"This richly illustrated book guides readers through four centuries of visual and trade history, equipping them to contextualize the aesthetics and production of typography in a way that is practical, engaging, and relevant to their practice. It is fully illustrated throughout with 200 color images of type specimens and related ephemera, and written for design educators, advanced design students, design practitioners, and type aficionados"--

Curated by renowned type designer Tobias Frere-Jones, this collection features fifty postcards drawn from his extraordinary personal collection of type specimen books. These stunning cards feature typography from four countries: the United States, Great Britain, France, and Germany.

Type Specimens introduces readers to the history of typography and printing through a chronological visual tour of the books, posters, and ephemera designed to sell fonts to printers, publishers, and eventually graphic designers. This richly illustrated book guides design educators, advanced design students, design practitioners, and type aficionados through four centuries of visual and trade history, equipping them to contextualize the aesthetics and production of type in a way that is practical, engaging, and relevant to their practice. Fully illustrated throughout with 200 color images of type specimens and related ephemera, the book illuminates the broader history of typography and printing, showing how letterforms and their technologies have evolved over time, inspiring and guiding designers of today.

The Laboratory for Vertebrate Paleontology at the University of Allberta houses type specimens of fossil fishes. This book is a catalogue of these specimens. Included for each entry is taxonomy, detailed collection locality information, the citation wherein the species was originally described, and a list of individual type specimens. This is the first list ever compiled of the fossil fish types deposited in the collections of the University of Alberta Laboratory for Vertebrate Paleontology (UALVP). This collection contains 88 fish holotypes, 966 fish paratypes, 55 casts of fish holotypes from other museums, and 20 casts of fish paratypes from other museums. Key selling features: List all of the type specimens of fossil fishes currently housed in the collection of the Laboratory of Vertebrate Paleontology at the University of Alberta in Edmonton, Canada. Provides details of all 88 holotypes and nearly 1000 paratypes as well as casts of types specimens held in other museum collections. Includes information on unpublished "types" - type specimens of not yet described new species.

The Plantin-Moretus Museum has one of the world's richest collections of type specimens, many surviving nowhere else. They include types by Garamont, Granjon, Van den Keere, Briot, Van Dyck, Kis, Fournier, Rosart, Gille, Didot and many other masters from the fifteenth to the nineteenth century. Since the Plantin-Moretus printing office acquired most of the specimens when new, moreover, the collection as a whole tells a story in a way that collections assembled piecemeal in the nineteenth and twentieth centuries cannot. Finally, the Museum's archives help to document the origins of many specimens. This first detailed catalogue of the Museum's specimens reports the styles and sizes of type shown, describes the structures and paper stocks, notes relations with other specimens in the collection and elsewhere, and provides references to literature on many of the individual types shown. Preliminary notes on the type founders and printers who issued the specimens include chronologies of the foundries and information on the origins of their materials, sometimes supplemented with information about the history of the firms and the genealogy of the founders. Nearly all of the nineteen specimens illustrated at their original size appear here for the first time, and extensive indexes make this book a powerful reference tool for type specimen enthusiast and printing historians.