Illuminates the previously unrecognized role of Jews and Judaism in early English writing and society

"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920

Typologia presents more or less graphically Frederic Goudy's work in type design and describes his own methods of type production. His remarks on type legibility and fine printing, as presented in the body of the book, present the conclusions of a craftsman intensely interested in every phase of typography. The book itself, which Goudy was asked by the University of California Press to write, plan, and supervise, has been set in a type designed by Goudy and and first employed for the exclusive use of the University–University of California Old Style.

This masterful work by Dr. Laurie Olsen uncovers the behind-the-scenes story of the Dogmatic Constitution on the Church Lumen Gentium VIII based on unpublished records from the Vatican Apostolic Archives, including internal memoranda, private notes, never-before-heard audio recordings of closed-door sessions, and more. This monumental achievement of archival research provides a window into what really happened at Vatican II—the council’s inner workings and maneuvers to steer Lumen Gentium VIII in a direction that would profoundly affect marian devotion and the study of mariology from that moment on.

This book is available in open access thanks to the generous support of the Adam Mickiewicz University, Poznań This is the first monographic study of the reception of Herman Hugo's emblem book Pia desideria (1624) in the Polish-Lithuanian Commonwealth. It discusses ten different translations and adaptations, showing how the engravings, elegies and exegetical extracts of the original edition were used by Polish-speaking authors. Attention is also given to the reception of the engravings in paintings. Furthermore, the author examines the reasons for the book's popularity, proving that it was determined by the interest of women who did not know Latin, yet constituted the most important target group for the numerous and varied Polish adaptations.

In The Space That Remains, Aaron Pelttari offers the first systematic study of the major fourth-century poets since Michael Robert's foundational The Jeweled Style. It is the first book to give equal attention to both Christian and Pagan poetry and the first to take seriously the issue of readership. As Pelttari shows, the period marked a turn towards forms of writing that privilege the reader's active involvement in shaping the meaning of the text. In the poetry of Ausonius, Claudian, and Prudentius we can see the increasing importance of distinctions between old and new, ancient and modern, forgotten and remembered. The strange traditionalism and verbalism of the day often concealed a desire for immediacy and presence. We can see these changes most clearly in the expectations placed upon readers. The space that remains is the space that the reader comes to inhabit, as would increasingly become the case in the literature of the Latin Middle Ages.