan Didion (The Year of Magical Thinking), and Julian Barnes (Levels of Life). Porter’s memoir, however, is also playful, quirky, and self-ironic in a way that challenges the genre’s traditional solemnity. Like the novel Grief Is the Thing with Feathers by Max Porter, this is an unpredictably funny account of heartbreak, as if to say there’s something about the magnitude of loss that troubles even earnestness.