Exploring U2: Is This Rock 'n' Roll? features new writing in the growing field of U2 studies. In keeping with U2's own efforts to remove barriers that have long prevented dialogue for understanding and improving the human experience, this collection of essays covers such disciplines as literature, music, philosophy, and theology.

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

In U2’s Songs of Trauma and Hope: “Between the Midnight and the Dawning", Ingunn Røysland and Charles Ivan Armstrong show that trauma is an important theme for U2. While this leads the band to confront extreme instances of grief and suffering, this does not prevent them to cross (in the words of their song “A Sort of Homecoming”) “the fields of mourning to a light that's in the distance.” Theories from trauma and memory studies are deployed in the examination of song lyrics and performances by U2, spanning from the early days of the band to more recent times. In their exploration of light and dark, of hope and trauma within the U2 catalogue, Røysland and Armstrong acknowledge the complexity of the songs, addressing different layers, including romantic as well as divine allegory. The authors also address the band’s troublesome lyrics, with an entire chapter devoted to “Sunday Bloody Sunday,” as well as the role of multidirectional memory and significant places, so-called lieux de mémoire, in U2’s dealings with a ranger of historical conflicts and crises. They further examine how music plays an important part in the path of healing from traumatic wounds, analysing the reception of the songs. Ultimately, it is suggested, U2 shows us how to get “through the night.”

Chronicles the period in rock music often called the "video age," discussing early video pop stars, punk and underground artists, new wave, heavy metal and glam-metal, women rockers, rap, humanitarian efforts, and rock music in movies. Also provides a chronology, an A-Z guide to the period, and lists of top-selling recordings, important albums, and further resources, including print works, Web sites, films, and museum collections.

Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system.