The follow-up to Tangled Threads, Margaret Dickinson's Twisted Strands follows the dramatic highs and lows of the Hardcastle family as they endure the upheaval caused by war. It is 1914, and Eveleen Hardcastle, now in in her early thirties, has married Richard. As the First World War breaks out, Eveleen, a sophisticated young woman, is left to manage the factory while Richard goes off to fight for his country. Eveleen's mother Mary has found happiness at last in her marriage to Josh. Her young granddaughter, Bridie, still lives at home, and is beautiful, but has a spirited, strong will which her grandmother finds hard to control. Bridie is secretly besotted with her godfather, Andrew, whom she is convinced she will marry when she is older. While the war plays out, Bridie becomes a nurse, looking after wounded soldiers billeted in the local Lincolnshire and Nottinghamshire stately homes and there finds a vocation that is both rewarding and gives her a maturity beyond her years . . .

In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County—to Boston, to southern Vermont, to Toronto—pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them. In a story spanning five decades, Last Night in Twisted River depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” What further distinguishes Last Night in Twisted River is the author’s unmistakable voice—the inimitable voice of an accomplished storyteller.

A NEW YORK TIMES EDITORS’ CHOICE NAMED A BEST BOOK OF THE YEAR BY TIME , NPR, INSTYLE, AND GOOD HOUSEKEEPING “A sensational new book [that] tries to figure out whether it’s possible to live an ethical life in a capitalist society. . . . The results are enthralling.” —Associated Press A timely and arresting new look at affluence by the New York Times bestselling author, “one of the leading lights of the modern American essay.” —Financial Times “My adult life can be divided into two distinct parts,” Eula Biss writes, “the time before I owned a washing machine and the time after.” Having just purchased her first home, the poet and essayist now embarks on a provocative exploration of the value system she has bought into. Through a series of engaging exchanges—in libraries and laundromats, over barstools and backyard fences—she examines our assumptions about class and property and the ways we internalize the demands of capitalism. Described by the New York Times as a writer who “advances from all sides, like a chess player,” Biss offers an uncommonly immersive and deeply revealing new portrait of work and luxury, of accumulation and consumption, of the value of time and how we spend it. Ranging from IKEA to Beyoncé to Pokemon, Biss asks, of both herself and her class, “In what have we invested?”

"A breathless adventure both starry-eyed and cool-blooded, both charming and diabolical." --A.J. FINN, #1 New York Times bestselling author of The Woman in the Window "Crackling with full-throttle tension . . . An electrifying novel." --ROBERT CRAIS, author of the bestselling Elvis Cole novels An epic Vegas heist. A high-octane international romance. A charismatic thief forced to orchestrate one final, treacherous job to save his family. When Alex Cassidy and Diane Alison meet at a party in Princeton, New Jersey, the chemistry between them is instant and undeniable. She's a single mother, local fixture, and owner of a successful catering company. He's a single father and weekend homeowner -- and leader of an armed-robbery crew that just pulled off a record-breaking, precision jewel heist in Las Vegas. Neither one realizes that their lives have overlapped before, and that the shared history they uncover will threaten everyone they love. Swept up in their burgeoning relationship, Diane joins Alex at his beach house in Tulum, where Alex decides to leave his life of crime behind. It begins as a postcard-perfect weekend until an entanglement with a powerful cartel forces Alex to mastermind one final and unthinkably dangerous job. What ensues is an explosive, adrenaline-soaked journey through the moneyed landscapes of Mexico and Europe, where ghosts from the past collide with unexpected perils in the present. As Alex and Diane fight for their lives, they discover that they're not the only ones with secrets--and that those closest to us pose the greatest danger of all. Propulsive, deeply suspenseful, and layered with mesmerizing twists, Love and Theft is a sophisticated thriller about the illusion of control and the high price of past transgressions.