The urban population is becoming increasingly diverse and growing (ethnic) diversity is having a singular effect on nightlife in Dutch cities. By studying the motivation behind and nightlife choices of the young people who participate in ethno-party scenes, Boogaarts-de Bruin investigates how the changing urban population affects the supply side of the nightlife market using an analytical model she has developed and which she calls the model of structured choice. This approach is sensitive to the flexible use of the processes of agency and structure due to the systematic distinction that it makes between societal and personal factors. Accordingly, it is revealed that in order to analyze and adequately explain the nightlife experiences of and choices made by ethnic youngsters, an integrated model is required which centralizes the interaction between the structural strategies of the producers on the one hand and the personal preferences and agency of the consumers on the other. What is more, this book demonstrates that nightlife has changed because of the increasing ethnic diversity of the Dutch population. Finally, in the epilogue, the fieldwork results are discussed in light of the currently heated debate regarding the integration processes of ethnic minority young people (in nightlife).

"I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind." There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen. Michel Faber explores two big questions: how do we listen to music and why do we listen to music? To answer these questions, he considers a range of factors, which includes age, illness, the notion of "cool," commerce, the dichotomy between "good" and "bad" taste and much more. From the award-winning author of The Crimson Petal and the White and Under the Skin, this idiosyncratic and philosophical book reflects Michel Faber's lifelong obsession with music of all kinds. Listen will change your relationship with the heard world.

In postcolonial theory we have now reached a new stage in the succession of key concepts. After the celebrations of hybridity in the work of Homi Bhabha and Gayatri Spivak, it is now the concept of diaspora that has sparked animated debates among postcolonial critics. This collection intervenes in the current discussion about the 'new' diaspora by placing the rise of diaspora within the politics of multiculturalism and its supercession by a politics of difference and cultural-rights theory. The essays present recent developments in Jewish negotiations of diasporic tradition and experience, discussing the reinterpretation of concepts of the 'old' diaspora in late twentieth- century British and American Jewish literature. The second part of the volume comprises theoretical and critical essays on the South Asian diaspora and on multicultural settings between Australia, Africa, the Caribbean and North America. The South Asian and Caribbean diasporas are compared to the Jewish prototype and contrasted with the Turkish diaspora in Germany. All essays deal with literary reflections on, and thematizations of, the diasporic predicament.

Desire, a spark, and a decision made too fast. A Las Vegas stripper is plunged into the depraved world of a psychopath. But is she the only target of his twisted desires? A regular Sunday night in a Las Vegas strip club is rocked when a local oddball dies mysteriously during a private dance. Amber falls immediately in lust with the hot paramedic who arrives, and follows him outside. But her casual encounter quickly descends into a terrifying, twisted nightmare from which she is unable to escape. Five days later, it’s Lana’s next shift at the club. She’s a fly-in-fly-out dancer paying her way through law school – and she’s Amber’s best friend. But where is Amber, and what about the dead client? Was it an accident, suicide, or murder? Finding neither the police nor the club are taking much interest, Lana conducts her own inquiries. Thrust into a web of lies and deceptions she is determined to unravel, she's desperate to uncover the truth about the death, but the person she most needs to speak to is Amber. An addictively dark, psychological thriller, Isobel Blackthorn's 'Twerk' exposes the working lives of strippers beyond the glamor - the challenges, the rewards, and the risks.

The two decades following the collapse of the Soviet Union brought great changes to the new nations on its periphery. This text offers a detailed ethnographic look at one area of change - the use and understanding of public space in the region's cities.

Dancing to Learn: Cognition, Emotion, and Movement explores the rationale for dance as a medium of learning to help engage educators and scientists to explore the underpinnings of dance, and dancers as well as members of the general public who are curious about new ways of comprehending dance. Among policy-makers, teachers, and parents, there is a heightened concern for successful pedagogical strategies. They want to know what can work with learners. This book approaches the subject of learning in, about, and through dance by triangulating knowledge from the arts and humanities, social and behavioral sciences, and cognitive and neurological sciences to challenge dismissive views of the cognitive importance of the physical dance. Insights come from theories and research findings in aesthetics, anthropology, cognitive science, dance, education, feminist theory, linguistics, neuroscience, phenomenology, psychology, and sociology. Using a single theory puts blinders on to other ways of description and analysis. Of course, all knowledge is tentative. Experiments necessarily must focus on a narrow topic and often use a special demographic—university students, and we don’t know the representativeness of case studies.

Im zentralasiatischen Kirgistan, einst Teil der Sowjetunion, liegt die Stadt Osch. Sie gilt als Zentrum von Islamismus, politischer Instabilität und Entwicklungshilfe. Doch sie ist zugleich von der Globalisierung in all ihren Facetten geprägt. Stefan B. Kirmse zeigt, was dies für den Alltag junger Menschen bedeutet: Sie sind in besonderer Weise wirtschaftlichen Zwängen und sozialem Druck unterworfen. Sie bewegen sich zwischen globalen Medien, religiösen Strömungen und westlichen Geldgebern und nutzen globale Verflechtungen auf vielfältige Art. Ein ethnografisches Porträt, das Erfahrungen von Postsozialismus und Globalisierung im muslimischen Raum miteinander verbindet. The Central Asian Republic of Kyrgyzstan, formerly part of the Soviet Union, is home to the city of Osh - a city renowned as an epicenter of Islamism and political instability. Yet, it is also shaped by globalization in all its manifestations. Stefan Kirmse explores what this means for young people's everyday lives. He shows that youth move between global media, religious groups and Western donors, crafting their own unique experiences of globalization in an ongoing process of bricolage. At the same time, they are subject to particular economic constraints and communal expectations.

Fifty years of feminist thought have made the idea that women stay at home while men dominate the streets seem outdated; nevertheless, Ceuterick argues that theoretical considerations of gender, space, and power in film theory remain limited by binary models. Looking instead to more fluid models of spatial relations inspired by Sara Ahmed, Rosi Braidotti, and Doreen Massey, this book discovers wilful, affirmative, and imaginative activations of gender on screen. Through close, micro-analysis of historic European Messidor (Alain Tanner, 1979) and contemporary world cinema: Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book identifies affirmative aesthetics: light, texture, rhythm, movement and sound, all of which that participate in a rewriting of bodies and spaces. Ultimately, Ceuterick argues, affirmative aesthetics can challenge the gender categories and power structures that have been thought to determine our habitation of cars, homes, and city streets. Wilful women drive this book forward, through their movement and stillness, imagination and desire, performance and abjection.