The ancient myth of a battle between a Divine Warrior and a primordial monster undergoes significant development in postbiblical and rabbinic literatures. This development is the focus of the present study.

"A certain king built himself a palace and summoned two persons to decorate it for him. The king divided his palace into two parts, putting one person in charge of one half and the second in charge of the other. One of the persons decorated his part of the palace with beautiful paintings of birds and animals. But the second person painted his half of the palace with black dye which was reflecting everything like a mirror. When the king came to judge the two decorations, everything he had seen in the first person's part he also saw in the second's part, since it was reflected in its black dye like in a mirror. Not only that, but even all the king could wish to put in the first half of his palace appeared in the second half. This found favor in the eyes of the king"--

A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.

The entire world had changed. Demons, monsters, ghosts, monsters, monsters, and monsters were rampant! An ordinary youth had stepped onto the path of defying the heavens! The first natives were furious, and the gods left Shang! Who was the chess player and who was the chess piece? Looking at the tens of thousands of struggles, I wield the Heaven's Pride Dao! This is a novel with a new theme. Please enjoy it slowly.

This eBook features the unabridged text of ‘The Magic of Oz by L. Frank Baum - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of L. Frank Baum’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Baum includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Magic of Oz by L. Frank Baum - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Baum’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

The second book in the Lirieia's Children trilogy follows Anarion, Teryl, the Gryffin and the Orryn as they go up against the Lord Defender in earnest. To defeat him they must learn new skills and gain more allies. They must delve into history and into themselves, discovering that sometimes the truth is not what you wish it was. Picking up where Prophecy left off, Affirmation explodes fearlessly into new territory: the desert, the sea and into the heart of the Lord Defender himself. What leads a person to travel down the path of darkness? Find out as you continue your own journey through the Lirieia's Children trilogy of novels. Magic, adventure, courage, friendship: Affirmation!

In Pre-Nicene Christology in Paschal Contexts Dragoş A. Giulea re-examines the earliest texts related to the festival of Easter in light of Second Temple traditions. Commonly portrayed as sacrificial lamb, the key actor of the paschal narrative is here designated as heavenly Kabod, Divine Image, King of the Powers, celestial Anthropos, Demiurge, Son of Man, each of these divine names implying a corresponding soteriological function. Dragoş A. Giulea indicates as well that the Greek philosophical vocabulary and certain idioms of the mystery religions inspired new categories which reshaped the traditional way of describing the nature of celestial entities and the epistemological capacities able to access these realities. Thus, the King of the Powers, or the Son of Man, is several times described as a noetic Anthropos, while initiation and noetic perception become the appropriate methods of accessing the divine.

"A three-foot-long blade wielded the power of the sword in the martial arts world. It is a blessing in disguise." "With so many beauties around, countless heroes have to bow in front of them." How many of the children of the martial arts world were buried in other villages, and how many heroes were unable to extricate themselves from their power and desire? It was the story of modern people traversing the ancient martial arts world, unwittingly seeking their own name, admitting themselves as masters, travelling the martial arts world, and pursuing martial arts. Close]

This study investigates the Old Greek translation of Job regarding its text, Vorlage, translation technique, literary contexts, and theological profile. To situate OG Job within its ancient contexts, both the strategies employed by the translators and the literary profile of the translated text have to be taken into account. Thus, an approach is employed encompassing a thick description of translational strategies; and a reading of the translated text in its own right. This framework is applied in an investigation of God’s answer to Job in OG Job 38:1-42:6. The results show that the translators worked from a Vorlage similar to, but not fully identical with MT, and produced a coherent, stylized text. The transformations undertaken, including double translations, intertextual renderings, minuses, small-scale rewritings and paraphrases, can be situated in an environment influenced by Greek educational and philological practices, but are also deeply indebted to Jewish scribal traditions. While not introducing sweeping theological changes, the translation nevertheless shows a tendency to emphasize divine sovereignty. The study thus contributes to a deeper understanding of this important witness to the book of Job an Jewish literature in the Hellenistic period.