Hailed as a cultural icon in Hong Kong and Japan, on par with our own Superman and Batman, Ultraman has punched, kicked, and karate-chopped his way into the hearts of fans internationally for nearly four decades. Known and love the world over, the monster-smashing sci-fi superstar comes to Dark Horse courtesy of writer Tony Wong and Koo Fuk Lung (Hong Kong's Solar Lord), with dynamic new covers by UDON. This incarnation of Ultraman, now called "Tiga," finds the 100-foot tall hero revived in the year 2049 and facing a world ill-equipped to handle the onslaught of gigantic beasts that are peppering the globe. Relying on his martial-arts prowess and his three modes of combat - Sky (flight and speed), Power (strength), and Omni (a balance of the two) - Tiga goes toe to toe with the most terrifying collection of monstrous giants and alien invaders ever to plague the planet.

This incarnation of Ultraman, now called "Tiga," finds the 100-foot tall hero revived in the year 2049 and facing a world ill-equipped to handle the onslaught of gigantic beasts that are peppering the globe. Melding incredible sci-fi concepts with some of the most exciting action sequences ever put to paper, Ultraman Tiga continues to punch, kick and karate-chop his way into the hearts of fans around the world.

Dolores Martinez heads an international team of scholars in this lively discussion of Japanese popular culture. The book's contributors include Japanese as well as British, Icelandic and North American writers, offering a diversity of views of what Japanese popular culture is, and how it is best approached and understood. They bring an anthropological perspective to a broad range of topics, including sumo, karaoke, manga, vampires, women's magazines, soccer and morning television. Through these topics - many of which have never previously been addressed by scholars - the contributors also explore several deeper themes: the construction of gender in Japan; the impact of globalisation and modern consumerism; and the rapidly shifting boundaries of Japanese culture and identity. This innovative study will appeal to those interested in Japanese culture, sociology and cultural anthropology.

The Dark Knight meets Hong Kong ultra-action in this dazzling new graphic novel. When the Dark Knight discovers that a serial killer has been downloading his murders onto the internet, he vows to track him down!

Follows the adventures of an Arctic giant couple and their interactions with other inhabitants of the north.

Kaiju Unleashed offers a general introduction to the exciting film genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.

Redman: The Kaiju Hunter Volume 1 Graphic Novel. This 128 page full color story spotlights the adventure of Redman and his quest to rid the world of any and all Kaiju. This is not the hero you will be expecting but its the hero you will want! (w) Matt Frank (a) Matt Frank, Gonzalo Lopes (c) Matt Frank, Jesse Wittenrich

Behind-the-scenes hero to anyone who's thrilled by giant monsters duking it out over Tokyo, Eiji Tsuburaya was the visual effects mastermind behind Godzilla, Ultraman, and numerous Japanese science fiction movies and TV showsbeloved around the world. The first book on this legendary film figure in English, this highly visual biography details his fascinating life and career, featuring hundreds of film stills, posters, concept art, and delightful on-set photos of Tsuburaya prompting monsters to crush landmark buildings. A must-have for fans, this towering tribute also features profiles of Tsuburaya's film collaborators, details on his key films and shows (most available on DVD), and features on the enduring popularity of the characters he helped create.

With China’s third major amendment of its Copyright Law now well underway, the international significance of China’s handling of copyright matters comes into clearer focus. This book, an English translation of Chief Judge Luo Dongchuan’s recent selection and detailed analysis of twenty-five landmark copyright cases decided by the Chinese courts in the past few years, provides an in-depth understanding of the fundamental theories of copyright as interpreted in current Chinese jurisprudence and of the sophisticated balance of interests among copyright owners, communicators of works and the public domain in China. Following a comprehensive introductory chapter on the Chinese copyright system, both administrative and judicial, the presentation proceeds with annotated English texts of cases that determine the nature of a copyrightable work and elaborate on how copyright may be infringed under Chinese law. The subject matter of the cases includes such typical internationally important elements as the following: • architectural works; • sport; • music videos; • typeface libraries; • technical standards; • expressions of folklore; • Internet TV; • liability of service providers; • online rebroadcast; • revision of computer software; and • layout designs of integrated circuits. In addition to the texts and Dr. Luo’s analyses, each case study includes comments from the exact judge of the particular case offering the reasoning for the decision. The value of this book to non-Chinese enterprises and individuals with Chinese connections or prospects is immeasurable. There are no peers for this book. Every professional, official, policymaker or academic interested in international copyright will welcome its prodigious first-hand communication about one of the most crucial aspects of global trade relations.

Deeply connected to Japanese anime, manga, music, and film is . . . Japanese TV. This encyclopedic survey of the next cultural tsunami to hit America has over one thousand entries—including production data, synopses, and commentaries—on everything from rubber-monster shows to samurai drama, from crime to horror, unlocking an entire culture’s pop history as never before. Over one hundred fifty of these shows have been broadcast on American TV, and more will follow, perhaps even such oddball fare as a Japanese "The Practice" and "Geisha Detective." Indexed, with resources for fans, couch potatoes, and researchers. Jonathan Clements is contributing editor to Newtype USA Magazine and coauthor of The Anime Encyclopedia. Motoko Tamamuro is an art historian and contributor to Manga Max.