Since their formation in 1976, U2 have played over 1,000 concerts to millions of fans around the world. Now updated to include their PopMart and Elevation tours, U2 Live: A Concert Documentary takes you along to every single U2 live performance - from 1976 to 2003. With over 500 colour and black & white photographs.

Exploring U2: Is This Rock 'n' Roll? features new writing in the growing field of U2 studies. Edited by Scott Calhoun, with a foreword by Anthony DeCurtis, Exploring U2 contains selections from the 2009 inaugural gathering of "The Hype and The Feedback: A Conference Exploring The Music, Work and Influence of U2." In keeping with U2's own efforts to remove barriers that have long prevented dialogue for understanding and improving the human experience, this collection of essays examines U2 from perspectives ranging from the personal to the academic and is accessible to curious music fans, students, teachers, and scholars alike. Four sections organize sixteen essays from leading academics, music critics, clergy, and fans. From the academic disciplines of literature, music, philosophy, and theology, essays study U2's evolving use of source material in live performances, the layering of vocal effects in signature songs, the crafting of a spiritual community at live concerts, U2's success as a business brand, Bono's rhetorical presentation of Africa to the Western consumer, and readings of U2's work for irony, personhood, hope, conservatism, and cosmic-time. Official band biographer Neil McCormick considers U2 as a Dublin-shaped band, and Danielle Rhéaume tells how discovering and returning Bono's lost briefcase of lyrics for the album October propelled her along her own artistic journey. This thoughtful and timely collection recognizes U2's music both as art and commentary on personal journeys and cultural dialogues about contemporary issues. It offers insights and critical assessments that will appeal not only to scholars and students of popular music and culture studies but to those in the fields of theology, philosophy, the performing arts, literature, and all intellectually curious fans of U2.

Underpinning the popularity of U2 is their passion for touring. For the first time the band has agreed to allow a book on this vital part of their creative energy to be published. Photographs are hand-picked from their archive.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

(Guitar Recorded Versions). Guitar transcriptions to U2's award-winning 2000 release with 11 tracks, including: Beautiful Day * Elevation * Peace on Earth * Stuck in a Moment You Can't Get Out Of * Walk On * Wild Honey * and more.

Join me on my musical journey on the road with U2 to the 75 shows I have seen since the Zoo TV tour in 1992. Meeting Bono in Jersey, hugging Larry in Baltimore, having a drink with Larry in Providence, talking with Bono in Seattle, hugging Larry again in Pittsburgh - just to name a few.

Vancouver's Commodore Ballroom is, like New York's CBGB's and Los Angeles's Whiskey a Go-Go, one of the most venerated rock clubs in the world; originally built in 1930, it's hosted a who's-who of music greats before they made it big: The Police, The Clash, Blondie, Talking Heads, Nirvana, New York Dolls, U2, and, more recently, Lady Gaga and the White Stripes. Filled with never-before-published photographs, posters, and paraphernalia, Live at the Commodore is a visceral, energetic portrait of one of the world's great rock venues. Aaron Chapman is a musician and journalist, and the author of Liquor, Lust, and the Law.

Celebrity philanthropy comes in many guises, but no single figure better encapsulates its delusions, pretensions and wrongheadedness than U2’s iconic frontman, Bono—a fact neither sunglasses nor leather pants can hide. More than a mere philanthropist—indeed, he lags behind many of his peers when it comes to parting with his own money—Bono is better described as an advocate, one who has become an unwitting symbol of a complacent wealthy Western elite. The Frontman reveals how Bono moved his investments to Amsterdam to evade Irish taxes; his paternalistic and often bullying advocacy of neoliberal solutions in Africa; his multinational business interests; and his hobnobbing with Paul Wolfowitz and shock-doctrine economist Jeffrey Sachs. Carefully dissecting the rhetoric and actions of Bono the political operator, The Frontman shows him to be an ambassador for imperial exploitation, a man who has turned his attention to a world of savage injustice, inequality and exploitation—and helped make it worse.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.